Overview of the Collection
|
| |
Repository Name:
|
|
University of Oregon Libraries
Special Collections & University
Archives
1299 University of Oregon
Eugene, OR 97403-1299
URL: http://libweb.uoregon.edu/speccoll/index.html
|
| |
Collection Number:
|
|
Coll.
206
|
|
| |
Creator:
|
|
Stafford, Kim Robert
|
|
| |
Title:
|
|
Kim Robert Stafford Collection
|
|
| |
Dates:
|
|
1972-1989 (inclusive)
|
|
| |
Quantity:
|
|
3.55 linear feet
7 containers
|
|
| |
Languages:
|
|
Collection materials are in English.
|
| |
Summary:
|
|
Kim Stafford is a writer from the
Pacific Northwest. His poetry and essays focus on the relationship of people
with nature and social custom. Stafford places great value on folklore and
bases much of the research for his own writing on the study of folk custom and
oral history. He has taught and served as an artist-in-residence throughout the
state of Oregon and in Washington, Idaho, and California. He regularly offers
poetry readings and writing workshops and is active as a printer. The majority
of the collection of Kim Stafford’s work encompasses books and other printed
material, including periodicals and newspapers. Also included are photographs,
videos, broadsides, and printed flyers.
|
| |
Biographical Note
Kim Robert Stafford was born on October 15, 1949 in Portland, Oregon,
one of four children of Dorothy and William Stafford, who was also a poet.
Stafford’s interest in nature dominates his poetry and essays, which focus on
the relationship of people with nature and social custom.
Kim Stafford has spent most of his life in the Pacific Northwest,
particularly in Oregon. He received his college and graduate education at the
University of Oregon where he obtained his B. A. in 1971, his M. A. in 1973,
and his Ph.D. in Middle English Literature in 1979. In addition to a fellowship
for graduate study at the University of Oregon from 1971-1974, Stafford
received creative writing fellowships from the National Endowment for the Arts
in 1976 and 1984.
During the 1970s Stafford began an intense study of printing in Port
Townsend, Washington, where he assisted Graywolf Press in the production of
printed works of several poets. He has made a practice of regularly issuing
postcard editions of his poems from his own press, Ashwood Press.
Stafford places great value on folklore and bases much of the research
for his own writing on the study of folk custom and oral history. He served as
an oral historian for the Siuslaw Pioneer Museum in Florence, Oregon, in 1975.
Stafford’s interest in folk literature led to his regular attendance and
support of the Cowboy Poetry Gathering, held annually in Elko, Nevada. In
January 1990 he gave the Gathering’s keynote address.
Kim Stafford has steadfastly pursued his creative work in Oregon. He
has taught and served as an artist-in-residence throughout the state of Oregon
and in Washington, Idaho, and California. He was an artist-in-residence in
Burns, Oregon (1975) and Wallowa, Oregon (1978). Stafford taught at Pacific
Lutheran University (1980), Idaho Sate University (1981-1982), and the
University of California at Davis (1983-1984). He began teaching in 1978 at
Lewis and Clark College, and became director of the Northwest Writing Institute
(Oregon Writing Project).
A steady contributor to many literary journals, Stafford describes
himself as a “professional eavesdropper,” and relies on his daily journal as a
source for his writing projects. In 1976 he published a collection of his own
poetry,
A Gypsy’s History of the World, and
contributed to a collection of poetry by his father,
Braided Apart. Stafford continues to
publish collections of his poetry and prose. His collection of essays,
Having Everything Right, won a special
award in 1986 from the Western States Arts Foundation.
Stafford has contributed to many Northwest as well as national poetry
and literary journals. In Oregon, his work frequently appears in
The Oregonian supplement of
Northwest Magazine in the poetry section
as well as in feature articles. He regularly offers poetry readings and writing
workshops and is active as a printer.
Arrangement
Collection is organized by category of publication or production format into the following series, which are arranged in alphabetical order by title:
- Series I: Books by Kim Stafford or containing work by Kim Stafford
- Series II: Periodicals containing articles, essays, and reviews by Kim Stafford
- Series III: Programs containing essays by Kim Stafford
- Series IV: Newspapsers containing poems and essays by Stafford
- Series V: Photocopies of poems and essays by Kim Stafford
- Series VI: Works edited by Kim Stafford
- Series VII: Works printed by Kim Stafford
- Series VIII: Northwest Writing Institute flyers and newsletters
- Series IX: Press catalogues, flyers, and advertising postcards
- Series X: Northwest Writing Institute flyers and newsletters
- Series XI: Letters from Kim Stafford to James Henry
- Series XII: Photocopies of selected letters from James Henry to Kim Stafford
- Series XIII: Letters from publishers to James Henry (unless otherwise noted)
- Series XIV: Photographs
- Series XV: Video and sound recordings
- Series XVI: Broadsides
- Series XVII: Ephemera
- Series XVIII: Printed material, flyers,
and catalogues with work by William Stafford (many signed by William Stafford)
- Series XIX: Thelma Greenfield addendum, including broadsides, books and correspondence
Content Description
Given the variety and rarity of Stafford’s publications, this
collection is remarkably complete to date (September, 1990). All of the books
in this collection have been removed from the manuscript collection but are
available in Rare Books.
Stafford has produced several books, including two for which he shares
authorship with his father William Stafford:
Braided Apart (1976) and
That Meeting Place: Poems (1979). The
collection also includes Stafford’s award-winning collection of essays,
Having Everything Right (1986), as well as
his latest collection of poems about local character,
Places and Stories. Within this category
are also two books which present some of Stafford’s ideas and examples about
teaching writing:
Twenty-three Ways of Holding Still and
Thirty-Seven Ways of Holding Still: Poems Written
at Wallowa School and Assignments as Given (1978), which contain
exercises for grade school students supplementing the examples of the work of
Stafford’s students from Idaho and eastern Oregon primary and secondary
schools.
Books containing contributions by Kim Stafford date from 1983 through
1988. These include Stafford’s introduction to a collection of essays in honor
of his advisor and Middle English scholar Stanley Greenfield,
Modes of Interpretation in Old English
Literature (1986). Also included is
Idaho Place Names (1988) by Lalia Boone,
which contains a poem by Stafford as the frontispiece.
Stafford is a prolific contributor to national and Northwest literary
journals, many of which have had short lives on the market. The collection of
journals with Stafford’s poetry includes 47 journals, some with several issues
containing Stafford’s work. These range from well-know journals such as the
Atlantic Monthly,
Poetry Northwest, and the
South Carolina Review, to rare issues of
Permafrost,
Mister Cogito, and other ephemeral
periodicals. The earliest published poem in the collection dates from 1971-1972
(
Northwest Review), with the majority of
entries dating from 1975-1980.
The section containing Stafford’s essays, articles, and reviews is
represented by a collection of 15 periodicals. These include short stories and
reviews, as well as articles about others, such as “He Found This Great
Strength,” the
Idaho Foxfire Network, which describes the
last days of Lloyd Reynolds, scholar, artists, and friend of Stafford. This
category also contains an interview with Kim Stafford about his writing (
Mossy Creek Journal, 1988).
James Henry kept a cross-reference index of all of Stafford’s poems
and essays. Henry’s file is kept in the Special Collections Reading Room.
As an artist-in-residence, Kim Stafford often collected and published
the work of his students in booklets. These are represented in the category of
work edited by Kim Stafford and include rare copies of the poetry by students
at Lewiston, Idaho (1975); Enterprise, Oregon (1978); Lincoln Junior High,
Burns, Oregon (1980); Redmond, Oregon (1980); and Washington High School,
Portland, Oregon (1981).
