Overview of the Collection
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Repository Name:
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University of Oregon Libraries
Special Collections & University Archives
1299 University of Oregon Eugene, OR 97403-1299 URL: http://libweb.uoregon.edu/speccoll/index.html
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Collection Number:
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Ax 197
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Creator:
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Hobart, Alice Tisdale
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Title:
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Alice Tisdale Hobart papers
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Dates:
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1916-1967 (inclusive)
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Quantity:
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19.5 linear feet 11 containers
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Languages:
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Collection materials are in English.
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Summary:
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Alice Tisdale Hobart was a writer who wrote about her life in China; her most successful book is Oil for the lamps of China. The Alice Tisdale Hobart papers consist of correspondence,
manuscripts, galley proofs, source materials, reviews, publicity materials, and copies of
all books written by Alice Tisdale Hobart.
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Biographical Note
Alice Tisdale Hobart was born Alice Nourse in Lockport, New York on January 28, 1882,
the second of three children of Edwin Henry and Harriett Augusta Beaman Nourse. When she
was two years old her family moved to Chicago, where her father became a music teacher in
the Chicago public school system. Her mother died when Alice was ten. Spinal meningitis
in infancy and a fall when she was seventeen left Alice Nourse with frail health and back
trouble which caused her to be semi-invalid at periods throughout her life.
Alice Nourse attended public schools in the Chicago area and after graduating
from high school she enrolled at Northwestern University. Her father's death and
her own poor health led her to withdraw before she had completed a full year. She
entered the University of Chicago in 1904, but left without graduating to accept a
position with the YWCA.
In 1908, Alice went to China to visit her sister, Mary, who was teaching at a
girls' school in Hangchow. Entranced with the beauty and exoticism of China, Alice
returned two years later to teach English at the same school. In Hangchow she met
Earle Tisdale Hobart, an executive of the Standard Oil Company of New York. They
were married in Tientsin in 1914, and were posted by the company to Manchuria. They
spent the early years of their marriage amid the turbulent events that followed the
overthrow of the Manchu dynasty in 1912. Spurred by her experience, Alice Hobart
began writing about her life in China.
In 1916, Mrs. Hobart submitted an account of her encounter with Manchurian
bandits to the Atlantic Monthly where it was enthusiastically accepted by editor
Ellery Sedgwick. Published as the first in a series called "Leaves From a Manchurian
Diary," it was the beginning of Hobart's long career as an author. Her first book,
Pioneering Where the World is Old, was based on the Atlantic series. It was published
by Henry Holt in 1917.
Ill health and the demands of housekeeping in remote regions of China kept Hobart
from writing for publication for several years thereafter. Her experiences as an oil
executive's wife in Changsha provided material for her second book,
By the City of the Long Sand, published by Macmillan in 1926.
In 1927 the Hobarts were forced to flee their home in Nanking when anti-foreign
Nationalist soldiers attacked the city. Their hairbreadth escape over the city
wall to waiting American gunboats was the climax of Alice Hobart's next book,
Within the Walls of Nanking (1928).
After the Nanking incident, during which Earle Hobart broke his ankle, the Hobarts
went to Shanghai to recuperate. When it became apparent that the oil company was not
going to give Earle a long-awaited position in Shanghai but was going to transfer him
to a town which was in the path of approaching Communist troops, he resigned from the
company and the Hobarts returned to the United States in the summer of 1927.
Earle's subsequent jobs took the Hobarts to Europe and then back to this country;
Alice continued to write wherever they lived. Pidgin Cargo (1929),
a novel about trade on the Yangtze River, was written while the Hobarts were still in China.
The manuscript was rescued from the Nanking debacle by a servant and Hobart finished it
during the months of recuperation in Shanghai. Oil For the Lamps of China (1933)
told the story of an American businessman in China and how his and his wife's lives were
consumed by the company for which he worked. Largely autobiographical, it was Hobart's
most popular book, and her first to be made into a movie.
After Oil for the Lamps of China, Alice Hobart published
a new novel every two or three years. Always well received by critics and readers, her novels
often were set in China and dealt with the relationships and tensions between East and West.
She was not confined by this theme, however, and after she settled in California in the
1940s her topics included twentieth-century Mexico in
The Peacock Sheds His Tail (1945), and agriculture in California
in The Cup and the Sword (1942) and
The Cleft Rock (1948).
By the time she died in 1967, Alice Tisdale Hobart had published more than a
dozen major novels, of which almost four million copies were sold.
Content Description
The Alice Tisdale Hobart papers consist of correspondence, manuscripts, galley
proofs, source materials, reviews, publicity materials, legal papers, and artwork.
A collection of her books is catalogued separately from this collection. Many of the books in
the collection are first editions inscribed by the author to her husband or brother.
Correspondence is arranged chronologically and is largely comprised of letters
between Alice and Earle Hobart and Hobart's publishers. Manuscripts and galleys of
her later books are included, as well as manuscripts by Alice Hobart's sister, Mary
Nourse, and the screenplay for This Earth Is Mine, a movie
based on her novel The Cup and the Sword. Source materials
include letters written by Alice Hobart from China in the 1920s.
Arrangement
Collection is organized into the following series: Correspondence; Manuscripts;
Source Materials; Reviews; Publicity; Legal Papers; and Artwork and Publicity.
Administrative Information
Custodial History The collection was a gift of Alice Hobart in 1964.
Use of the Collection
Restrictions on Access Collection is open to the public.
