University of Oregon Libraries
Special Collections & University Archives
1299 University of Oregon
Eugene, OR 97403-1299
URL: http://libweb.uoregon.edu/speccoll/index.html



Guide to the Alice Tisdale Hobart Papers, 1916-1967


Ax 197





Finding aid prepared by Megan Lynch and Duffy Schabtach

Finding aid encoded by Mary Beth Hepp-Elam, January 2004
Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.


Overview of the Collection

 
Repository Name:
 

University of Oregon Libraries
Special Collections & University Archives

1299 University of Oregon
Eugene, OR 97403-1299
URL: http://libweb.uoregon.edu/speccoll/index.html

 
Collection Number:
 

Ax 197

 
Creator:
 

Hobart, Alice Tisdale

 
Title:
 

Alice Tisdale Hobart papers

 
Dates:
 

1916-1967 (inclusive)

 
Quantity:
 

19.5 linear feet
11 containers

 
Languages:
 

Collection materials are in English. 

 
Summary:
 

Alice Tisdale Hobart was a writer who wrote about her life in China; her most successful book is Oil for the lamps of China. The Alice Tisdale Hobart papers consist of correspondence, manuscripts, galley proofs, source materials, reviews, publicity materials, and copies of all books written by Alice Tisdale Hobart.

 

Biographical Note

Alice Tisdale Hobart was born Alice Nourse in Lockport, New York on January 28, 1882, the second of three children of Edwin Henry and Harriett Augusta Beaman Nourse. When she was two years old her family moved to Chicago, where her father became a music teacher in the Chicago public school system. Her mother died when Alice was ten. Spinal meningitis in infancy and a fall when she was seventeen left Alice Nourse with frail health and back trouble which caused her to be semi-invalid at periods throughout her life.

Alice Nourse attended public schools in the Chicago area and after graduating from high school she enrolled at Northwestern University. Her father's death and her own poor health led her to withdraw before she had completed a full year. She entered the University of Chicago in 1904, but left without graduating to accept a position with the YWCA.

In 1908, Alice went to China to visit her sister, Mary, who was teaching at a girls' school in Hangchow. Entranced with the beauty and exoticism of China, Alice returned two years later to teach English at the same school. In Hangchow she met Earle Tisdale Hobart, an executive of the Standard Oil Company of New York. They were married in Tientsin in 1914, and were posted by the company to Manchuria. They spent the early years of their marriage amid the turbulent events that followed the overthrow of the Manchu dynasty in 1912. Spurred by her experience, Alice Hobart began writing about her life in China.

In 1916, Mrs. Hobart submitted an account of her encounter with Manchurian bandits to the Atlantic Monthly where it was enthusiastically accepted by editor Ellery Sedgwick. Published as the first in a series called "Leaves From a Manchurian Diary," it was the beginning of Hobart's long career as an author. Her first book, Pioneering Where the World is Old, was based on the Atlantic series. It was published by Henry Holt in 1917.

Ill health and the demands of housekeeping in remote regions of China kept Hobart from writing for publication for several years thereafter. Her experiences as an oil executive's wife in Changsha provided material for her second book, By the City of the Long Sand, published by Macmillan in 1926.

In 1927 the Hobarts were forced to flee their home in Nanking when anti-foreign Nationalist soldiers attacked the city. Their hairbreadth escape over the city wall to waiting American gunboats was the climax of Alice Hobart's next book, Within the Walls of Nanking (1928).

After the Nanking incident, during which Earle Hobart broke his ankle, the Hobarts went to Shanghai to recuperate. When it became apparent that the oil company was not going to give Earle a long-awaited position in Shanghai but was going to transfer him to a town which was in the path of approaching Communist troops, he resigned from the company and the Hobarts returned to the United States in the summer of 1927.

Earle's subsequent jobs took the Hobarts to Europe and then back to this country; Alice continued to write wherever they lived. Pidgin Cargo (1929), a novel about trade on the Yangtze River, was written while the Hobarts were still in China. The manuscript was rescued from the Nanking debacle by a servant and Hobart finished it during the months of recuperation in Shanghai. Oil For the Lamps of China (1933) told the story of an American businessman in China and how his and his wife's lives were consumed by the company for which he worked. Largely autobiographical, it was Hobart's most popular book, and her first to be made into a movie.

