Overview of the Collection
|
| |
Repository Name:
|
|
Maureen and Mike
Mansfield Library
Archives and Special
Collections
The University of Montana--Missoula
Missoula, MT 59812
406-243-2053
http://www.lib.umt.edu/asc
library.archives@umontana.edu
|
| |
Collection Number:
|
|
Mss 007
|
|
| |
Creator:
|
|
Linderman,
Frank Bird, 1869-1938
|
|
| |
Title:
|
|
Frank B. Linderman Memorial
Collection
|
|
| |
Dates:
|
|
1885-2005 (inclusive)
|
|
| |
Quantity:
|
|
14.5 linear feet, 10 oversize
boxes, and 81 objects
|
|
| |
Languages:
|
|
Materials are in English
|
| |
Summary:
|
|
This collection represents the
productive and collective efforts of Frank Linderman and his many careers as
writer, politician, assayer, and Native American ally and ethnographer. The
correspondence and photographs are especially extensive and represent his many
important and significant friends and acquaintances.
|
| |
Historical Note
Frank Bird Linderman was born in Cleveland, Ohio, on September 25,
1869, the son of James Bird Linderman and Mary Ann Brannan Linderman. He
attended schools in Ohio and Chicago, including Oberlin College, before moving
to Montana Territory in 1885 at the age of sixteen. He worked as a trapper from
1885 to 1891, then met his wife, Minnie Jane Johns, in Demersville, Montana, in
1891. They were married in 1893 in Missoula, Montana. They had three children:
Wilda, Verne, and Norma.
From 1893 to 1897, he worked in Butte, Montana, as an assayer, then
moved to Brandon, Montana. About 1900, the family moved to Sheridan, Montana,
where he was an assayer, furniture salesman, and newspaperman.
Linderman was also a politician: he served in the Montana state
legislature in the 1903 and 1905 sessions. He ran for the U.S. Congress in 1916
and 1918; in 1924 he ran for the U.S. Senate against Thomas J. Walsh. He was a
Mason, and was inducted to that brotherhood in Sheridan in 1899. He received
the Scottish Rite in the Helena consistory in 1911. He continued to be active
in Masonry and held a number of offices in that organization.
From 1905 to 1907, he was Montana's Assistant Secretary of State.
After that, he became a successful insurance agent with the Guardian Insurance
Company of America. In 1917, he bought property at Goose Bay on Flathead Lake,
moved the family from Helena, and pursued writing full-time. He also took up
sculpting in bronze.
Linderman had wanted to be a writer as early as 1911, when he had been
encouraged by Opie Read. Read encouraged him to submit his first collection of
tales to Charles Scribner's Sons, who published it as
Indian Why Stories in 1915. He continued to publish to
favorable reviews, but found the profession less than remunerative. In 1924,
with his writing income still small, he bought the Hotel Kalispell and ran it
for two years, then sold it as a profit. He changed publishers in 1929, and
worked with Hermann Hagedorn of the John Day Company. Charlie Russell, a
lifelong and close friend, illustrated many of his books.
He devoted a great deal of his life to Montana's Native Americans,
learning and writing about their ways and trying to help them in material ways.
His first contacts with them were as a trapper, when he became acquainted with
members of the Flathead and Kootenai tribes; he later knew many Crow,
Blackfeet, Cree, and Chippewas. Many Indians taught him tribal legends,
including Kootenai Two-Comes-Over-the-Hill; Muskegon, a Cree; and Full-Of-Dew,
a Chippewa medicine man. He was instrumental in founding the Rocky Boy's
Reservation for Montana's Cree and Chippewa. He was adopted into three tribes:
the Blackfeet, the Cree, and the Crow.
Linderman's published books include
Indian Why Stories: Sparks from War Eagle's Lodge-Fire
(1915);
Indian Lodge-Fire Stories (1918);
On a Passing Frontier: Sketches from the Northwest (1920);
Indian Old-Man Stories: More Sparks from War Eagle's
Lodge-Fire (1920);
How It Came About Stories (1921);
Bunch-Grass and Blue Joint (1921);
Lige Mounts, Free Trapper (1922);
Kootenai Why Stories (1926);
American: The Life Story of a Great Indian, Plenty-Coups, Chief of
the Crows (1930);
Old-Man Coyote (1931);
Red Mother (1932);
Beyond Law (1933);
Stumpy (1933); and "Out of the North" in
Blackfeet Indians, by Winold Reiss (1935). He also
published numerous magazine articles, tales, anecdotes, and poems.
Linderman's health was fragile after he tried to save his Goose Bay
home from a fire in 1919, and it began to fail in 1930. He died in Santa
Barbara, California, in 1938. Minnie Linderman died in 1941.
Linderman's daughters continued to be highly involved with the
preservation of his literary and anthropological legacy, and their own literary
contributions are notable. Wilda Jane Linderman was born in Butte, Montana, in
1894. She graduated from the University of Montana--Missoula and studied at
Harvard University and Radcliffe College before teaching at the Santa Barbara
Girls School in California. Her father's manuscripts show extensive editorial
marks by her. In 1938, she founded the Gosling School in Peterborough, NH. She
died in 1981.
Verne Linderman was born in 1897 and also graduated from the
University of Montana--Missoula, where she wrote for H. G. Merriam's
Frontier. Her father's manuscripts have extensive
editorial marks by her. She became society editor for the
Daily Inter Lake and correspondent for the Butte, Great
Falls, and Spokane newspapers. From 1930 to 1980, she was a feature writer for
the
Santa Barbara News Press. She was also a regular
contributor to the
Christian Science Monitor. In 1943, she won the Theta
Sigma Chi award for best feature story in southern California newspapers. She
died in 1989.