Three programs contain work by Kim Stafford.
Cityfolk (1981) and
Cowboy Poetry Gathering (1987 and 1989)
feature Stafford’s essays.
Newspapers containing poetry and essays by Kim Stafford were collected
by the donor. The majority of Stafford’s works are represented here in issues
of
The Oregonian or its supplement,
Northwest Magazine, together with
Stafford’s contributions to the
Elko Daily Free Press and
Fresh Weekly (
Willamette Week) dating from 1980 to 1989.
Because the donor had Kim Stafford autograph nearly every entry of the
collection, the original newspapers have been preserved and kept in a separate
box at the end of the collection.
Whenever James Henry could not find original issues of journals or
publications containing Stafford’s work, he obtained photocopies. Many of these
copies duplicate original issues in the collection. The copies are represented
in 21 titles and numerous issues.
Also included in the collection are undated press catalogues and
flyers, as well as advertising postcards for Stafford’s own work or books and
periodicals to which he contributed.
As director of the Northwest Writing Institute at Lewis and Clark
College in Portland, Oregon, Stafford contributed regularly to the institute’s
newsletter. In addition to newsletters from 1988 through 1990, the collection
also contains flyers advertising workshops and events at the Institute from
1987 to 1989.
A few newspaper articles about Kim Stafford also appear in this
collection and feature Stafford’s work as a judge in the Young Writers Fiction
Contest (1988), as head of a conference on writing (1989), his award for
Having Everything Right (1986), as well as
other events in which Stafford participated.
James Henry and Kim Stafford began corresponding in March 1981 when
Henry began a serious collection of Stafford’s work. Their correspondence
currently includes letters through November 1989 and reveals the wide-ranging
interest, activities, and jobs that Kim Stafford took on during this period,
and the slow process of assembling the materials for this collection which
required Henry’s persistence. A selection of James Henry’s letters to Kim
Stafford, which were photocopies from Stafford’s files, is also included. This
correspondence highlights the effort involved by the collector as well as the
firm friendship and respect between Stafford and Henry in their struggle as
writers.
Also included among the correspondence are James Henry’s replies from
publishers to his requests for copies of their journals. These have been
arranged according to publishers rather than by addressee to coordinate them
with the publications in the collection. The inventory identifies the names of
all correspondents.
Numerous photographs of Stafford appear throughout the journal and
newspaper articles of this collection. Also available is one autographed 8 by
10 inch photograph of Kim Stafford and his father.
During the 1970s the Oregon Humanities Foundation produced a
television series on Northwest Writers. A video featuring Kim Stafford as part
of the Visiting Writers Series is included in this collection. An audiocassette
recording of Stafford’s keynote address to the Cowboy Poetry Gathering at Elko,
Nevada in January 1990 is also included.
Some of Stafford’s poetry has been printed in limited editions by
others. The largest (18” x 24”) in the collection is the Breakwater Broadside
Series I, which included Stafford’s “The Bears” (1980). “The Rocking Chair”
(1980) and “A Woman and a Bear” (1985) also include illustrations.
Kim Stafford’s father, William Stafford, is a nationally acclaimed
post whose work James Henry began collecting before he began collecting Kim
Stafford’s work. Some of the periodicals include poems by William Stafford who
has autographed most of them. These are listed in a separate category, although
the publications may be found within he appropriate category of Kim Stafford’s
work.
The works donated to this collection by Thelma Greenfield are of a
personal nature, most dating from Stafford’s frequent contact with the
Greenfields when he was a student at the University of Oregon. The one piece of
correspondence, a letter dated June 13, 1989, contains a draft of one of
Stafford’s essays. The remaining items, made during the early 1970s, include
several broadsides and a small handmade book which features Stafford’s poetry
and photographs taken by Stafford.
Other Descriptive Information
The major portion of this collection of works by Kim Stafford is one
of three collections donated to the University of Oregon Library by James Henry
during 1989 and 1990. Thelma Greenfield donated additional materials for
inclusion in the collection in 1990. This introductory section provides
information regarding the donors James Henry and Thelma Greenfield; other
sections include a biography of Kim Stafford, a scope and content note, and a
box-by-box inventory of the collection.
James Henry was born in Oakland, California on July 26, 1908 and spent
most of his youth in the oil country of southern California. In 1927 he went to
work at the Shell Oil Refinery in Martinez, California where he remained until
1941. During the second World War, Henry served in the Air Force as an airplane
and engine mechanic. At the conclusion of the war, Henry continued to work as
an airplane mechanic at the San Francisco and Oakland Airports. He retired in
1968 and has lived in The Dalles, Oregon since 1979.
Over the years, Henry’s activities have ranges from touring California
by motorcycle to long distance running, but by far his deepest and most
compelling interests are the English language, modern literature, and book
collecting. Henry has written on Thomas Wolfe and Jack London, and he had done
extensive research on colloquial American English. An avid book collector,
Henry had put together outstanding collections on such writers as George
Sterling, Jack Kerouac, Herbert Gold, and William and Kim Stafford.
In assembling these book collections, Henry has shown himself to be an
adept sleuth and a fine scholar in compiling publication histories. Many times
he has ferreted out materials long considered lost by their authors and
publishers. Henry has demonstrated his respect for writing and scholarship by
donating these assembled collections to libraries in California and Oregon
where they can be read and enjoyed by a wide audience.
James Henry first became interested in Kim Stafford’s work in 1980
while assembling a collection of materials by William Stafford, Kim’s father.
Over the years, through correspondence with publishers and Kim Stafford and
careful searching, Henry has put together an important collection of materials
produced by Kim Stafford. During this time Henry took an active interest in Kim
Stafford and his creative endeavors. The two men have been in frequent contact
since 1980 and have developed a close friendship. Henry donated this collection
to the University of Oregon Library during 1989 and 1990.
In 1979 Kim Stafford received his doctorate in Middle English
literature from the University of Oregon. His advisor Stanley Greenfield and
Greenfield’s wife, Thelma, became good friends with Kim Stafford during the
course of his studies at the University of Oregon. In 1990, Thelma Greenfield
donated gifts of broadsides, a book, and correspondence (which includes the
draft of an essay) to add to this collection.
Administrative Information
Separated Materials Books in this collection have been cataloged and removed to the Rare Books Collection.
Use of the Collection
Restrictions on Access Collection is open to the public.
Collection must be used in Special Collections & University
Archives Reading Room.
Restrictions on Use Property rights reside with Special Collections & University
Archives, University of Oregon Libraries. Copyright resides with the creators
of the documents or their heirs. All requests for permission to publish or
quote from manuscripts must be submitted to the Manuscripts Librarian in
Special Collections & University Archives. The reader must also obtain
permission of the copyright holder.
Preferred Citation [Identification of item], Kim Robert Stafford Collection, Coll. 206,
Special Collections & University Archives, University of Oregon Libraries,
Eugene, Oregon.
