Overview of the Collection
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Repository Name:
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University of Oregon Libraries
Special Collections & University Archives
1299 University of Oregon
Eugene, OR 97403-1299
URL: http://libweb.uoregon.edu/speccoll/index.html
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Collection Number:
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Coll. 206
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Creator:
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Stafford, Kim RobertHenry, James, 1908-Greenfield, Thelma N.
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Title:
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Kim Robert Stafford collection
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Dates:
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1972-1989 (inclusive)
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Quantity:
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3.55 linear feet
7 containers
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Languages:
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Collection materials written in English.
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Summary:
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Kim Stafford is a writer from the Pacific Northwest. His poetry and essays focus on the relationship of
people with nature and social custom. Stafford places great value on folklore and bases much of the
research for his own writing on the study of folk custom and oral history. He has taught and served as an
artist-in-residence throughout the state of Oregon and in Washington, Idaho, and California. He regularly
offers poetry readings and writing workshops and is active as a printer. The majority of the collection of
Kim Stafford’s work encompasses books and other printed material, including periodicals and newspapers.
Also included are photographs, videos, broadsides, and printed flyers.
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Biographical Note
Kim Robert Stafford was born on October 15, 1949 in Portland, Oregon, one of four children of Dorothy and William Stafford, who was also a poet. Stafford’s interest in nature dominates his poetry and essays, which focus on the relationship of people with nature and social custom.
Kim Stafford has spent most of his life in the Pacific Northwest, particularly in Oregon. He received his college and graduate education at the University of Oregon where he obtained his B. A. in 1971, his M. A. in 1973, and his Ph.D. in Middle English Literature in 1979. In addition to a fellowship for graduate study at the University of Oregon from 1971-1974, Stafford received creative writing fellowships from the National Endowment for the Arts in 1976 and 1984.
During the 1970s Stafford began an intense study of printing in Port Townsend, Washington, where he assisted Graywolf Press in the production of printed works of several poets. He has made a practice of regularly issuing postcard editions of his poems from his own press, Ashwood Press.
Stafford places great value on folklore and bases much of the research for his own writing on the study of folk custom and oral history. He served as an oral historian for the Siuslaw Pioneer Museum in Florence, Oregon, in 1975. Stafford’s interest in folk literature led to his regular attendance and support of the Cowboy Poetry Gathering, held annually in Elko, Nevada. In January 1990 he gave the Gathering’s keynote address.
Kim Stafford has steadfastly pursued his creative work in Oregon. He has taught and served as an artist-in-residence throughout the state of Oregon and in Washington, Idaho, and California. He was an artist-in-residence in Burns, Oregon (1975) and Wallowa, Oregon (1978). Stafford taught at Pacific Lutheran University (1980), Idaho Sate University (1981-1982), and the University of California at Davis (1983-1984). He began teaching in 1978 at Lewis and Clark College, and became director of the Northwest Writing Institute (Oregon Writing Project).
A steady contributor to many literary journals, Stafford describes himself as a “professional eavesdropper,” and relies on his daily journal as a source for his writing projects. In 1976 he published a collection of his own poetry, A Gypsy’s History of the World, and contributed to a collection of poetry by his father, Braided Apart. Stafford continues to publish collections of his poetry and prose. His collection of essays, Having Everything Right, won a special award in 1986 from the Western States Arts Foundation.
Stafford has contributed to many Northwest as well as national poetry and literary journals. In Oregon, his work frequently appears in The Oregonian supplement of Northwest Magazine in the poetry section as well as in feature articles. He regularly offers poetry readings and writing workshops and is active as a printer.
Content Description
Arrangement
This collection of Kim Stafford’s work encompasses books and mostly other printed material. The collection has been arranged alphabetically within categories of publication or production format, with titles of poetry or prose indicated: (1) books by Stafford; (2) books containing articles, essays, and reviews by Stafford; (3) periodicals containing Stafford’s power; (4) periodicals containing essays, short stories, and reviews by Stafford; (5) programs containing essays by Kim Stafford; (6) newspapers containing essays and poetry by Kim Stafford; (7) photocopies of Kim Stafford poetry and prose (made by donor); (8) works edited by Kim Stafford; (10) Northwest Writing Institute flyers and newsletters; (11) press catalogs, flyers, and advertising postcards; (12) newspaper articles about Kim Stafford; (13) correspondence between Kim Stafford and James Henry, which include all Kim Stafford’s letters to James Henry and photocopies of selected letters to Kim Stafford from James Henry. Also included is James Henry’s correspondence with publishers during his search for copies of Kim Stafford’s work; (14) photographs; (15) video and sound recordings; (16) broadsides; (17) ephemera; (18) printed materials containing work by William Stafford
which were included in this collection (many are signed by William Stafford); and (19) Thelma Greenfield addendum to the collection which includes broadsides, books, and correspondence.