Norma Linderman Waller was born in 1898 at Brandon, Montana. She
attended Helena schools and the University of Montana--Missoula. In 1925, she
married Roy Oliver Waller; they had four children, James, Richard, John, and
Sarah. Mrs. Waller was particularly instrumental in preserving, distributing,
and displaying her father's Native American artifacts and worked with numerous
cultural institutions to do so. She worked with H.G. Merriam to have
Recollections of Charley Russell and
Montana Adventure published. She died in 1972.
The third generation of the Linderman family, Mrs. Waller's children,
have continued to play a significant role in preserving his memory.
James Waller was born in 1926 and attended high school in Kalispell.
He worked in the construction trucking and service station and garage
businesses. He inherited Linderman's gun collection, which he passed on to one
of his sons and to the Smithsonian Institution. He is married to Ruth, an
accomplished weaver, and lives in Santa Ynez, California. Their sons are Robert
James and Daniel Richard.
Richard L. Waller was born in 1928 and graduated from Flathead County
High School. He attended Montana State University in Bozeman for one year,
interrupted his schooling to serve in the United States Air Force, and
completed his four years of architectural training in 1957. He worked for
architecture firms in Spokane and Wenatchee, Washington, until 1981, when he
went into construction management in Washington and Alaska. He then worked for
the City of Wenatchee as a building inspector. He also did freelance
architectural work for over thirty years. His design skills have helped to
promote the Linderman collection; he designed the brochure for the bronze casts
made of Linderman's sculptures. He has also assisted his sister with the
administrative matters surrounding the collection. He married his wife, Elaine,
in 1949; they had four children. He lives in Wenatchee, Washington.
Sarah Jane Waller Hatfield was born in 1931 in Kalispell, Montana, and
lived with her family and grandparents at Linderman's Goose Bay home from 1935
to 1941, when the family moved back to Kalispell. She graduated from the
University of Montana--Missoula and worked for companies in Wyoming and Montana
as a secretary and geophysical computer. She married Robert G. Hatfield in
1953; they had two children, Cynthia Ann and Mark Robert. From 1961 to 1989,
the family resided in San Jose, California, then returned to Kalispell,
Montana. Mrs. Hatfield became literary trustee for the Linderman family,
charged with all custodial care, which included finding a permanent repository
for the papers. She did extensive work in the papers, editing and preparing
Quartzville,
Wolf and the Winds,
Henry Plummer: A Novel,
The Iron Shirt,and
Big Jinny: The Story of a Grizzly Bear
for publication. Mrs. Hatfield has also exhibited the Linderman
collections at many locations across Montana.
John (Jack) Waller was born in 1940, and is a professional jazz
musician. He played in the Navy Band, then attended the Berklee College of
Music in Boston before playing extensively in New York City and San Francisco,
as well as many other locations around the United States. He lives in Bigfork,
Montana.
Linderman's heirs have worked to publish his unfinished works or to
reissue volumes out of print. Book-length works of Linderman published
posthumously include
Recollections of Charley Russell, H. G. Merriam, ed.
(1962),
Montana Adventure: The Recollections of Frank B.
Linderman, H. G. Merriam, ed. ([1968]);
Quartzville, Larry Barsness, ed. (1985); Wolf and the
Winds, Hugh A. Dempsey introduction (1986); and
Henry Plummer: A Novel (2000).
The Iron Shirt(2004).
Big Jinny: The Story of a Grizzly Bear(2005).
Other Descriptive Information
Essay: Frank Linderman's Work
By
William Bevis, Professor of English, The University of
Montana--Missoula1984 (Reprinted with permission of author,
1999)
"I had found a large map of the western states and territories, and
that night, for the hundredth time, I spread it upon the floor in my own room
to pore over it as I always had, flat on my belly. Long before this I had
decided where I wished to go, but now that my dream was coming true I needed to
be sure I had made no mistake in my choosing. I had to have unspoiled
wilderness, because I secretly intended to become a trapper. I remember that I
felt glad when the Flathead Lake country in northwestern Montana Territory
seemed yet to be farthest removed from contaminating civilization. I'd go as
straight as I could to Flathead Lake."
The year was 1885, and if the boy of 16 on the train west from Chicago
did not know that the West was going and gone, he would know it soon after he
arrived. Just the last few years, since 1883, had seen the barbed wire and
railroad arrive, the buffalo disappear and the starved Indians gather in
reservations. When Montana became a state in 1889, Frank Linderman agreed with
his trapping friend who said, "Now she's gone to hell."
Frank Linderman was one of a number of men, white men, who came from
the East to the West between 1865 and 1900 not so much to mine, or trap,
homestead or make a fresh start as to "see the West" before it was gone. Some
of these men, including Frederick Remington, Charley Russell, George Bird
Grinnell, James Willard Schultz and Frank B. Linderman would become important,
important because they saw, they cared and they reported what they had come to
see--the West before it was gone. Much of their work was done in Montana, and
many of them knew each other. Grinnell introduced Schultz's work, and
Linderman's first book,
Indian Why Stories (1915), was dedicated to Russell and
Grinnell and illustrated by Russell. Their work is even more important now than
when it was done and is beginning to receive the recognition it deserves.
Frank Linderman's work was varied: for a brief seven years he trapped
in his beloved wilderness near Flathead Lake, and as so often happens in
western history, those few years became a sort of golden age in his life by
which all else was measured. He married, became an assayer, then newspaperman,
then state legislator. In 1905 he moved to Helena and was Assistant Secretary
of State. But in his heart he really must have believed that he, like the
territory, was going to hell in that direction and after making some money
selling insurance, he moved, in 1917, to Goose Bay, Flathead Lake, to write. He
was forty-eight years old with a family, and he was not rich. The move was a
conscious and risky rejection of business and politics in favor of writing.