Subjects
This collection is indexed under the following headings in the online
catalog. Researchers desiring materials about related topics, persons, or
places should search the catalog using these headings.
|
| |
| Stafford, Kim Robert--Archives |
| American literature--20th
century |
| American poetry--20th
century |
| Authors, American--20th
century |
| Poets, American--20th
century |
| Greenfield, Thelma N.--Corresponence (correspondent) |
| Henry, James, 1908---Corresponence (correspondent) |
| Broadsides |
| Sound recordings |
| Videotapes |
| Other Creators : |
| Greenfield, Thelma N. (collector) |
| Henry, James, 1908- (collector) |
| Stafford, William, 1914- |
Detailed Description of the Collection
The following section contains a detailed listing of the materials in
the collection.
| |
Series I:
Books
|
| |
Description
|
|
Dates
|
| |
|
|
Books by Kim Stafford
|
|
|
| |
|
|
Braided Apart: Poems, by Kim
Robert Stafford and William Stafford; Confluence Press
|
|
1976 |
| |
|
|
The Granary: Poems,
Carnegie-Mellon University Press
|
|
1982 |
| |
|
|
A Gypsy’s History of the World,
Copper Canyon Press
|
|
1976 |
| |
|
|
Having Everything Right,
Confluence Press
|
|
1986 |
| |
|
|
The Middle English Pearl and the Art of
Translation, Typescript of dissertation
|
|
1979 |
| |
|
|
Places and Stories,
Carnegie-Mellon University Press
|
|
1987 |
| |
|
|
That Meeting Place: Poems, by
William Stafford and Kim Robert Stafford; Gypsy Press
|
|
1979 |
| |
|
|
Thirty-seven Ways of Holding Still:
Poems Written at Wallowa School and Assignments as Given, Gypsy
Press
|
|
1978 |
| |
|
|
Twenty-three Ways of Holding Still:
Poems Written at Wallowa School, Gypsy Press
|
|
1978 |
| |
|
|
Books containing articles,
essays, or reviews by Kim Stafford
|
|
|
| |
|
|
Idaho Place Names, by Lalia
Boone; University of Idaho Press; frontispiece poem by Kim Stafford
|
|
1988 |
| |
|
|
James Welch, by Ron McFarland;
Confluence Press
|
|
1986 |
| |
|
|
Modes of Interpretation in Old English
Literature: Essays in Honor of Stanley Greenfield; Phyllis Brown, et.
al. eds.; University of Toronto Press; foreword by Kim Stafford
|
|
1986 |
| |
|
|
Present Tense, by Magic Circle
Dance Theatre; program notes by Kim Stafford
|
|
June 1988 |
| |
|
|
Rain in the Forest, Light in the
Trees, Owl Creek Press
|
|
1983 |
| |
|
|
The Spider Anthology; Arachne’s
Muse Foundation
|
|
1983 |
| |
|
|
Three Rivers, Ten Years,
Carnegie-Mellon University Press (University of Pittsburgh Press)
|
|
1983 |
| |
|
|
The Truth About the Territory:
Contemporary Nonfiction from the Northwest; Rich Ives, ed.; Owl Creek
Press (two copies: hardback and paperback)
|
|
1987 |
| |
|
|
Writer’s Northwest Handbook,
written and edited by Media Weavers, 2d ed., “Some Remedies for Writer’s
Block,” by Kim Stafford
|
|
1986 |
| |
Series II:
Periodicals
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Periodicals containing poems by
Kim Stafford
|
|
|
| |
|
|
Atlantic Monthly, "Feather Bag,
Stick Bag," Vol. 257, No. 4 (two copies)
|
|
April 1986 |
| |
|
|
Beloit Poetry Journal, “Washing
Hands,” Vol. 27, No. 1
|
|
Fall 1976 |
| |
|
|
Beloit Poetry Journal, “A
Gypsy’s History of the World,” Vol. 27, No. 1
|
|
Fall 1976 |
| |
|
|
Calapooya Collage II, “Possum
Dream”
|
|
Summer 1987 |
| |
|
|
Carolina Quarterly, “Letter to
Phil,” Vol. 32, No. 3
|
|
Fall 1980 |
| |
|
|
Clearwater Journal, “The
Southern Hills,” Vol. 1, No. 1
|
|
Winter 1982 |
| |
|
|
Clearwater Journal, “The Bones,”
Vol. 1, No. 1
|
|
Winter 1982 |
| |
|
|
Cutbank, “Driving Through the
Storm,” No. 8
|
|
Spring 1977 |
| |
|
|
Cutbank, “Cadillac,” No.
17
|
|
Fall/Winter
1981 |
| |
|
|
Dalmo’ma, “Living Basket House,”
Vol. 1, No. 2
|
|
January 1978 |
| |
|
|
Field, “Orcas Island,” No. 11,
(two copies)
|
|
Fall 1974 |
| |
|
|
Field, “Medieval Prayerbook,”
No. 30
|
|
Spring 1984 |
| |
|
|
Gilt Edge, New Series, “The
Power that Softens Ice,” Vol. 2
|
|
1981 |
| |
|
|
The Greenfield Review, “Dawn of
the Moon,” Vol. 9, Nos. 1 and 2
|
|
Spring 1981 |
| |
|
|
Highway One, “Her Mother Tell
Her,” Vol. 7, No. 3
|
|
Fall 1984 |
| |
|
|
Highway One, “The Linguist
Catalogues the Seven-word Vocabulary of the Meadow Grasshopper,” Vol. 7, No.
3
|
|
Fall 1984 |
| |
|
|
The Hudson Review, “The
Lighthouse,” Vol. 32, No. 1
|
|
Spring 1979 |
| |
|
|
Jeopardy, “The Only Way,” Vol.
32, No. 1
|
|
Spring 1978 |
| |
|
|
Kaleidoscope, “Muffins,” Vol. 1,
No. 2
|
|
July 1977-August
1977 |
| |
|
|
Kaleidoscope, “The Orchard,”
Vol. 1, No. 2
|
|
July 1977-August
1977 |
| |
|
|
Kansas Quarterly, “Old Penny,”
Vol. 9, No. 3
|
|
Summer 1977 |
| |
|
|
Kansas Quarterly, “Civil War
Cemetery,” Vol. 9, No. 3
|
|
Summer 1977 |
| |
|
|
Kansas Quarterly, “Picnic,” Vol.
12, No. 3
|
|
Summer 1980 |
| |
|
|
Kansas Quarterly, “Salamander,”
Vol. 12, No. 3
|
|
Summer 1980 |
| |
|
|
Kayak 33, “Found Poem: Open Book
of Nature”
|
|
November 1973 |
| |
|
|
The Limberlost Review, “The
Family at Lost Lake,” No. 12
|
|
1984 |
| |
|
|
The Loon, “Duets,” No.
5
|
|
October 31,
1975 |
| |
|
|
The Loon, “Purchase,” No.
8
|
|
May 1, 1977 |
| |
|
|
Luckiamute, “Your Life,” No.