Given the variety and rarity of Stafford’s publications, this collection is remarkably complete to date (September, 1990). All of the books in this collection have been removed from the manuscript collection but are available in Rare Books.
Stafford has produced several books, including two for which he shares authorship with his father William Stafford: Braided Apart (1976) and That Meeting Place: Poems (1979). The collection also includes Stafford’s award-winning collection of essays, Having Everything Right (1986), as well as his latest collection of poems about local character, Places and Stories. Within this category are also two books which present some of Stafford’s ideas and examples about teaching writing: Twenty-three Ways of Holding Still and Thirty-Seven Ways of Holding Still: Poems Written at Wallowa School and Assignments as Given (1978), which contain exercises for grade school students supplementing the examples of the work of Stafford’s students from Idaho and eastern Oregon primary and secondary schools.
Books containing contributions by Kim Stafford date from 1983 through 1988. These include Stafford’s introduction to a collection of essays in honor of his advisor and Middle English scholar Stanley Greenfield, Modes of Interpretation in Old English Literature (1986). Also included is Idaho Place Names (1988) by Lalia Boone, which contains a poem by Stafford as the frontispiece.
Stafford is a prolific contributor to national and Northwest literary journals, many of which have had short lives on the market. The collection of journals with Stafford’s poetry includes 47 journals, some with several issues containing Stafford’s work. These range from well-know journals such as the Atlantic Monthly, Poetry Northwest, and the South Carolina Review, to rare issues of Permafrost, Mister Cogito, and other ephemeral periodicals. The earliest published poem in the collection dates from 1971-1972 (Northwest Review), with the majority of entries dating from 1975-1980.
The section containing Stafford’s essays, articles, and reviews is represented by a collection of 15 periodicals. These include short stories and reviews, as well as articles about others, such as “He Found This Great Strength,” the Idaho Foxfire Network, which describes the last days of Lloyd Reynolds, scholar, artists, and friend of Stafford. This category also contains an interview with Kim Stafford about his writing (Mossy Creek Journal, 1988).
James Henry kept a cross-reference index of all of Stafford’s poems and essays. Henry’s file is kept in the Special Collections Reading Room.
As an artist-in-residence, Kim Stafford often collected and published the work of his students in booklets. These are represented in the category of work edited by Kim Stafford and include rare copies of the poetry by students at Lewiston, Idaho (1975); Enterprise, Oregon (1978); Lincoln Junior High, Burns, Oregon (1980); Redmond, Oregon (1980); and Washington High School, Portland, Oregon (1981).
Three programs contain work by Kim Stafford. Cityfolk (1981) and Cowboy Poetry Gathering (1987 and 1989) feature Stafford’s essays.
Newspapers containing poetry and essays by Kim Stafford were collected by the donor. The majority of Stafford’s works are represented here in issues of The Oregonian or its supplement, Northwest Magazine, together with Stafford’s contributions to the Elko Daily Free Press and Fresh Weekly (Willamette Week) dating from 1980 to 1989. Because the donor had Kim Stafford autograph nearly every entry of the collection, the original newspapers have been preserved and kept in a separate box at the end of the collection.
Whenever James Henry could not find original issues of journals or publications containing Stafford’s work, he obtained photocopies. Many of these copies duplicate original issues in the collection. The copies are represented in 21 titles and numerous issues.
Also included in the collection are undated press catalogues and flyers, as well as advertising postcards for Stafford’s own work or books and periodicals to which he contributed.
As director of the Northwest Writing Institute at Lewis and Clark College in Portland, Oregon, Stafford contributed regularly to the institute’s newsletter. In addition to newsletters from 1988 through 1990, the collection also contains flyers advertising workshops and events at the Institute from 1987 to 1989.
A few newspaper articles about Kim Stafford also appear in this collection and feature Stafford’s work as a judge in the Young Writers Fiction Contest (1988), as head of a conference on writing (1989), his award for Having Everything Right (1986), as well as other events in which Stafford participated.