Between 1915 and his death in 1938 he published, among other books,
articles poems, five volumes of traditional Indian tales, two trapper novels (
Lige Mount and
Beyond Law), and two recorded Indian autobiographies, one
of Crow Chief Plenty-Coups, the other of Crow medicine woman Pretty-Shield.
Maxwell Perkins, editor of Hemingway and many others, said, "It would be hard
to write a better story than
Lige Mount"; the book deserves more study than we can give
it here. It is easy to see, however, that most of Linderman's work was on
Indians, and that is the work on which I wish to focus.
Frank Linderman worked on Indians, with Indians, for Indians. That is,
he faithfully recorded their tales and customs, he was their friend, and in
politics he did all he could to help, especially in establishing the Rocky
Boy's Reservation in north central Montana. Yet his name is hardly recognized
outside of Montana, and I would like for a moment to consider his place in our
knowledge of Indians and explain why I think he will soon be much more widely
known.
In what we now call Native American studies, which began as
sympathetic and accurate knowledge of Indians by Europeans and is now being
transformed by Indian scholars, there was a seminal period from about 1880 to
1930. During that time, from the Indians' losing the West to the death of the
last men and women who had ever known a pre-white West, much crucial work was
done. Linderman was one of the last of a whole host of whites who gathered
evidence and testimony during that time, when direct knowledge of the old was
still possible. From about 1930 to 1970, knowledge of Indians in both popular
and academic circles declined, as far as I can tell, and much was forgotten.
Since about 1970, a boom in Indian studies had produced fresh scholarship and,
among Indians, fresh politics, but surprisingly, much of that activity is
simply rediscovering how good the old work was, and now, how precious.
For instance, the Native American poetry translations by Natalie
Curtis and others at the turn of the century were excellent, and were printed
with interlinear translations of texts, comments by Indian informants, and
musical notations. By comparison, the new "Indian poetry" texts being printed
in 1970 had sloppy translations, no commentary, and no background information.
We not realize that the best we can do is reprint Curtis' 1907 book, informed
as it was by direct knowledge and accurate field work.
Another instance: In the 1950s Charley Russell was widely thought to
be a romanticist, a portrayer of the Wild West of movies and pulp fiction. That
is one reason Montana let his paintings leave the State. Now, however, we have
realized that his work is accurate and irreplaceable, and John Ewers, the
Blackfeet historian, has a Russell print hanging behind his desk at the
Smithsonian. Linderman, I am suggesting, was not only one of those men who came
West at a certain period with certain expectations, but like some of those
other men, he is beginning to be appreciated. Shultz' work on the Blackfeet is
gaining fresh recognition. Linderman's
Plenty-Coups came back into print through Bison Press in
1962,
Pretty-Shield in 1974. Frederic van de Water's assessment
of
Plenty-Coups in a 1931 letter to Linderman was prophetic:
"... not only a great book, ... one of those volumes ... too good for the
present, that is due to be 'discovered' by someone long after you and I have
died."
Those works by Linderman, Russell, Schultz and others have an accuracy
and passion, an urgency, that cannot be recaptured. Chief Plenty-Coups: "I have
not told you half that happened when I was young ... I can think back and tell
you much more of war and horse stealing. But when the buffalo went away the
hearts of my people fell to the ground, and they could not lift them up
again."
Up to this point I have said only that Linderman was one of several
men in the right time at the right place. But, of course, many had come West
aware that something was quickly passing, yet few left us such a legacy.
Grinnell and Russell and Linderman and others must each have had special
qualities that stamp their work. Frank Linderman had, as far as I can tell,
three qualities that made his own work what it was--indeed, made it
possible.
First, he was absolutely trustworthy. Hermann Hagedorn said, "When I
think of Frank, the quality that stands out above all others ... is his
integrity. He lived squarely and he thought squarely." Linderman's integrity
had several effects. It probably weaned him from politics, possibly from
insurance, and certainly put him in the unusual position of being trusted by
Indians: "... If my father came back and stood on one hill and I saw Frank
Linderman on another hill I would not go to my father. I would go to Frank
Linderman. You know I do not lie. This is the truth. --Day Child."
As a direct result of the Indians' trust in him from his first meeting
with the Flathead Red Horn until his death, Indians came to Linderman for help,
helped him, and finally offered to him, and to him only, their life stories. It
was not considered wise or good for a Crow Indian to speak of the dead, which
Plenty-Coups would have to do to tell his life story, nor did Indians often
trust white men to tell their story with a straight tongue. But finally
Plenty-Coups, said to Linderman, who was renowned in sign language: "You are my
friend, Sign-Talker. I know your heart is good. I will tell you what you wish
to know, and you may write it down." And when they had finished: "I am glad I
have told you these things, Sign-Talker. You have felt my heart, and I have
felt yours. I know you will tell only what I have said, that your writing will
be straight like your tongue, and I sign your paper with my thumb so that your
people and mine will know I told you the things you have written down."
Plenty-Coups would only speak, in other words, not to an
anthropologist but to a trusted friend. The first review of
Plenty-Coups in the
Chicago Tribune remarked that Linderman was "a 'creative
listener' in the sense that he understands deeply." Linderman's integrity,
then, his thinking squarely and deeply, put him in the position of knowing
Indians who would not speak openly to many white men, for there were few they
could trust.