2
|
|
1973 |
| |
|
|
Luckiamute, “Asleep by Rebel
Creek,” No. 2
|
|
1973 |
| |
|
|
The Malahat Review, “Proposal,”
No. 48
|
|
October 1978 |
| |
|
|
The Malahat Review, “Fossil,”
No. 48
|
|
October 1978 |
| |
|
|
The Malahat Review, “A Sermon on
Eve,” No 61
|
|
February 1982 |
| |
|
|
The Malahat Review, “Sleeping in
the Barn,” No. 61
|
|
February 1982 |
| |
|
|
The Malahat Review, “Inheritance
at Wheatland,” No. 61
|
|
February 1982 |
| |
|
|
The Malahat Review, “Finding the
True Point of Beginning,” No. 61
|
|
February 1982 |
| |
|
|
The Malahat Review, “The Yew,”
No. 61
|
|
February 1982 |
| |
|
|
The Malahat Review, “The
Messengers,” No. 61
|
|
February 1982 |
| |
|
|
The Malahat Review, “The
Kindling,” No. 61
|
|
February 1982 |
| |
|
|
The Malahat Review, “No Port But
Passage,” No. 61
|
|
February 1982 |
| |
|
|
The Malahat Review, “Short
Story,” No. 61
|
|
February 1982 |
| |
|
|
The Malahat Review, “Wilma Tells
How They Moved Old Joseph’s Bones,” No. 74
|
|
March 1986 |
| |
|
|
Mid-American Review, “The
Parable of Growing Old,” Vol. 1, No. 2
|
|
Fall 1981 |
| |
|
|
Mid-American Review, “How Things
Are Broken But Continue,” Vol. 1, No. 2
|
|
Fall 1981 |
| |
|
|
Mister Cogito, “Residence in
Grizzly,” Vol. 2, No. 2
|
|
Fall 1975 |
| |
|
|
Mister Cogito, “Coinshooter,”
Vol. 2, No. 2
|
|
Fall 1975 |
| |
|
|
Montana Gothic, “The Moon,” No.
5
|
|
Winter 1977 |
| |
|
|
North American Review, “Root and
Feathers,” Vol. 261, No. 2
|
|
Summer 1976 |
| |
|
|
North Coast Poetry, “Autumn,”
No. 9
|
|
undated |
| |
|
|
Northwest Review, “Interstate
5,” Vol. 12, No. 1
|
|
Fall/Winter
1971-1972 |
| |
|
|
Northwest Review, “Gaberlunzie,”
Vol. 15, No. 3
|
|
1976 |
| |
|
|
Northwest Review, “Promises to
the Dead,” Vol. 17, No. 1
|
|
1978 |
| |
|
|
Northwest Review, “Vigilance,”
unsigned Vol. 17, No. 1
|
|
1978 |
| |
|
|
Northwest Review, “Losing One,”
Vol. 24, No. 3
|
|
1978 |
| |
|
|
The Ohio Review, “Nineteenth
Century News,” No. 36
|
|
1986 |
| |
|
|
Permafrost, “Opening the Book,”
Vol. 4, No. 1
|
|
Spring 1982 |
| |
|
|
Permafrost, “At Caesar’s Place:
Stateline Nevada,” Vol. 7, No. 1
|
|
Summer 1987 |
| |
|
|
Poetry Northwest, “historic
marker,” Vol. 16, No. 4
|
|
Winter
1975-1976 |
| |
|
|
Poetry Northwest, “The Rocking
Chair,” Vol. 20, No. 4
|
|
Winter
1979-1980 |
| |
|
|
Poetry Northwest, “Heartwood,”
Vol. 20, No. 4
|
|
Winter
1979-1980 |
| |
|
|
Poetry Northwest, “Schockley,”
Vol. 25, No. 2
|
|
Summer 1984 |
| |
|
|
Poetry Northwest, “There Are No
Names But Stories,” Vol. 26, No. 1 (two copies)
|
|
Spring 1985 |
| |
|
|
Portland, “Figurehead on the
Good Ship MaryAnne,” Vol. 6, No. 3
|
|
Summer 1987 |
| |
|
|
Portland Review, “Shaman,” Vol.
21
|
|
1975 |
| |
|
|
Portland Review, “Inside the
Fence: Tule Lake Internment Camp,” Vol. 22
|
|
1976 |
| |
|
|
Puerto del Sol, “Cove,” Vol. 14,
No. 1
|
|
Fall 1975 |
| |
|
|
Rapport 9, “Bum,” Vol. 3, No.
3
|
|
1976 |
| |
|
|
Rapport 9, “Boppums,” Vol. 3,
No. 2
|
|
Fall 1976 |
| |
|
|
Rapport 9, “Shire,” Vol. 3, No.
3
|
|
Fall 1976 |
| |
|
|
Raven, “Grandview, Oregon,” Vol.
2, No. 2
|
|
Summer 1973 |
| |
|
|
The Seattle Review, “Paulina
Rodeo,” Vol. 7, No. 2
|
|
Fall 1976 |
| |
|
|
The Seattle Review, “Having
Words with Belle,” Vol. 7, No. 2
|
|
Fall 1984 |
| |
|
|
The Seneca Review, “A Story I
Remember Hearing That No One Told,” Vol. 7, No. 1
|
|
June 1976 |
| |
|
|
Silverfish Review, “From
Corvallis,” No. 4
|
|
1981 |
| |
|
|
The Slackwater Review, “Dusk,”
Vol. 1, No. 1
|
|
Spring 1976 |
| |
|
|
The Slackwater Review, “Crow
Feather,” Vol. 1, No. 1
|
|
Spring 1976 |
| |
|
|
The Slackwater Review, “Climbing
the Wildcat Grade,” Vol. 1, No. 1
|
|
Spring 1976 |
| |
|
|
The Slackwater Review, “If We
Shed Our Names”
|
|
Spring 1984 |
| |
|
|
The Slackwater Review,
“Pocatello Light”
|
|
Spring 1984 |
| |
|
|
The Small Farm, “Early Riser,”
Nos. 4 and 5
|
|
October 1976-March
1977 |
| |
|
|
The Small Farm, “The Spring,”
Nos. 4 and 5
|
|
October 1976-March 1977 |
| |
|
|
The South Carolina Review,
“History at North Star,” Vol. 14, No. 1
|
|
Fall 1981 |
| |
|
|
Stand, “Near Minerva,” Vol. 20,
No. 1
|
|
Fall 1981 |
| |
|
|
Tailwind, “The Rocking Chair,”
(two copies)
|
|
Spring 1987 |
| |
|
|
Three Rivers Poetry Journal,
“Being the Last to Leave,” Nos. 15/16
|
|
Fall 1980 |
| |
|
|
Three Rivers Poetry Journal,
“The Family Gathered Here,” Nos. 15/16
|
|
Fall 1980 |
| |
|
|
Three Rivers Poetry Journal,
“The Surface,” Nos. 15/16
|
|
Fall 1980 |
| |
|
|
Three Rivers Poetry Journal,
“Waiting to be Born,” Nos. 15/16
|
|
Fall 1980 |
| |
|
|
Virginia Quarterly Review, “Mr.
Epp’s Garden in Aurora,” Vol. 56, No. 1
|
|
Winter 1980 |
| |
|
|
Virginia Quarterly Review, “A
Lesson in Architecture,” Vol. 56, No. 1
|
|
Winter 1980 |
| |
|
|
Way Out in Idaho, “Called
Idaho,” Vol. 1, Book 1
|
|
Summer
1982/1983 |
| |
|
|
Way Out in Idaho, “The Gift I
Carry Home,” Vol. 1, Book 1
|
|
Summer
1982/1983 |
| |
|
|
Way Out in Idaho, “Dare to Be
Great,” Vol. 1, Book 2
|
|
1982-1984 |
| |
|
|
Way Out in Idaho, “Suffer the
Little Children to Go to Mazatlan,” Vol. 1, Book 2
|
|
1982-1984 |
| |
|
|
Way Out in Idaho, “Watching the
Automatic Typewriter Reproduce My Vita,” Vol. 1, Book 2
|
|
1982-1984 |
| |
|
|
Way Out in Idaho, “Meeting the
Thief,” Vol. 1, Book 2
|
|
1982-1984 |
| |
|
|
Way Out in Idaho, “Beautiful Old
Wreck,” Vol. 3
|
|
1982-1986 |
| |
|
|
Way Out in Idaho, “The Restless
Calligraphy of the Human Form in Boundless Varieties of Change,” Vol.