James Henry and Kim Stafford began corresponding in March 1981 when Henry began a serious collection of Stafford’s work. Their correspondence currently includes letters through November 1989 and reveals the wide-ranging interest, activities, and jobs that Kim Stafford took on during this period, and the slow process of assembling the materials for this collection which required Henry’s persistence. A selection of James Henry’s letters to Kim Stafford, which were photocopies from Stafford’s files, is also included. This correspondence highlights the effort involved by the collector as well as the firm friendship and respect between Stafford and Henry in their struggle as writers.
Also included among the correspondence are James Henry’s replies from publishers to his requests for copies of their journals. These have been arranged according to publishers rather than by addressee to coordinate them with the publications in the collection. The inventory identifies the names of all correspondents.
Numerous photographs of Stafford appear throughout the journal and newspaper articles of this collection. Also available is one autographed 8 by 10 inch photograph of Kim Stafford and his father.
During the 1970s the Oregon Humanities Foundation produced a television series on Northwest Writers. A video featuring Kim Stafford as part of the Visiting Writers Series is included in this collection. An audiocassette recording of Stafford’s keynote address to the Cowboy Poetry Gathering at Elko, Nevada in January 1990 is also included.
Some of Stafford’s poetry has been printed in limited editions by others. The largest (18” x 24”) in the collection is the Breakwater Broadside Series I, which included Stafford’s “The Bears” (1980). “The Rocking Chair” (1980) and “A Woman and a Bear” (1985) also include illustrations.
Kim Stafford’s father, William Stafford, is a nationally acclaimed post whose work James Henry began collecting before he began collecting Kim Stafford’s work. Some of the periodicals include poems by William Stafford who has autographed most of them. These are listed in a separate category, although the publications may be found within he appropriate category of Kim Stafford’s work.
The works donated to this collection by Thelma Greenfield are of a personal nature, most dating from Stafford’s frequent contact with the Greenfields when he was a student at the University of Oregon. The one piece of correspondence, a letter dated June 13, 1989, contains a draft of one of Stafford’s essays. The remaining items, made during the early 1970s, include several broadsides and a small handmade book which features Stafford’s poetry and photographs taken by Stafford.
Other Descriptive Information
The major portion of this collection of works by Kim Stafford is one of three collections donated to the University of Oregon Library by James Henry during 1989 and 1990. Thelma Greenfield donated additional materials for inclusion in the collection in 1990. This introductory section provides information regarding the donors James Henry and Thelma Greenfield; other sections include a biography of Kim Stafford, a scope and content note, and a box-by-box inventory of the collection.
James Henry was born in Oakland, California on July 26, 1908 and spent most of his youth in the oil country of southern California. In 1927 he went to work at the Shell Oil Refinery in Martinez, California where he remained until 1941. During the second World War, Henry served in the Air Force as an airplane and engine mechanic. At the conclusion of the war, Henry continued to work as an airplane mechanic at the San Francisco and Oakland Airports. He retired in 1968 and has lived in The Dalles, Oregon since 1979.
Over the years, Henry’s activities have ranges from touring California by motorcycle to long distance running, but by far his deepest and most compelling interests are the English language, modern literature, and book collecting. Henry has written on Thomas Wolfe and Jack London, and he had done extensive research on colloquial American English. An avid book collector, Henry had put together outstanding collections on such writers as George Sterling, Jack Kerouac, Herbert Gold, and William and Kim Stafford.
In assembling these book collections, Henry has shown himself to be an adept sleuth and a fine scholar in complaining publication histories. Many times he has ferreted out materials long considered lost by their authors and publishers. Henry has demonstrated his respect for writing and scholarship by donating these assembled collections to libraries in California and Oregon where they can be read and enjoyed by a wide audience.
James Henry first became interested in Kim Stafford’s work in 1980 while assembling a collection of materials by William Stafford, Kim’s father. Over the years, through correspondence with publishers and Kim Stafford and careful searching, Henry has put together an important collection of materials produced by Kim Stafford. During this time Henry took an active interest in Kim Stafford and his creative endeavors. The two men have been in frequent contact since 1980 and have developed a close friendship. Henry donated this collection to the University of Oregon Library during 1989 and 1990.
In 1979 Kim Stafford received his doctorate in Middle English literature from the University of Oregon. His advisor Stanley Greenfield and Greenfield’s wife, Thelma, became good friends with Kim Stafford during the course of his studies at the University of Oregon. In 1990, Thelma Greenfield donated gifts of broadsides, a book, and correspondence (which includes the draft of an essay) to add to this collection.
Use of the Collection
Restrictions on Access Collection is open to the public.
Collection must be used in Special Collections & University Archives Reading Room.