A second quality that stamps his work is clarity. His keen mind, keen
judgment and care are evident in all of his writings. To the fine writer,
clarity is a matter even of style, of sound and rhythm: "Charley Russell was
the most lovable man I have ever known. My remembrances of our days and nights
together, alone in camps, and of his frequent visits in our home at Goose Bay
are highlights that brighten with passing years ..."
In every description, whether of nature or Butte, Indians or subways,
one feels the presence of an accurate and precise observer. And, of course,
that mind is keenly aware of its own limits: "I am convinced that no white man
has ever thoroughly known the Indian. ... I have studied the Indian for more
than forty years, not coldly, but with sympathy; yet even now I do not feel
that I know much about him. He has told me many times that I
do know him 'that I have felt his heart,' but whether this
is so I am not certain."
Linderman was clear about what he could know, and clear about his
ignorance.
The third quality that defines his contribution to us is humility. He
not only got us
to Plenty-Coups, but he then got
out of the way. That is, I think, a remarkable
achievement, and the greatest justification of Plenty-Coups' trust in him.
Consider for a moment Frank Linderman's position in 1929-30. He was not a paid
scholar or researcher or ethologist, nor was he seeking such a position. He was
very demoralized by the low sales of his writings for fifteen years; he had
written one novel in 1922, would soon write another, and was well aware that
novels, especially pulp novels, were the way to make money. Here was tremendous
material dumped in his lap. He had tried running the Kalispell Hotel for two
years and now was poor again at Goose Bay. His only claim to fame was an
honorary degree from the University of Montana at Missoula, but then, as now,
we didn't hand out much cash. Yet he never considered any selfish use of the
Plenty-Coups story; he was content to be the servant of the Crow tradition,
carrying Plenty-Coups' message to America, and to a remarkable extent he stayed
out of the book. His few appearances are graceful, sympathetic and
knowledgeable. His humility allowed him to commit to a project larger than
himself, and his publisher advised him directly that such important work often
could not be poured into commercial molds: "Frank, I hate to think of your
trying to learn 'knacks' or bags of tricks merely for the sake of pleasing
magazine editors. If you were a second-rater, that would be all right; but you
are a first-rater, and therefore I believe you have got to continue to be
yourself and do your own stuff, and if editors can't see it the way you write
it, it is so much the worse for them; and it is tough on you. But I think it
would be tougher on you to try to write in a way that is unnatural to you."
How many hack writers of 1930 are now forgotten, while we are just
beginning to remember Frank Linderman.
So these qualities--integrity, clarity and humility--gave birth to his
work and shaped its features. We have from Linderman not only testimony of
times now gone, but testimony and commentary of the finest kind. Just what we
can learn from what he said so well is the next task of the scholars, and we
are grateful that these archives give us the opportunity to do that work.
Linderman said in a letter of 1922: "It is hard for some of my friends
to believe that I feel it a duty to, in some way, preserve the Old West,
especially Montana, in printer's ink, and if I can accomplish a small part of
that duty I shall die content."
We hope he realized, before he died, that he had accomplished more
than a small part of his duty.
Content Description
This collection represents the productive and collective efforts of
Frank Linderman and his many careers as writer, politician, assayer, and Native
American ally and ethnographer. The correspondence and photographs are
especially extensive and represent his many important and significant friends
and acquaintances.
The collection also contains materials produced by Linderman's heirs,
largely his daughters, Wilda, Verne, and Norma. The collection also represents
well the continued efforts of his granddaughter, Sarah Jane Waller Hatfield.
The materials document the efforts of these family members to perpetuate the
memory of Frank Linderman through donations and loans of materials to and
displays at museums and publication or republication of his writings. Since the
literary efforts of the family are continuous throughout the twentieth century,
materials from the generations are not separated by series, but may be in
subgroupings; notations on the source and editorship are retained.
Arrangement
The collection is divided into nine series:
Series I: Biographical, 1 folder, ca. 1919-1935
Series II: Correspondence, 1.75 linear feet, 1903-1985
Series III: Writings, 2.5 linear feet, 1911-1986
Series IV: Politics, 4 folders, 1918-1968
Series V: Memorabilia, 1 linear inch and oversize, 1911-1937
Series VI: Publications, 0.75 linear feet, 1885-1992
Series VII: Portfolios,7 oversize portfolios, 1885-1984
Series VIII: Photographs, 525 images, 2 linear feet and oversize,
1870-1985
Series IX: Artifacts, 81 objects, circa 1825-1940
Series X: Accession 2000-42, 0.5 linear feet, 1901-2001
Series XI:Accession 2001-11, 1.25 linear feet, 1886-1997
Series XII: Accession 2005-16, 1.5 linear feet, 1927-2005
Series XIII: Accession 2006-27, 1.0 linear feet, 1904-2001
Series XIV: Accession 2007-24, 1.5 linear feet, 1893-1999
Series XV: Accession 2008-33, 0.7 linear feet, 1905-1954
Series XVI: Accession 2011-40, 1 linear foot, 1916-1936
Administrative Information
Custodial History The collection was largely in the possession of the Linderman family
until donation to the Archives.
Acquisition Information Frederic Van de Water donated sixty-one pieces of his correspondence
with Linderman to the University of Montana Friends of the Library in 1961. In
1963, Linderman's daughters, Norma Waller, Wilda Linderman, and Verne
Linderman, presented the original and edited manuscripts of
Recollections of Charley Russell to the Friends of the
Library. In 1967, the daughters presented 1500 pieces of Linderman
correspondence to the University of Montana Library through Professor Merriam
and the Friends of the Library. That same year, the Friends of the Library
purchased fifty-eight Linderman letters from Western Hemisphere Books and
Manuscripts. In 1968, the Linderman daughters again presented the Friends of
the Library with a collection of Linderman material. In 1984, Sarah Jane Waller
Hatfield, Linderman's granddaughter, and her brothers, James Waller, Richard
Waller, and John Waller, donated additional manuscripts and Native American
artifacts. This was augmented by additional donations by that same family group
in 1984, 1985, 1986, 1987, 1993, 1999, 2000, 2004, 2005, 2006, 2007, and
2010.