3
|
|
1982-1986 |
| |
|
|
West Coast Review, “Indian
Graveyard Central B. C.,” Vol. 11, No. 2
|
|
October 1976 |
| |
|
|
Wisconsin Review, “Spanish
Museum,” Vol. 10, No. 3
|
|
October 1976 |
| |
|
|
Periodical containing essays,
short stories, and reviews by Kim Stafford
|
|
|
| |
|
|
America West, “A Few Miles Short
of Wisdom,” Vol. 25, No. 1
|
|
February 1988 |
| |
|
|
Clearwater Journal, “Notes on
the First Issue,” Vol. 1, No. 1
|
|
Winter 1982 |
| |
|
|
Clearwater Journal, “Dear
Arlone” (short story)
|
|
undated |
| |
|
|
Idaho English Journal, “Power,
Responsiblity, Play,” Vol. 9, No. 2
|
|
Autumn 1986 |
| |
|
|
Idaho Foxfire Network, “He Found
This Great Strength: the Story at the End,” Vol. 1, No. 1
|
|
October 1987 |
| |
|
|
The Kenyon Review, “Where Art
and Fact Ignite,” Vol. 9, No. 2
|
|
Spring 1987 |
| |
Review of Will Baker’s
Mountain Blood
|
| |
|
|
Mossy Creek Journal, “Looking
for Mr. Nu,” No. 12 (two copies)
|
|
Spring 1988 |
| |
|
|
Mossy Creek Journal, “Interview
with Kim R. Stafford,” No. 12
|
|
Spring 1988 |
| |
|
|
Mossy Creek Journal, Book Review
by Karen Walden of Kim Stafford’s
Having Everything Right, No. 12 (two
copies)
|
|
Spring 1988 |
| |
|
|
Northwest Review, Book review of
New Letters for Hiroshima and Other Poems by
Alexander Kuo, Vol. 14, No. 2
|
|
1974 |
| |
|
|
Oregon Humanities, “At the Root
Feast”
|
|
Summer 1989 |
| |
|
|
Rain, “Should we Pave Our
Dead-end Road?” Vol. 11, No. 2
|
|
January 1985-February
1985 |
| |
|
|
The Redneck Review of
Literature, “The Truckstop,” No. 12
|
|
Spring 1987 |
| |
|
|
Rendezvous: Stories, Songs, and Opinions
of the Idaho Country, Introduction by Kim Stafford who also edited the
magazine; Idaho State University
|
|
1982 |
| |
|
|
The Slackwater Review, “Reading
at the Dead Horse Saloon: Current Writing in Idaho,” Idaho Renaissance, Special
Issue
|
|
1983 |
| |
|
|
Sweet Reason: Oregon Essays,
“Local Character,” Issue No. 2
|
|
1982 |
| |
|
|
The Trout Laker, “Hallelujah for
the Thumb,” Vol. 1, No. 2
|
|
Summer 1988 |
| |
|
|
Western American Literature,
Book Review: Words for the Wind: The Collected Verse of Theodore Roethke,
University of Washington Press, 1981; Vol. 17, No. 2
|
|
August 1982 |
| |
Series III:
Programs containing essays by Kim
Stafford
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Cityfolk (for Oregon Folklife
Festivals), “Traditions in the Neighborhoods”
|
|
1981 |
| |
|
|
Cowboy Poetry Gathering (Elko,
Nevada), “How You Came By What You Got”
|
|
January 29, 1987-January
31, 1987 |
| |
|
|
Cowboy Poetry Gathering (Elko,
Nevada), “The Chores of Grief and Delight”
|
|
January 25, 1989-January
28, 1989 |
| |
Series IV:
Newspapers containing poems and
essays by Kim Stafford
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Fresh Weekly [
Willamette Week], “Finding the
True Point of Beginning,” No. 20 (poem)
|
|
March 18, 1980-March 20,
1980 |
| |
|
|
Northwest Magazine [
The Oregonian], “Last Words,” Vol.
19, No. 30 (essay)
|
|
March 18, 1984 |
| |
|
|
Northwest Magazine [
The Oregonian], “Morning Report by
Lady Makepeace,” Vol. 19, No. 45 (poem)
|
|
July 1, 1984 |
| |
|
|
Northwest Magazine [
The Oregonian], “Whatever Happened
to Gypsy Slim?” Vol. 20, No. 7 (poem)
|
|
October 7, 1984 |
| |
|
|
Northwest Magazine [
The Oregonian], “Anatomy of One
Thing Living,” Vol. 20, No. 19 (poem)
|
|
December 30, 1984 |
| |
|
|
Northwest Magazine [
The Oregonian], “A Separate
Hearth,” Vol. 20, No. 26 (essay)
|
|
February 17, 1985 |
| |
|
|
Northwest Magazine [
The Oregonian], “Joanne’s Gift,”
Vol. 23, No. 20 (poem)
|
|
October 2, 1988 |
| |
|
|
Northwest Magazine [
The Oregonian], “Being the One You
Are,” Vol. 24, No. 34 (essay)
|
|
April 9, 1989 |
| |
|
|
Northwest Magazine [
The Oregonian], “Faces of the
Northwest,” Vol. 24, No. 47 (essay)
|
|
July 2, 1989 |
| |
|
|
Northwest Magazine [
The Oregonian], “A Judge’s View,”
Vol. 25, No. 22 (essay)
|
|
January 7, 1990 |
| |
Series V:
Photocopies of poems and essays by
Kim Stafford
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Arts Review, “The Bears,” Vol. 1,
No. 2
|
|
Winter 1984 |
| |
|
|
The Atlantic Monthly, “Feather
Bag, Stick Bag”
|
|
April 1976 |
| |
|
|
Christian Science Monitor, “Five
Views of Concord”
|
|
November 27, 1977 |
| |
|
|
Christian Science Monitor,
“Mountains: The Stars Were So Close, So Clean”
|
|
March, 10, 1986 |
| |
|
|
The Dragonfly, “The Pilgrim
Martyred (from Jung),” No. 9
|
|
undated |
| |
|
|
Hudson Review, “The Lighthouse,”
Vol. 32, No. 1
|
|
Spring 1979 |
| |
|
|
James Welch (Ron McFarland, ed.),
“At the Only Bar in Dixon”
|
|
undated |
| |
|
|
Luckiamute, “San Jan Batista,” No.
1
|
|
1972 |
| |
|
|
Luckiamute, “Earth Mercy,” No.
1
|
|
1972 |
| |
|
|
Luckiamute, “Tehuacan,” No.
1
|
|
1972 |
| |
|
|
Luckiamute, “The Reason for Snow,”
No. 1
|
|
1972 |
| |
|
|
Luckiamute, “Drift,” No.
1
|
|
1972 |
| |
|
|
Luckiamute, “Abandoned Sounds,”
No. 1
|
|
1972 |
| |
|
|
Luckiamute, “Utah Winter,” No.
1
|
|
1972 |
| |
|
|
Luckiamute, “Central Oregon
Storm,” No. 4
|
|
1975 |
| |
|
|
Luckiamute, “Yarrow,” No.