Restrictions on Use Property rights reside with Special Collections & University Archives, University of Oregon Libraries.
Copyright resides with the creators of the documents or their heirs.
All requests for permission to publish or quote from manuscripts must be submitted to the
Manuscripts Librarian in Special Collections & University Archives. The
reader must also obtain permission of the copyright holder.
Preferred Citation [Identification of item], Kim Robert Stafford collection, Coll. 206, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
Subjects
This collection is indexed under the following headings in the online
catalog. Researchers desiring materials about related topics, persons, or
places should search the catalog using these headings.
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| Stafford, Kim Robert--Archives |
| American literature--20th century |
| American poetry--20th century |
| Authors, American--20th century |
| Poets, American--20th century |
| Greenfield, Thelma N.--Corresponence (correspondent) |
| Henry, James, 1908---Corresponence (correspondent) |
| Broadsides |
| Sound recordings |
| Videotapes |
| Other Creators : |
| Stafford, William, 1914- |
Detailed Description of the Collection
The following section contains a detailed listing of the materials in
the collection.
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Series I:
Books
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Description
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Dates
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Books by Kim Stafford
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Braided Apart: Poems, by Kim Robert Stafford and William Stafford; Confluence Press
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1976 |
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The Granary: Poems, Carnegie-Mellon University Press
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1982 |
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A Gypsy’s History of the World, Copper Canyon Press
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1976 |
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Having Everything Right, Confluence Press
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1986 |
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The Middle English Pearl and the Art of Translation, Typescript of dissertation
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1979 |
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Places and Stories, Carnegie-Mellon University Press
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1987 |
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That Meeting Place: Poems, by William Stafford and Kim Robert Stafford; Gypsy Press
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1979 |
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Thirty-seven Ways of Holding Still: Poems Written at Wallowa School and Assignments as Given, Gypsy Press
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1978 |
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Twenty-three Ways of Holding Still: Poems Written at Wallowa School, Gypsy Press
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1978 |
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Books containing articles, essays, or reviews by Kim Stafford
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Idaho Place Names, by Lalia Boone; University of Idaho Press; frontispiece poem by Kim Stafford
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1988 |
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James Welch, by Ron McFarland; Confluence Press
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1986 |
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Modes of Interpretation in Old English Literature: Essays in Honor of Stanley Greenfield; Phyllis Brown, et. al. eds.; University of Toronto Press; foreword by Kim Stafford
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1986 |
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Present Tense, by Magic Circle Dance Theatre; program notes by Kim Stafford
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June 1988 |
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Rain in the Forest, Light in the Trees, Owl Creek Press
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1983 |
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The Spider Anthology; Arachne’s Muse Foundation
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1983 |
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Three Rivers, Ten Years, Carnegie-Mellon University Press (University of Pittsburgh Press)
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1983 |
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The Truth About the Territory: Contemporary Nonfiction from the Northwest; Rich Ives, ed.; Owl Creek Press (two copies: hardback and paperback)
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1987 |
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Writer’s Northwest Handbook, written and edited by Media Weavers, 2d ed., “Some Remedies for Writer’s Block,” by Kim Stafford
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1986 |
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Series II:
Periodicals
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Container(s)
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Description
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Dates
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Periodicals containing poems by Kim Stafford
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Atlantic Monthly, "Feather Bag, Stick Bag," Vol. 257, No. 4 (two copies)
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April 1986 |
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Beloit Poetry Journal, “Washing Hands,” Vol. 27, No. 1
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Fall 1976 |
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Beloit Poetry Journal, “A Gypsy’s History of the World,” Vol. 27, No. 1
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Fall 1976 |
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Calapooya Collage II, “Possum Dream”
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Summer 1987 |
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Carolina Quarterly, “Letter to Phil,” Vol. 32, No. 3
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Fall 1980 |
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Clearwater Journal, “The Southern Hills,” Vol. 1, No. 1
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Winter 1982 |
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Clearwater Journal, “The Bones,” Vol. 1, No. 1
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Winter 1982 |
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Cutbank, “Driving Through the Storm,” No. 8
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Spring 1977 |
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Cutbank, “Cadillac,” No. 17
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Fall/Winter 1981 |
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Dalmo’ma, “Living Basket House,” Vol. 1, No. 2
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January 1978 |
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Field, “Orcas Island,” No. 11, (two copies)
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Fall 1974 |
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Field, “Medieval Prayerbook,” No. 30
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Spring 1984 |
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Gilt Edge, New Series, “The Power that Softens Ice,” Vol. 2