After Oil for the Lamps of China, Alice Hobart published a new novel every two or three years. Always well received by critics and readers, her novels often were set in China and dealt with the relationships and tensions between East and West. She was not confined by this theme, however, and after she settled in California in the 1940s her topics included twentieth-century Mexico in The Peacock Sheds His Tail (1945), and agriculture in California in The Cup and the Sword (1942) and The Cleft Rock (1948).

By the time she died in 1967, Alice Tisdale Hobart had published more than a dozen major novels, of which almost four million copies were sold.

Content Description

The Alice Tisdale Hobart papers consist of correspondence, manuscripts, galley proofs, source materials, reviews, publicity materials, legal papers, and artwork. A collection of her books is catalogued separately from this collection. Many of the books in the collection are first editions inscribed by the author to her husband or brother.

Correspondence is arranged chronologically and is largely comprised of letters between Alice and Earle Hobart and Hobart's publishers. Manuscripts and galleys of her later books are included, as well as manuscripts by Alice Hobart's sister, Mary Nourse, and the screenplay for This Earth Is Mine, a movie based on her novel The Cup and the Sword. Source materials include letters written by Alice Hobart from China in the 1920s.

Arrangement

Collection is organized into the following series: Correspondence; Manuscripts; Source Materials; Reviews; Publicity; Legal Papers; and Artwork and Publicity.

Administrative Information

Custodial History 

The collection was a gift of Alice Hobart in 1964.

Use of the Collection

Alternative Forms Available 

A complete collection of books by Alice Tisdale Hobart is located in the University of Oregon Libraries and can be accessed under separate headings in the online catalog.

Restrictions on Access 

Collection is open to the public.

Collection must be used in Special Collections & University Archives Reading Room.

Restrictions on Use 

Property rights reside with Special Collections & University Archives, University of Oregon Libraries. Copyright resides with the creators of the documents or their heirs. All requests for permission to publish or quote from manuscripts must be submitted to the Manuscripts Librarian in Special Collections & University Archives. The reader must also obtain permission of the copyright holder.

Preferred Citation 

[Identification of item], Alice Tisdale Hobart Papers, Ax 197, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.

Subjects

This collection is indexed under the following headings in the online catalog. Researchers desiring materials about related topics, persons, or places should search the catalog using these headings.

 
Hobart, Alice Tisdale--Archives
American literature--20th century
Authors, American--20th century
China--Fiction
Manuscripts for publication
Screenplays

Detailed Description of the Collection

The following section contains a detailed listing of the materials in the collection.


 

Series I:  Correspondence, 1916-1967

 
Container(s)
Description
Dates
 
box
1
folder
1

1916-1929
  1916-1929
 
2
1933-1934
  1933-1934
 
3
1936-1945
  1936-1945
 
4
1946-1949
  1946-1949
 
5
March, 1951-August, 1951
  March, 1951-August, 1951
 
6
September, 1951-December, 1951
  September, 1951-December, 1951
 
7
January, 1952-July, 1952
  January, 1952-July, 1952
 
8
August, 1952-December, 1952
  August, 1952-December, 1952
 
9
January, 1953-June, 1953
  January, 1953-June, 1953
 
10
July, 1953-December, 1953
  July, 1953-December, 1953
 
11
January, 1954-September, 1954
  January, 1954-September, 1954
 
12
October, 1954-December, 1954
  October, 1954-December, 1954
 
13
January, 1955-March, 1955
  January, 1955-March, 1955
 
14
April, 1955-December, 1955
  April, 1955-December, 1955
 
2 1
1956-1957
  1956-1957
 
2
January, 1958-June, 1958
  January, 1958-June, 1958
 
3
July, 1958-September, 1958
  July, 1958-September, 1958
 
4
October, 1958-December, 1958
  October, 1958-December, 1958
 
5
January, 1959-March, 1959
  January, 1959-March, 1959
 
6
April, 1959-May, 1959
  April, 1959-May, 1959
 
7
June, 1959-September, 1959
  June, 1959-September, 1959
 
8
October, 1959-December, 1959
  October, 1959-December, 1959
 
9
January, 1960-April, 1960
  January, 1960-April, 1960
 
10
May, 1960-December, 1960
  May, 1960-December, 1960
 
11
1961-1962
  1961-1962
 
12
April, 1963-October, 1963
  April, 1963-October, 1963
 
13
November, 1963-December, 1963
  November, 1963-December, 1963
 
14
1964/1967
  1964/1967

 