4
|
|
1975 |
| |
|
|
Modes of Interpretation in Old English
Literature: Essays in Honor of Stanley Greenfield, University of
Toronto Press, Phyllis Brown, et al., eds; forward by Stafford
|
|
|
| |
|
|
The Midwest Quarterly, “Nana,”
Vol. 17, No. 1
|
|
1975 |
| |
|
|
The Nation, “John Clare,” Vol.
230, No. 6
|
|
February 16, 1980 |
| |
|
|
New York Times Book Review, Review
of The Paradise of Bombs by Scott Russell Sanders
|
|
May 24, 1987 |
| |
|
|
The North American Review, “Root
and Feathers,” Vol. 261, No. 2
|
|
Summer 1976 |
| |
|
|
Oregon East, “Poetry at Wallowa
School,” Vol. 7
|
|
1977-1978 |
| |
|
|
Oregon English, “The Power of
One,” Vol. 8, No. 1
|
|
Spring 1986 |
| |
|
|
Oregon Rainbow, Two photographs by
Kim Stafford, Vol. 1, No. 3
|
|
Autumn 1976 |
| |
|
|
Oregon Rainbow, “Villanelle for
the Spiders,” Vol. 1, No. 3
|
|
Autumn 1976 |
| |
|
|
Outside, “The Desert Sage and
Silence,” Vol. 12, No. 9
|
|
September 1987 |
| |
|
|
Outside, “The Desert Sage and
Silence,” Vol. 12, No. 9
|
|
September 1987 |
| |
|
|
Poetry Northwest, “The Rocking
Chair,” Vol. 20, No. 4
|
|
Winter
1979-1980 |
| |
|
|
Poetry Northwest, “Heartwood,”
Vol. 20, No. 4
|
|
Winter
1979-1980 |
| |
|
|
Sequoia, “Shed This”
|
|
[1973] |
| |
|
|
Sequoia, “raccoon”
|
|
[1973] |
| |
|
|
The Small Farm, “Putting Hand-set
Type Away,” Nos. 11 and 12
|
|
Spring 1980-Fall
1980 |
| |
|
|
The Virginia Quarterly Review,
“Mr. Epp’s Garden in Aurora,” Vol. 56, No. 1
|
|
Winter 1990 |
| |
|
|
The Virginia Quarterly Review,
“Back Home in the Shopping Center,” Vol. 60, No. 4
|
|
Autumn 1984 |
| |
|
|
The Virginia Quarterly Review,
“Indian Languages,” Vol. 60, No. 4
|
|
Autumn 1984 |
| |
|
|
The Virginia Quarterly Review, “In
Photograph, My Grandmother, Re-Shingling the Roof Pretends to Be Departing for
Heaven,” Vol. 62, No. 1
|
|
Winter 1986 |
| |
|
|
The Virginia Quarterly Review,
“Under an Oak in California,” Vol. 62, No. 1
|
|
Winter 1986 |
| |
|
|
The Virginia Quarterly Review,
“Walking to the Mailbox,” Vol. 62, No. 1
|
|
Winter 1986 |
| |
|
|
West Coast Review, “Indian
Graveyard Central B. C.,” Vol. 11, No. 2
|
|
October 1976 |
| |
|
|
West Coast Review, “Be Warned:
Read This in a Private Place Alone,” Vol. 11, No. 2
|
|
October 1976 |
| |
|
|
Writer’s Northwest Handbook (2nd
edition), “Some Remedies for Writer’s Block” (essay)
|
|
1986 |
| |
Series VI:
Works edited by Kim
Stafford
|
| |
Container(s)
|
Description
|
|
|
| |
|
|
Stories, Songs, and Opinions of the Idaho
Country, first published by Rendezvous in 1982; second
printing
|
|
1987 |
| |
|
|
Faces in the Crowd: An Anthology of
Washington High School Student Poetry and Fiction 1981, Centrum
Foundation; (eds. Carol Bangs, Sam Hamill, Kim Stafford)
|
|
1981 |
| |
|
|
Kids Are Poets Too: Poems from Lincoln
Junior High, Lincoln Junior High School (Burns, Oregon)
|
|
1980 |
| |
|
|
A New Face Full of Surprise
(Redmond, Oregon)
|
|
[February 1980] |
| |
|
|
Reachin' for the Moon: Student
Writings and Images from Wallowa Valley (Enterprise, Oregon); published by
Chieftain and Wallowa School
|
|
1978 |
| |
|
|
Echoes of the Wind: Poems for Idaho
Children Grades 3-4-5 (Lewiston, Idaho)
|
|
1975 |
| |
Series VII:
Works printed by Kim Stafford
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Broadsides
|
|
|
| |
|
|
Salal Series V, Eight poets in a
Postcard Edition, “Crow Feather,” (two copies)
|
|
1976 |
| |
|
|
“The Cove,” postcard-flyer for
A Gypsy’s History of the World (two
copies)
|
|
November 1976 |
| |
|
|
“The Yew,” postcard
|
|
1980 |
| |
|
|
“The Yew,” small paperback
book, Ashwood Press
|
|
1980 |
| |
|
|
“October in Idaho,”
postcard
|
|
December 10,
1983 |
| |
|
|
“Sleeping in the Barn,”
postcards (two copies)
|
|
December 1982 |
| |
|
|
“The Good Life,”
postcard
|
|
December 10,
1983 |
| |
|
|
“The Family at Lost Lake,”
postcard advertising
Limberlost Review (two copies)
|
|
June 1984 |
| |
|
|
“Night Work in June,”
postcard
|
|
December 21,
1984 |
| |
|
|
“Smallest Day at Dark,”
postcard
|
|
December 21,
1985 |
| |
|
|
“After All These are Elemental
Things,” Brooding Heron Press
|
|
1985 |
| |
|
|
“Rosemary at Four,”
postcard
|
|
December 21,
1986 |
| |
|
|
Two untitled poems by Rosemary
Stafford – “The Sun Doesn’t Come Up”
|
|
December 21,
1987 |
| |
|
|
“The Life and... Adventures of
Robinson Crusoe”
|
|
undated |
| |
|
|
“Reflections on Courtship and
Marriage”
|
|
undated |
| |
|
|
Books
|
|
|
| |
|
|
Dream of Dying, poems by William
Logan, published by Graywolf Press, Port Townsend, Washington (Kim Stafford was
typesetter)
|
|
1974 |
| |
|
|
Eight Poems by Linda Gregg,
published by Graywolf Press, Port Townsend, Washington (Kim Stafford was press
assistant)
|
|
1982 |
| |
|
|
Journey from Essex, Poems for John
Clare (ed. By Sandra McPherson), published by Graywolf Press, Port
Townsend, Washington (Kim Stafford was publishing assistant)
|
|
1981 |
| |
Series VIII:
Northwest Writing Institute flyers
and newsletters
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Flyers
|
|
|
| |
|
|
Workshops
|
|
1987-1988 |
| |
|
|
Special courses for teachers
and writers
|
|
Winter 1988 |
| |
|
|
Courses
|
|
Winter 1988-Spring
1988 |
| |
|
|
Workshops
|
|
June 20, 1988-June 24,
1988 |
| |
|
|
Workshops
|
|
1988-1989 |
| |
|
|
Courses
|
|
Spring 1989 |
| |
|
|
Newsletters
|
|
|
| |
|
|
|
|
Fall 1988 |
| |
|
|
|
|
Winter 1988 |
| |
|
|
|
|
Summer 1989 |
| |
|
|
|
|
Winter 1990 |
| |
Series IX:
Press catalogues, flyers, and
advertising postcards
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Sweet Reason, Issue No. 5;
advertisement flyer for Sweet Reason No. 2, essay by Kim Stafford
|
|
Fall 1986 |
| |
|
|
Oregon Writing Project, “Second
Annual Oregon Writing Festival,” flyer from Vol. 2, No 2
|
|
Spring 1986 |