Collection must be used in Special Collections & University Archives Reading Room.
Restrictions on Use Property rights reside with Special Collections & University Archives, University of Oregon Libraries.
Copyright resides with the creators of the documents or their heirs.
All requests for permission to publish or quote from manuscripts must be submitted to the
Manuscripts Librarian in Special Collections & University Archives. The
reader must also obtain permission of the copyright holder.
Preferred Citation [Identification of item], Alice Tisdale Hobart Papers, Ax 197, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.
Subjects
This collection is indexed under the following headings in the online
catalog. Researchers desiring materials about related topics, persons, or
places should search the catalog using these headings.
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| Hobart, Alice Tisdale--Archives |
| American literature--20th century |
| Authors, American--20th century |
| China--Fiction |
| Manuscripts for publication |
| Screenplays |
Detailed Description of the Collection
The following section contains a detailed listing of the materials in
the collection.
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Series I:
Correspondence, 1916-1967
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Container(s)
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Description
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Dates
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1916-1929
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1916-1929 |
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1933-1934
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1933-1934 |
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1936-1945
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1936-1945 |
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1946-1949
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1946-1949 |
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March, 1951-August, 1951
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March, 1951-August, 1951 |
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September, 1951-December, 1951
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September, 1951-December, 1951 |
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January, 1952-July, 1952
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January, 1952-July, 1952 |
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August, 1952-December, 1952
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August, 1952-December, 1952 |
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January, 1953-June, 1953
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January, 1953-June, 1953 |
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July, 1953-December, 1953
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July, 1953-December, 1953 |
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January, 1954-September, 1954
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January, 1954-September, 1954 |
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October, 1954-December, 1954
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October, 1954-December, 1954 |
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January, 1955-March, 1955
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January, 1955-March, 1955 |
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April, 1955-December, 1955
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April, 1955-December, 1955 |
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1956-1957
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1956-1957 |
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January, 1958-June, 1958
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January, 1958-June, 1958 |
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July, 1958-September, 1958
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July, 1958-September, 1958 |
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October, 1958-December, 1958
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October, 1958-December, 1958 |
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January, 1959-March, 1959
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January, 1959-March, 1959 |
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April, 1959-May, 1959
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April, 1959-May, 1959 |
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June, 1959-September, 1959
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June, 1959-September, 1959 |
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October, 1959-December, 1959
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October, 1959-December, 1959 |
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January, 1960-April, 1960
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January, 1960-April, 1960 |
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May, 1960-December, 1960
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May, 1960-December, 1960 |
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1961-1962
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1961-1962 |
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April, 1963-October, 1963
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April, 1963-October, 1963 |
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November, 1963-December, 1963
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November, 1963-December, 1963 |
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1964/1967
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1964/1967 |
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Series II:
Manuscripts
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Container(s)
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Description
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By Alice Tisdale Hobart
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The Cleft Rock
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Fragments
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The Cup and the Sword
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Pages 1-75
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Pages 76-150
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Pages 151-225
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Pages 226-300
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Pages 301-375
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Pages 376-450
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Pages 451-551
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Page Revisions
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Gusty's Child
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Bound Manuscript
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Page Revisions
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Page Revisions
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Page Revisions
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Fifty Years of Writing
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First Draft
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Second Draft
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Final Draft
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Edited for Call Number
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Innocent Dreamers
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First Draft
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Pages 1-50
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Pages 51-100
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Pages 101-150
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Pages 151-200
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Pages 201-250
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Pages 251-300
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Pages 301-350
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Pages 351-384
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Galleys
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Proof pages
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The Peacock Sheds His Tail
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Radio Script-Parts 1-2
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Radio Script-Parts 3-5
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Son of the Far Border
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Venture into Darkness
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Title page-50
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Pages 51-100
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Pages 101-150
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Pages 151-200
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Pages 201-250
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Pages 251-281
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Galleys
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Yang and Yin
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Title page-40
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Pages 41-80
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Pages 81-122
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By Mary Nourse
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Ferment in the Far East
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Pages 1-50
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Pages 51-100
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Pages 101-150
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Pages 201-250
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Pages 251-300
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Pages 301-331
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Wu Yi-Fang, Woman of Old and New China
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By Other Writers
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Scenario, "Turn to the Sun"
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Screenplay, "This Earth is Mine" - First draft
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Screenplay, "This Earth is Mine" - Final draft
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Series III:
Source Materials
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Container(s)
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Description
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Innocent Dreamers
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River Supreme
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The Serpent-Wreathed Staff
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Within the Walls of Nanking
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Miscellaneous
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Series IV:
Reviews
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Container(s)
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Description
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By the City of the Long Sand
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The Cleft Rock
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Gusty's Child
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Innocent Dreamers
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Oil for the Lamps of China
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The Peacock Sheds His Tail
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The Serpent-Wreathed Staff
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Venture Into Darkness
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Yang and Yin
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Series V:
Publicity
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Container(s)
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Description
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The Cleft Rock
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The Cup and the Sword (The Earth is Mine)
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Gusty's Child
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Oil for the Lamps of China
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The Peacock Sheds His Tail
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Pioneering Where the World is Old/River Supreme
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The Serpent-Wreathed Staff
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Venture Into Darkness
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Yang and Yin
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General
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Series VI:
Legal Papers
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Container(s)
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Description
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Contracts
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Wills and Royalties
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Miscellaneous
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Series VII:
Artwork and Publicity
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Container(s)
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Description
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Artwork and Publicity
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