Future Additions The Linderman heirs still hold a significant amount of additional
material that may be added to the collection in the future.
Processing Note The order of the original collection of Linderman papers--those
received between 1961 and 1968--was based largely on the arrangement given by
H. G. Merriam as he worked with them; the additions received from the family
and purchased were integrated into the collection. Materials that arrived after
1984 remained unprocessed until 1999. In that year, the collection was
augmented with the formerly unprocessed materials. The whole was re-described,
substantially rearranged into the first nine series, and rehoused. Some
photographs that had formerly been integrated into the Archives' general
photograph collection were replaced into this collection at the request of the
heirs.
With the exception of objects and textiles, materials donated from
2000 to present have been remained separated into new series identified by an
accession number which reflects the date of the individual donations. Many
folder descriptions in these new series follow specific phrasing from
inventories and appraisal documents provided by the donors. Objects and
Textiles were added to Series IX: Artifacts.
Separated Materials The following books arrived with Accession 2000-42 and were placed
into Special Collections: The Indian Sign Language by W.P. Clark, 1885; Mining
and General Telegraphic Code by Bedford McNeill, 1895; Practical Notes on the
Cyanide Process by Francis L. Boxqui, 1901; Notes on Assaying and Assay
Schemes, Pierre de Peyster Rickets, 1892; and A Manual of Practical Assaying by
John Mitchell, 1881.
Use of the Collection
Restrictions on Access Researchers must use collection in accordance with the policies of
Archives and Special Collections, the Maureen and Mike Mansfield Library, and
The University of Montana--Missoula.
Restrictions on Use Researchers are responsible for using in accordance with 17 U.S.C. and
any other applicable statutes. Copyright not transferred to The University of
Montana. Copyright is managed by Sarah Jane Hatfield on behalf of the Linderman
heirs.
Preferred Citation [Name of document or photograph number], Frank Bird Linderman Memorial
Collection, Archives and Special Collections, Maureen and Mike Mansfield
Library, The University of Montana-Missoula.
Subjects
| Assayers--Montana |
| Authors,
American--Montana |
| Ethnologists--Montana |
| Politicians--Montana |
| Artifacts |
| Correspondence |
| Manuscripts for
publication |
| Memorabilia |
| Photographic
prints |
| Photographs |
| Indians of North
America |
| Indians of North
America--Antiquities |
| Montana--History--Sources |
| Montana--Politics and
government--20th century |
| Borein, Edward,
1872-1945 |
| Coates, Grace Stone,
1881-1976 |
| Coburn, Walt,
1889-1971 |
| De Yong, Joe, b.
1894 |
| Dixon, Joseph Moore,
1867-1934 |
| Gibson, Paris,
1830-1920 |
| Grinnell, George Bird,
1849-1938 |
| Hagedorn, Herman,
1882-1964 |
| Hatfield,
Sarah |
| Horn, Ernest,
1882-1967 |
| James, Will,
1892-1942 |
| Linderman, Verne,
1897-1989 |
| Linderman, Wilda Jane,
1894-1981 |
| Merriam, H.G. (Harold
Guy), 1883- |
| Paxson, E.S.,
1852-1919 |
| Pinchot, Gifford,
1865-1946 |
| Reiss, Winold,
1886-1953 |
| Russell, Charles M.
(Charles Marion), 1864-1926 |
| Seltzer, O.C. (Olaf C.).
1877-1957 |
| Turney-High, Harry
Holbert, 1899- |
| Van de Water, Frederic
Franklyn, 1890-1968 |
| Waller, Norma Linderman,
1897-1972 |
| Walsh, Thomas James,
1859-1933 |
| Whicker, H.W. (Harold
Wave), 1895-1955 |
Detailed Description of the Collection
| |
Series I:
Biographical , 1919-1935
1 folder
This series consists of a single folder of biographical
information about Linderman, which includes a short handwritten biography in
Linderman's hand, a reply to a letter from the librarian at the University of
Montana--Missoula in 1935 listing his published works, and a data sheet from
Who's Who Among North American Authors. Other series,
most notably the Portfolios in Series VII, are also a valuable source for
biographical materials, and lists of Linderman's publications may be found in
the Spring 1938 issue of the
Frontier and Midland magazine (included in Series VI)
or in Linderman's autobiography,
Montana Adventure (1968).
The items are arranged chronologically.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Biographical
|
| |
Series II:
Correspondence , 1903-1985
1.75 linear feet
This series contains the personal, professional, and literary
correspondence of the Linderman family. The correspondence is divided into two
subseries: Linderman's Correspondence, and Family Correspondence.
The first, and by far the most extensive, Subseries is Linderman's
produced and collected correspondence. Letters range from the routine to the
deeply informative. There are several folders of Linderman's exchanges with his
editors at Charles Scribner's Sons and the John Day Company that offer insights
into his creative and editorial process. There are especially complete groups
of correspondence with literary friends and associates, including Charley
Russell, Hermann Hagedorn, H. G. Merriam, and Frederick Van de Water. The
correspondence with Russell includes some explanatory notes added by Norma
Linderman Waller after his death. Correspondence with members of his family,
including his father and brothers, forms another significant group. Other
correspondents include many notable Americans and Montanans: Gifford Pinchot,
Joseph Dixon, George Grinnell, Paris Gibson, Edgar S. Paxson, and Theodore
Roosevelt. The series finishes with a group of correspondence from those
admiring his books, including children.