| |
|
|
An Oregon Message: Places and
Stories, postcard advertising authors (William and Kim Stafford) signing books
November 30, 1987 (two copies)
|
|
1987 |
| |
|
|
Confluence Press, 1987 catalogue
advertising
Having Everything Right, review and
blurb
|
|
1987 |
| |
|
|
Writers at Home in Oregon
Libraries, flyer
|
|
Summer 1988-Fall
1988 |
| |
|
|
University of Idaho Press, 1988
catalogue advertising
Idaho Place Names by Lalia Boone in which one of
Kim Stafford’s poems is frontispiece
|
|
1988 |
| |
|
|
Northwest Poets: The Staffords, William
and Kim, Reading and talking about their poetry (order form for
videotape)
|
|
undated |
| |
Series X:
Newspaper articles about Kim
Stafford
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Elko [Nevada] Daily Free Press,
Vol. 106, No. 25
|
|
January 26, 1989 |
| |
|
|
Photograph of Kim Stafford at
Fifth Annual Cowboy Poetry Gathering
|
|
|
| |
|
|
The Oregonian (
Northwest Magazine is an insert to
this paper)
|
|
|
| |
|
|
“A Gathering: A poetry festival
in honor of a destroyer of syntax and a perverter of typography,” with photo of
Kim Stafford
|
|
September 6,
1981 |
| |
|
|
“Student writers get
professional criticism,”
|
|
February 17,
1983 |
| |
|
|
“Father and Son,” (about
William Stafford and Kim Stafford, with photo)
|
|
June 19, 1983 |
| |
|
|
“Western States Book Awards (
Northwest Magazine)
|
|
May 11, 1986 |
| |
|
|
“The list goes on: more Western
Award Winners (
Northwest Magazine)
|
|
May 11, 1986 |
| |
|
|
“Mississippi Mud has grit, bit
of glaze,”
|
|
October 26,
1986 |
| |
|
|
“Director of new writers’
institute sees creativity in Oregon,”
|
|
October 27,
1986 |
| |
|
|
“Stafford finished first among
ten major living American poets,”
|
|
November 9,
1986 |
| |
|
|
“Two Oregon authors receive
awards,”
|
|
February 15,
1987 |
| |
|
|
“Cutbacks force poetry festival
to raise money,”
|
|
February 22,
1987 |
| |
|
|
“Northwest Literature 101: A
Pop Quiz,” (
Northwest Magazine) Vol. 23, NO.
7
|
|
September 27,
1987 |
| |
|
|
“Book awards event at arts
center honors Oregon writers,”
|
|
October 3, 1987 |
| |
|
|
“Father-son poets set reading
at bookstore,”
|
|
November 29,
1987 |
| |
|
|
“The 1988 Young Writers Fiction
Contest,” (
Northwest Magazine) Vol. 23, No.
20
|
|
January 1, 1989 |
| |
|
|
“The Young Writers Fiction
Contest,”
|
|
October 16,
1988 |
| |
|
|
“The Young Writers Fiction
Contest,” advertisement
|
|
October 23,
1988 |
| |
|
|
“The 1989 Young Writers Fiction
Contest,” (
Northwest Magazine) Vol. 23, No.
2
|
|
January 1, 1989 |
| |
|
|
“Eminent historian to speak
January 9 in lecture series,”
|
|
December 19,
1989 |
| |
|
|
“Git along, little
doggerl”
|
|
January 28,
1990 |
| |
About Elko, Nevada Sixth Annual Cowboy Poetry Gathering
|
| |
|
|
“Writing like Hemingway will be
like facing the bill in the heat of the sun,”
|
|
undated |
| |
|
|
The Dalles Weekly
Reminder
|
|
|
| |
|
|
“Writer’s Conference Creates
New Ideas,”
|
|
July 13, 1989 |
| |
|
|
The Willamette Week (
Fresh Weekly is insert to
paper)
|
|
|
| |
|
|
“Poet and Mentor"
|
|
July 14, 1981-July 21,
1981 |
| |
Series XI:
Letters from Kim Stafford to James
Henry
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
March 27, 1981–October 17,
1984
|
|
March 27, 1981–October 17,
1984 |
| |
|
|
January 1, 1985–October 7,
1987
|
|
January 1, 1985–October 7,
1987 |
| |
|
|
January 27, 1988–November
20, 1989
|
|
January 27, 1988–November
20, 1989 |
| |
Series XII:
Photocopies of selected letters from James Henry to Kim Stafford
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
February 3, 1989–August
18, 1989
|
|
February 3, 1989–August
18, 1989 |
| |
Series XIII:
Letters from publishers to James Henry (unless otherwise noted)
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Brooding Heron Press
|
|
|
| |
|
|
Letter from Sam
Green
|
|
September 27,
1985 |
| |
|
|
Carnegie-Mellon University Press
(University of Pittsburgh)
|
|
|
| |
|
|
Letter from Gerald
Costanzo
|
|
July 14, 1982 |
| |
|
|
Chamberlain Press
|
|
|
| |
|
|
Flyer for work
|
|
December 10,
1985 |
| |
|
|
Christian Science
Monitor
|
|
|
| |
|
|
Invoice from Bell and Howell
for photocopy of article and order form
|
|
January 18,
1985 |
| |
|
|
Confluence Press
|
|
|
| |
|
|
Letter from James Henry to
Keith Browning
|
|
July 6, 1982 |
| |
|
|
Letter from James Henry to
Keith Browning
|
|
October 22,
1982 |
| |
|
|
Letter from Tanya
Gonzales
|
|
April 23, 1986 |
| |
|
|
Letter from Linda A. Uhlenkott,
managing editor about
Having Everything Right (with
flyer)
|
|
ca. December 13, 1986 |
| |
|
|
Letter from James R. Hepworth
with errata sheet for
James Welch
|
|
November 7,
1989 |
| |
|
|
Copper Canyon Press
|
|
|
| |
|
|
Letter from Tree
Swenson
|
|
August 10, 1982 |
| |
|
|
Dragonfly Press
|
|
|
| |
|
|
Letter from James Henry to
Press requesting information; letter returned undeliverable
|
|
August 24, 1982 |
| |
|
|
Graywolf Press
|
|
|
| |
|
|
Letter from Scott Walker re:
Eight Poems with enclosure of list of publications
|
|
September 24,
1982 |
| |
|
|
Postcard from C. Van
Dyke
|
|
October 14,
1983 |
| |
|
|
Postcard to James Henry with
thanks for order of
Eight Poems
|
|
1983 (undated) |
| |
|
|
State of Idaho Department of
Education
|
|
|
| |
|
|
Letter from Kay Chapman,
consultant for Language Arts, enclosing copy of Way Out in Idaho
|
|
October 23,
1984 |
| |
|
|
University of Idaho
Press
|
|
|
| |
|
|
Letter from James Henry
requesting a copy of
Idaho Place Names; reply at
bottom with photocopy of poem “There are No Names but Stories”
|
|
June 16, 1988 |
| |
|
|
Jawbone Press
|
|
|
| |
|
|
Letter from Sam Green regarding
set of broadside prints of “After All These are Elemental Things”
|
|
September 28,
1982 |
| |
|
|
Lewis Clark State