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1981 |
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The Greenfield Review, “Dawn of the Moon,” Vol. 9, Nos. 1 and 2
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Spring 1981 |
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Highway One, “Her Mother Tell Her,” Vol. 7, No. 3
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Fall 1984 |
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Highway One, “The Linguist Catalogues the Seven-word Vocabulary of the Meadow Grasshopper,” Vol. 7, No. 3
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Fall 1984 |
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The Hudson Review, “The Lighthouse,” Vol. 32, No. 1
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Spring 1979 |
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Jeopardy, “The Only Way,” Vol. 32, No. 1
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Spring 1978 |
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Kaleidoscope, “Muffins,” Vol. 1, No. 2
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July 1977-August 1977 |
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Kaleidoscope, “The Orchard,” Vol. 1, No. 2
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July 1977-August 1977 |
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Kansas Quarterly, “Old Penny,” Vol. 9, No. 3
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Summer 1977 |
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Kansas Quarterly, “Civil War Cemetery,” Vol. 9, No. 3
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Summer 1977 |
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Kansas Quarterly, “Picnic,” Vol. 12, No. 3
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Summer 1980 |
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Kansas Quarterly, “Salamander,” Vol. 12, No. 3
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Summer 1980 |
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Kayak 33, “Found Poem: Open Book of Nature”
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November 1973 |
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The Limberlost Review, “The Family at Lost Lake,” No. 12
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1984 |
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The Loon, “Duets,” No. 5
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October 31, 1975 |
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The Loon, “Purchase,” No. 8
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May 1, 1977 |
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Luckiamute, “Your Life,” No. 2
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1973 |
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Luckiamute, “Asleep by Rebel Creek,” No. 2
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1973 |
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The Malahat Review, “Proposal,” No. 48
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October 1978 |
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The Malahat Review, “Fossil,” No. 48
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October 1978 |
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The Malahat Review, “A Sermon on Eve,” No 61
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February 1982 |
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The Malahat Review, “Sleeping in the Barn,” No. 61
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February 1982 |
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The Malahat Review, “Inheritance at Wheatland,” No. 61
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February 1982 |
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The Malahat Review, “Finding the True Point of Beginning,” No. 61
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February 1982 |
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The Malahat Review, “The Yew,” No. 61
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February 1982 |
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The Malahat Review, “The Messengers,” No. 61
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February 1982 |
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The Malahat Review, “The Kindling,” No. 61
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February 1982 |
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The Malahat Review, “No Port But Passage,” No. 61
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February 1982 |
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The Malahat Review, “Short Story,” No. 61
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February 1982 |
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The Malahat Review, “Wilma Tells How They Moved Old Joseph’s Bones,” No. 74
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March 1986 |
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Mid-American Review, “The Parable of Growing Old,” Vol. 1, No. 2
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Fall 1981 |
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Mid-American Review, “How Things Are Broken But Continue,” Vol. 1, No. 2
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Fall 1981 |
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Mister Cogito, “Residence in Grizzly,” Vol. 2, No. 2
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Fall 1975 |
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Mister Cogito, “Coinshooter,” Vol. 2, No. 2
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Fall 1975 |
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Montana Gothic, “The Moon,” No. 5
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Winter 1977 |
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North American Review, “Root and Feathers,” Vol. 261, No. 2
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Summer 1976 |
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North Coast Poetry, “Autumn,” No. 9
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undated |
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Northwest Review, “Interstate 5,” Vol. 12, No. 1
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Fall/Winter 1971-1972 |
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Northwest Review, “Gaberlunzie,” Vol. 15, No. 3
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1976 |
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Northwest Review, “Promises to the Dead,” Vol. 17, No. 1
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1978 |
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Northwest Review, “Vigilance,” unsigned Vol. 17, No. 1
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1978 |
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Northwest Review, “Losing One,” Vol. 24, No. 3
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1978 |
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The Ohio Review, “Nineteenth Century News,” No. 36
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1986 |
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Permafrost, “Opening the Book,” Vol. 4, No. 1
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Spring 1982 |
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Permafrost, “At Caesar’s Place: Stateline Nevada,” Vol. 7, No. 1
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Summer 1987 |
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Poetry Northwest, “historic marker,” Vol. 16, No. 4
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Winter 1975-1976 |
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Poetry Northwest, “The Rocking Chair,” Vol. 20, No. 4