Subseries 2, the correspondence of Linderman's family mainly
consists of correspondence discussing the preservation of Linderman's memory
and sale or donation of his artistic and literary remains, including that with
historical agencies, publishers, editors, and auction houses. Most notable is
the correspondence with H. G. Merriam about the editing of
Recollections of Charley Russell and
Montana Adventure, with the University of Montana
regarding the Linderman Collection, and with the Museum of the Plains Indian in
Browning, Montana, about the extensive collection of Linderman artifacts housed
there. It also includes condolence notes sent after the death of Mr. and Mrs.
Linderman.
Within those groups, materials are arranged alphabetically by name
of correspondent or subject, as appropriate.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Subseries 1:
Linderman's Correspondence
|
| |
|
|
American Legion , 1923 and undated
|
| |
|
|
American Legion Monthly
, 1931-1939
|
| |
|
|
Atherton, Gertrude , 1922
|
| |
|
|
Authors' Guild , 1931
|
| |
|
|
Ayers, Roy , 1937
|
| |
|
|
"A" , 1920-1928
|
| |
|
|
Baghdigian, Bagdasar K.
, 1925 and undated
|
| |
|
|
Baker, Marie Sweet , 1930-1931
|
| |
|
|
Balfour, A.M. ("Shorty")
, 1905-1921 and undated
|
| |
|
|
Bennett, Alden J. , 1903
|
| |
|
|
Blodgett, George W.
, 1937-1938 and undated
|
| |
|
|
Borein, Edward, undated
|
| |
|
|
Borg, Carl Oscar , 1923-1930
|
| |
|
|
Bray, Archie , 1919-1921 and undated
|
| |
|
|
Bristol, C.L. , 1909
|
| |
|
|
Brown, James M. , 1932-1935
|
| |
|
|
Buffalo Bill Museum Association
, 1932
|
| |
|
|
Byrnes, Owen , 1932
|
| |
|
|
"B" , 1915-1939 and undated
|
| |
|
|
Callaway, Llewellyn, L.
, 1903-1937
|
| |
|
|
Cannon, C.L. , 1924-1931 and undated
|
| |
|
|
Cheney, David , 1931
|
| |
|
|
Clapp, Charles H. and Mary
, 1927-1935
|
| |
|
|
Clapp, Moses E. , 1913
|
| |
|
|
Coates, Grace Stone
, 1933-1938 and undated
|
| |
|
|
Cobb, Irvin S. , 1928 and undated
|
| |
|
|
Coburn, Walter , 1923 and undated
|
| |
|
|
Coleman, Leo B. , 1916-1930
|
| |
|
|
Conant, Luther , 1930
|
| |
|
|
Coolidge, Grace , 1927-1930
|
| |
|
|
Cooper, Colin Campbell
, 1923-1931
|
| |
|
|
Crawford, Nelson A., undated
|
| |
|
|
Curry, John A. , 1914
|
| |
|
|
"C" , 1919-1936
|
| |
|
|
Davies, A. Mervyn , 1933
|
| |
|
|
John Day Company , 1929-1930
|
| |
|
|
John Day Company , 1931
|
| |
|
|
John Day Company , 1932
|
| |
|
|
John Day Company , 1933-1938
|
| |
|
|
DeCamp, R.E. , 1919-1935
|
| |
|
|
Dengler, Paul L. , 1937
|
| |
|
|
DeYong, Joe , 1916-1937
|
| |
|
|
Dixon, Joseph M. , 1928-1933
|
| |
|
|
"D" , 1915-1939
|
| |
|
|
Edgerton, Ralph , 1922
|
| |
|
|
[Editor], undated
|
| |
|
|
Evans, L.O. , 1923
|
| |
|
|
Faust, Leo , 1918
|
| |
|
|
Fitzgerald, Brasil , 1933
|
| |
|
|
Fletcher, Robert H.
, 1937
|
| |
|
|
Ford, S.L. , 1918
|
| |
|
|
"F" , 1920-1929 and undated
|
| |
|
|
Gamble, John M. , 1923-1925
|
| |
|
|
Gibson, Paris , 1914
|
| |
|
|
Gibson, Theo , 1916
|
| |
|
|
Goodkind, Edward A.
, 1930
|
| |
|
|
Grafton, Edwin , 1927-1929
|
| |
|
|
Great Northern Railroad (O.J.
McGillis) , 1929-1937
|
| |
|
|
Grinnell, George B.
, 1914-1922
|
| |
|
|
Guardian Life Insurance Company
, 1920-1923
|
| |
|
|
Guie, Helster Dean , 1931
|
| |
|
|
Guiterman, Arthur , 1929
|
| |
|
|
"G" , 1921-1934
|
| |
|
|
Hagedorn, Hermann , 1919-1927
|
| |
|
|
Hagedorn, Hermann , 1928
|
| |
|
|
Hagedorn, Hermann , 1929
|
| |
|
|
Hagedorn, Hermann , 1930-1931
|
| |
|
|
Hagedorn, Hermann , 1932-1938 and undated
|
| |
|
|
Harrison, John Scott
, 1922
|
| |
|
|
William S. Hart Company
, 1925
|
| |
|
|
Harvey, O.M. , 1918
|
| |
|
|
Hawley, Lee , 1918-1919
|
| |
|
|
Hays, William , 1919-1920
|
| |
|
|
Hebden, H.M. , 1921
|
| |
|
|
Helena Chamber of Commerce
, 1920-1935
|
| |
|
|
High, George M. Jr.