College
|
|
|
| |
|
|
Letter from James Hepworth to
James Henry regarding video of Kim and William Stafford
|
|
March 10, 1988 |
| |
|
|
Madrona (publisher),
Gemini Magazine
|
|
|
| |
|
|
Letter from James Henry;
returned undeliverable
|
|
October 4, 1982 |
| |
|
|
Northwest Review
|
|
|
| |
|
|
Press release regarding honors
accorded to Kim Stafford
|
|
September 21,
1987 |
| |
|
|
Letter from John White on Kim
Stafford’s bibliography with
Northwest Review
|
|
November 26,
1986 |
| |
|
|
Owl Creek Press
|
|
|
| |
|
|
Letter from Richard Ives
regarding poetry anthology
|
|
ca. October 14, 1982 |
| |
|
|
Pittsburgh State
University
|
|
|
| |
|
|
Letter from James B. Schick,
editor-in-chief
Portland Review
|
|
August 19, 1982 |
| |
|
|
Letter from Debbie Gasser
regarding possible published poetry by Kim Stafford
|
|
October 22,
1987 |
| |
|
|
Letter from Debbie Gasser,
Associate Editor, regarding Kim Stafford’s “Swans Sing Before They
Die”
|
|
January 9, 1988 |
| |
|
|
Rendezvous
|
|
|
| |
|
|
Letter from Angela Patty
enclosing copy of the magazine
|
|
February 11,
1983 |
| |
|
|
Spider Anthology
|
|
|
| |
|
|
Letter from David Cornell
regarding order of
Spider Anthology
|
|
November 17,
1982 |
| |
|
|
Letter from David Cornell
regarding order of
Spider Anthology
|
|
June 18, 1983 |
| |
|
|
Sea Pen Press
|
|
|
| |
|
|
Letter from Suzanne Ferris
regarding “The Rocking Chair” by Kim Stafford
|
|
September 30,
1986 |
| |
|
|
Stand Magazine
|
|
|
| |
|
|
Letter from Jo Solkin regarding
order of magazine copy
|
|
November 28,
1984 |
| |
|
|
University of Toronto
Press
|
|
|
| |
|
|
Invoice for
Modes of Interpretation ed. by
Phyllis Brown and James Henry’s full notes for the title of the
volume
|
|
March 12, 1986 |
| |
|
|
Western States Arts
Foundation
|
|
|
| |
|
|
Invitation to May 23, 1986
awards ceremony (for Kim Stafford for
Having Everything
Right)
|
|
April 14, 1986 |
| |
|
|
Larson, Kris
|
|
|
| |
|
|
Note from Kris Larson regarding
an unidentified magazine
|
|
October 28,
1982 |
| |
|
|
Note from Kris Larson regarding
an unidentified magazine; reverse side had “For the River” by Roberta
Chester
|
|
November 16,
1982 |
| |
Series XIV:
Photographs
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Photograph of William Stafford
and Kim Stafford, signed
|
|
undated |
| |
Series XV:
Video and sound recordings
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Video of Visiting Writers Series
featuring Kim Stafford
|
|
|
| |
|
|
Audiocassette of Kim Stafford’s
keynote address at Cowboy Poetry Gathering, Elko, Nevada
|
|
January 26, 1989 |
| |
Series XVI:
Broadsides
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Breakwater Broadsides –
Series I – Breakwater Press
|
|
|
| |
|
|
"The Bears"
|
|
undated |
| |
|
|
“Bike Run”
|
|
undated |
| |
|
|
“Starting with Little
Things”
|
|
undated |
| |
|
|
“Varieties of
Quiet”
|
|
undated |
| |
|
|
“Boy on a Bicycle”
|
|
undated |
| |
|
|
“A Song... for Burning” –
Elliot Press of Pacific Lutheran University
|
|
January 1983 |
| |
|
|
“A Woman and a Bear” –
Chamberlain Press
|
|
Fall 1985 |
| |
|
|
“After All These Are Elemental
Things” – Brooding Heron Press
|
|
1985 |
| |
|
|
“The Rocking Chair” – Sea Pen
Press and Paper Mill
|
|
April 1980 |
| |
|
|
The Jefferson Dancers poster
with Kim Stafford poem, “The Dancer”
|
|
May 9-May 10 [undated] |
| |
Series XVII:
Ephemera
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Postcard advertising Sixth Annual
Cowboy Poetry Gathering; Elko, Nevada
|
|
January 24, 1990-January
27, 1990 |
| |
Series XVIII:
Printed material, flyers,
and catalogues with work by William Stafford
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Clearwater Journal, “1080,” Vol.
1, No. 1
|
|
Winter 1982 |
| |
|
|
Dalmo-ma, “On the Boat Coming In,”
Vo.. 1, No. 2
|
|
1978 |
| |
|
|
Gilt Edge, “Notes from
Refrigerator Door,” Vol. 2
|
|
1981 |
| |
|
|
Jeopardy, “Cocktail Party Talk,”
Vol. 14
|
|
Spring 1978 |
| |
|
|
Northwest Review, “Learning to
Live in the World,” Vol. 14
|
|
Spring 1978 |
| |
|
|
The Oregonian, “Gresham Man Finds
Medallion in Ivy,” (newsclipping)
|
|
June 23, 1989 |
| |
|
|
Pacific Lutheran University,
Catalogue advertisement regarding
Six Poems: Six Poets from the Pacific
Northwest
|
|
February 1, 1983 |
| |
|
|
Portland Review, “Portland
Freight,” Vol. 21
|
|
1975 |
| |
|
|
Portland Review, “Coming Home,”
Vol. 22
|
|
1976 |
| |
|
|
Sea Pen Press, Letter from
Suzanne Ferris to James Henry regarding poetry on broadsides
(correspondence)
|
|
May 21, 1986 |
| |
|
|
Sea Pen Press, Letter from
Suzanne Ferris to James Henry regarding “Passwords” by William Stafford
(correspondence)
|
|
September 30, 1986 |
| |
|
|
University of Michigan Press,
Catalogue and advertisement regarding William Stafford’s
On Poetry
|
|
undated |
| |
|
|
The Michigan Collection,
Fall/Winter 1987 Catalogue advertising work by Kim Stafford only
|
|
1987 |
| |
Series XIX:
Addendum by Thelma
Greenfield
|
| |
Container(s)
|
Description
|
|
Dates
|
| |
|
|
Broadsides printed or handwritten
by Kim Stafford
|
|
|
| |
|
|
A Sermon on Eve, by Kim R.
Stafford (Ashwood Press)
|
|
1981 |
| |
|
|
Villanelle for the Spiders,
1977 winter solstice inscribed “for Stanley and Thelma” printed
|
|
1977 |
| |
|
|
“Old dream again,” biofolio pen
and ink broadside with feather
|
|
undated |
| |
|
|
Triptych of photographs of
beach, Kim and Beverly Stafford.
|
|
ca. 1970 |
| |
|
|
Books
|
|
|
| |
|
|
Wood board bound book of photos
and two poems
|
|
undated |
| |
|
|
"Names"
|
|
|
| |
|
|
"Orcas Island"
|
|
|
| |
|
|
Correspondence
|
|
|
| |
|
|
Letter to Thelma Greenfield
regarding draft of essay identified in letter by Kim Stafford as “Making Song”;
enclosed draft entitled “Malibu”
|
|
June 13, 1989 |
|