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Winter 1979-1980 |
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Poetry Northwest, “Heartwood,” Vol. 20, No. 4
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Winter 1979-1980 |
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Poetry Northwest, “Schockley,” Vol. 25, No. 2
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Summer 1984 |
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Poetry Northwest, “There Are No Names But Stories,” Vol. 26, No. 1 (two copies)
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Spring 1985 |
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Portland, “Figurehead on the Good Ship MaryAnne,” Vol. 6, No. 3
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Summer 1987 |
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Portland Review, “Shaman,” Vol. 21
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1975 |
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Portland Review, “Inside the Fence: Tule Lake Internment Camp,” Vol. 22
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1976 |
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Puerto del Sol, “Cove,” Vol. 14, No. 1
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Fall 1975 |
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Rapport 9, “Bum,” Vol. 3, No. 3
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1976 |
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Rapport 9, “Boppums,” Vol. 3, No. 2
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Fall 1976 |
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Rapport 9, “Shire,” Vol. 3, No. 3
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Fall 1976 |
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Raven, “Grandview, Oregon,” Vol. 2, No. 2
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Summer 1973 |
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The Seattle Review, “Paulina Rodeo,” Vol. 7, No. 2
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Fall 1976 |
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The Seattle Review, “Having Words with Belle,” Vol. 7, No. 2
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Fall 1984 |
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The Seneca Review, “A Story I Remember Hearing That No One Told,” Vol. 7, No. 1
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June 1976 |
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Silverfish Review, “From Corvallis,” No. 4
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1981 |
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The Slackwater Review, “Dusk,” Vol. 1, No. 1
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Spring 1976 |
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The Slackwater Review, “Crow Feather,” Vol. 1, No. 1
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Spring 1976 |
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The Slackwater Review, “Climbing the Wildcat Grade,” Vol. 1, No. 1
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Spring 1976 |
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The Slackwater Review, “If We Shed Our Names”
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Spring 1984 |
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The Slackwater Review, “Pocatello Light”
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Spring 1984 |
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The Small Farm, “Early Riser,” Nos. 4 and 5
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October 1976-March 1977 |
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The Small Farm, “The Spring,” Nos. 4 and 5
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October 1976-March 1977 |
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The South Carolina Review, “History at North Star,” Vol. 14, No. 1
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Fall 1981 |
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Stand, “Near Minerva,” Vol. 20, No. 1
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Fall 1981 |
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Tailwind, “The Rocking Chair,” (two copies)
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Spring 1987 |
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Three Rivers Poetry Journal, “Being the Last to Leave,” Nos. 15/16
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Fall 1980 |
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Three Rivers Poetry Journal, “The Family Gathered Here,” Nos. 15/16
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Fall 1980 |
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Three Rivers Poetry Journal, “The Surface,” Nos. 15/16
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Fall 1980 |
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Three Rivers Poetry Journal, “Waiting to be Born,” Nos. 15/16
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Fall 1980 |
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Virginia Quarterly Review, “Mr. Epp’s Garden in Aurora,” Vol. 56, No. 1
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Winter 1980 |
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Virginia Quarterly Review, “A Lesson in Architecture,” Vol. 56, No. 1
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Winter 1980 |
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Way Out in Idaho, “Called Idaho,” Vol. 1, Book 1
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Summer 1982/1983 |
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Way Out in Idaho, “The Gift I Carry Home,” Vol. 1, Book 1
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Summer 1982/1983 |
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Way Out in Idaho, “Dare to Be Great,” Vol. 1, Book 2
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1982-1984 |
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Way Out in Idaho, “Suffer the Little Children to Go to Mazatlan,” Vol. 1, Book 2
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1982-1984 |
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Way Out in Idaho, “Watching the Automatic Typewriter Reproduce My Vita,” Vol. 1, Book 2
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1982-1984 |
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Way Out in Idaho, “Meeting the Thief,” Vol. 1, Book 2
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1982-1984 |
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Way Out in Idaho, “Beautiful Old Wreck,” Vol. 3
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1982-1986 |
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Way Out in Idaho, “The Restless Calligraphy of the Human Form in Boundless Varieties of Change,” Vol. 3
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1982-1986 |
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West Coast Review, “Indian Graveyard Central B. C.,” Vol. 11, No. 2
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October 1976 |
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Wisconsin Review, “Spanish Museum,” Vol. 10, No. 3
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October 1976 |
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Periodical containing essays, short stories, and reviews by Kim Stafford
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America West, “A Few Miles Short of Wisdom,” Vol. 25, No. 1
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February 1988 |
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Clearwater Journal, “Notes on the First Issue,” Vol. 1, No. 1
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Winter 1982 | |