, 1921-1931
|
| |
|
|
Hill, Frank , 1931-1934 and undated
|
| |
|
|
Holter, Norman B. , 1921-1929
|
| |
|
|
Hoover, Herbert , 1929
|
| |
|
|
Horn, Ernest , 1927-1931
|
| |
|
|
Hutchinson, Ernest, M.
, 1922
|
| |
|
|
"H" , 1916-1935
|
| |
|
|
Iowa State Teachers Association
, 1928
|
| |
|
|
"I" , 1921-1930
|
| |
|
|
James, Will , 1929
|
| |
|
|
Johns, S.E. , 1916-1933
|
| |
|
|
Junior Book of Authors
, 1934
|
| |
|
|
Junior Literary Guild
, 1931-1932
|
| |
|
|
"J" , 1916-1922
|
| |
|
|
Kennedy, Charles Rann
, 1926-1930
|
| |
|
|
Kessler, Charles N.
, 1919
|
| |
|
|
Kimball, Marie Brace
, 1930
|
| |
|
|
Knowles, C.G. , 1920-1921
|
| |
|
|
Krieghoff, W.G. , 1916
|
| |
|
|
"K" , 1914-1937
|
| |
|
|
Lanstrum., O.M. , 1916-1927
|
| |
|
|
Lednum, Edmund T. , 1932-1933
|
| |
|
|
Lee, Link , 1922 and undated
|
| |
|
|
Lewis, J.E. , 1921-1922
|
| |
|
|
Linderman, Minnie , 1931
|
| |
|
|
Linderman, Harry G.
, 1927
|
| |
|
|
Linderman, Henry R.
, 1911
|
| |
|
|
Linderman, James , 1916 and undated
|
| |
|
|
Linderman, John , 1917
|
| |
|
|
Linderman, P.J. , 1912-1916
|
| |
|
|
Linderman, Roy E. , 1933
|
| |
|
|
Lochrie, Elizabeth , 1936-1938 and undated
|
| |
|
|
Lodge, Henry Cabot , 1918-1919
|
| |
|
|
"L" , 1920-1931
|
| |
|
|
McCormick, Washington J.
, 1920
|
| |
|
|
McKelvie, Samuel R.
, 1924-1937 and undated
|
| |
|
|
Marlowe, Thomas N. , 1918-1922
|
| |
|
|
Masonic Orders , 1914-1936
|
| |
|
|
Mehard, Churchill , 1924
|
| |
|
|
Merriam, Harold G. , 1921
|
| |
|
|
Merrill, H.R. , 1932-1934 and undated
|
| |
|
|
Minnesota State Teacher's
College , 1928
|
| |
|
|
University of Minnesota
, 1928
|
| |
|
|
Monroe, J.B. , 1914-1933 and undated
|
| |
|
|
Montana State University
(Missoula) , 1922
|
| |
|
|
Montana Education Association
, 1927
|
| |
|
|
Montana Federation of Women's
Clubs , 1934
|
| |
|
|
Montana Historical Society
, 1931-1937
|
| |
|
|
Montana Newspaper Association
, 1930-1933 and undated
|
| |
|
|
Moore, Tom, undated
|
| |
|
|
Morrison, P.A. , 1922
|
| |
|
|
Moses, George H. , 1924-1931
|
| |
|
|
Murgittroyd, William H.
, 1915-1937
|
| |
|
|
Myers, Henry L. , 1917-1922
|
| |
|
|
"M" , 1922-1930
|
| |
|
|
Thomas Nelson and Sons
, 1922
|
| |
|
|
North Dakota State Teachers
College , 1928
|
| |
|
|
"N" , 1920-1931
|
| |
|
|
Outlook Company , 1927-1929
|
| |
|
|
"O" , 1927-1930
|
| |
|
|
Paxson, Edgar S. , 1911-1915
|
| |
|
|
Pictorial Review Company
, 1923-1930
|
| |
|
|
Pinchot, Gifford , 1929
|
| |
|
|
Plenty Coups, undated
|
| |
|
|
Politics , 1904-1905
|
| |
|
|
Politics , 1916
|
| |
|
|
Politics , 1919-1920
|
| |
|
|
Politics , 1924
|
| |
|
|
Pray, Charles W. , 1929
|
| |
|
|
George P. Putnam's Sons
, 1927
|
| |
|
|
"P" , 1919-1932
|
| |
|
|
Reiss, Winold , 1935
|
| |
|
|
Ritch, John B. , 1933
|
| |
|
|
Roosevelt, Theodore
, 1911
|
| |
|
|
Rositer, R.W. , 1920-1930
|
| |
|
|
Rossiter, H.D. , 1903
|
| |
|
|
Russell, Charles M.