Series II:  Manuscripts

 
Container(s)
Description
   
By Alice Tisdale Hobart
 
   
The Cleft Rock
 
 
box
3
folder
1

Fragments
 
   
The Cup and the Sword
 
 
2
Pages 1-75
 
 
3
Pages 76-150
 
 
4
Pages 151-225
 
 
5
Pages 226-300
 
 
6
Pages 301-375
 
 
7
Pages 376-450
 
 
8
Pages 451-551
 
 
9
Page Revisions
 
   
Gusty's Child
 
 
10
Bound Manuscript
 
 
4 1
Page Revisions
 
 
2
Page Revisions
 
 
3
Page Revisions
 
   
Fifty Years of Writing
 
 
4
First Draft
 
 
5
Second Draft
 
 
6
Final Draft
 
 
7
Edited for Call Number
 
   
Innocent Dreamers
 
 
8
First Draft
 
 
9
Pages 1-50
 
 
10
Pages 51-100
 
 
11
Pages 101-150
 
 
12
Pages 151-200
 
 
13
Pages 201-250
 
 
5 1
Pages 251-300
 
 
2
Pages 301-350
 
 
3
Pages 351-384
 
 
4
Galleys
 
 
5-6
Proof pages
 
   
The Peacock Sheds His Tail
 
 
7
Radio Script-Parts 1-2
 
 
8
Radio Script-Parts 3-5
 
 
9
Son of the Far Border
 
   
Venture into Darkness
 
 
6 1
Title page-50
 
 
2
Pages 51-100
 
 
3
Pages 101-150
 
 
4
Pages 151-200
 
 
5
Pages 201-250
 
 
6
Pages 251-281
 
 
7
Galleys
 
   
Yang and Yin
 
 
8
Title page-40
 
 
9
Pages 41-80
 
 
10
Pages 81-122
 
   
By Mary Nourse
 
   
Ferment in the Far East
 
 
folder
11

Pages 1-50
 
 
12
Pages 51-100
 
 
13
Pages 101-150
 
 
7 1
Pages 201-250
 
 
2
Pages 251-300
 
 
3
Pages 301-331
 
 
4
Wu Yi-Fang, Woman of Old and New China
 
   
By Other Writers
 
 
5
Scenario, "Turn to the Sun"
 
 
6
Screenplay, "This Earth is Mine" - First draft
 
 
7-8
Screenplay, "This Earth is Mine" - Final draft
 

 

Series III:  Source Materials

 
Container(s)
Description
 
box
7
folder
9-10

Innocent Dreamers
 
 
11
River Supreme
 
 
8 1-2
The Serpent-Wreathed Staff
 
 
3-5
Within the Walls of Nanking
 
 
6
Miscellaneous
 

 

Series IV:  Reviews

 
Container(s)
Description
 
box
8
folder
7

By the City of the Long Sand
 
 
8
The Cleft Rock
 
 
9
Gusty's Child
 
 
10-11
Innocent Dreamers
 
 
9 1
Oil for the Lamps of China
 
 
2
The Peacock Sheds His Tail
 
 
3
The Serpent-Wreathed Staff
 
 
4
Venture Into Darkness
 
 
5-6
Yang and Yin
 

 

Series V:  Publicity

 
Container(s)
Description
 
box
9
folder
7

The Cleft Rock
 
 
8-10
The Cup and the Sword (The Earth is Mine)
 
 
10 1
Gusty's Child
 
 
2-3
Oil for the Lamps of China
 
 
4
The Peacock Sheds His Tail
 
 
5
Pioneering Where the World is Old/River Supreme
 
 
6-7
The Serpent-Wreathed Staff
 
 
8
Venture Into Darkness
 
 
9
Yang and Yin
 
 
10
General
 

 

Series VI:  Legal Papers

 
Container(s)
Description
 
box
10
folder
11-12

Contracts
 
 
13
Wills and Royalties
 
 
14
Miscellaneous
 

 

Series VII:  Artwork and Publicity

 
Container(s)
Description
 
box
10


Artwork and Publicity