, 1913-1928
|
| |
|
|
Ryman, J.H.T. , 1928
|
| |
|
|
"R" , 1929-1932
|
| |
|
|
Sarett, Lew , 1922-1928
|
| |
|
|
Saturday Evening Post
, 1921-1931
|
| |
|
|
Scheuerle, Joe , 1931-1937 and undated
|
| |
|
|
Charles Scribner's Sons
, 1914-1917
|
| |
|
|
Charles Scribner's Sons
, 1916-1917
|
| |
|
|
Charles Scribner's Sons
, 1918-1920
|
| |
|
|
Charles Scribner's Sons
, 1921
|
| |
|
|
Charles Scribner's Sons
, 1922
|
| |
|
|
Charles Scribner's Sons
, 1923-1924
|
| |
|
|
Seltzer, Olaf C. , 1929
|
| |
|
|
Sisson, E.O. , 1919-1921
|
| |
|
|
Sloan, James J. , 1926-1927
|
| |
|
|
South Dakota, Northern Normal
& Industrial School , 1928
|
| |
|
|
Stanford, Harry , 1920-1922
|
| |
|
|
Starz, Emil , 1924-1936
|
| |
|
|
Stone, Arthur L. , 1930 and undated
|
| |
|
|
Stoops, Herbert M. , 1930-1938 and undated
|
| |
|
|
Stuart, Mrs. Granville
, 1919
|
| |
|
|
Swetland, Manette , 1933 and undated
|
| |
|
|
"S" , 1918-1933 and undated
|
| |
|
|
Turney-High, Harry , 1933-1934
|
| |
|
|
"T" , 1929-1937
|
| |
|
|
Untermeyer, Louis , 1935
|
| |
|
|
Van de Water, Frederic F.
(Harcourt, Brace, and Co.) , 1932-1938
|
| |
|
|
Van de Water, Frederic F.
(Harcourt, Brace, and Co.) , 1932-1933
|
| |
|
|
Vanity Fair , 1920
|
| |
|
|
Wadsworth, O.F. , 1927-1930
|
| |
|
|
Watt, James M. , 1905
|
| |
|
|
Webster, Ralph E. , 1925-1930
|
| |
|
|
Whicker, H.W. , 1937
|
| |
|
|
White Elk, Valley , 1922
|
| |
|
|
Who's Who in Literature
, 1928
|
| |
|
|
Wiley, C.W. , 1917
|
| |
|
|
Williams, Mrs. James
, 1906
|
| |
|
|
World Book Company (Elmer
Green) , 1929-1937
|
| |
|
|
"W" , 1919-1937
|
| |
|
|
Unidentified , 1911-1932 and undated
|
| |
|
|
Concerned with books
, 1914-1915
|
| |
|
|
From children , 1923-1937
|
| |
|
|
Subseries 2:
Family Correspondence
|
| |
|
|
Dartmouth College , 1939
|
| |
|
|
Death of Mr. and Mrs. Linderman
, 1938-1941
|
| |
|
|
Charles Greenfield , 1962
|
| |
|
|
Linderman Plains Indian
artifacts , 1938-1972
|
| |
|
|
Frances Merriam , 1981
|
| |
|
|
H.G. and Mrs. H.G. Merriam
, 1938-1972
|
| |
|
|
Mountain Press , 1985
|
| |
|
|
Harold Paulsen , 1961
|
| |
|
|
Sale of Linderman manuscripts,
auction documentation , 1971-1981
|
| |
|
|
University of Montana Library
, 1967-1968
|
| |
Series III:
Writings , 1911-1986
2.5 linear feet
This series documents Linderman's published writings, including
both those published before and after his death. Materials are divided into
four subseries: Published Books, Published Short Stories and Poetry, Notes, and
Writings of Others.
Published Books is the largest subgroup of the three. Formats
include original manuscript notes and typed drafts, and drafts with notes by
both Linderman and his daughters. For manuscripts published after his death,
materials include multiple typings of manuscripts, editorial corrections, and
copious notes about the original appearance of events or stories. The notes of
his granddaughter, Sarah J. Hatfield, are particularly detailed; copies of the
original envelopes in which each manuscript was housed, with her notes, are
included in every folder. She provides extensive information on the contents of
each manuscript, and often documents where original materials appear in the
final publication. As such, it represents not only his creative processes, but
the efforts of his heirs to publish his writings and perpetuate his memory. The
manuscripts for
Recollections of Charley Russell and
Montana Adventure, both edited by H.G. Merriam, are
included, with both Linderman's original and Merriam's editorial work
documented. Likewise, the work of Larry Barsness, editor of
Quartzville, is represented. Correspondence relating
to these projects may be found in Series II.
In Published Short Stories and Poetry, there are also notes for
and fragments of stories published on their own in periodicals. In addition,
there is a group of mimeographed copies of Linderman's poetry with notes on
their publication.
Linderman's Notes includes handwritten notes with story ideas, as
well as a very valuable group of small notebooks that seem to have served as
his field notes. They contain snatches of notes, particularly on Native
American language and customs. Other items are more difficult to classify and
include information copied from other sources with Linderman's notes on the
back.
Writings of Others contains correspondence and manuscripts not by
or addressed to Linderman that seems to have been collected as source
material.
The series is arranged chronologically by publication date of the
finished work; it is often not possible to date the manuscripts themselves.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Subseries 1:
Linderman's Published Books
|
| |
|
|
On a Passing Frontier: Sketches from the
Northwest, 1920
|
| |
|
|
Typed carbon copies with some
long-hand editing notations by Wilda J. Linderman , [ca. 1920]
|
| |
|
|
Indian Old-Man Stories: More Sparks from War Eagle's
Lodge-Fire, 1920
|
| |
|
|
Four pages of carbon copy of
the legend "How Skunk Helped the Coyote" , [ca. 1920]
|
| |
|
|
Bunch-Grass and Blue Joint, 1921
|
| |
|
|
Type-written original and
carbon copies of collected stories , [ca. 1921]
|
| |
|
|
Kootenai Why Stories, 1926
|
| |
|
|
Hand-written notes
, [ca. 1925]
|
| |
|
|
First typed draft, with
hand-written notes by Frank Bird Linderman , [ca. 1925]
|
| |
|
|
American: The Life Story of a Great Indian,
Plenty-Coups, Chief of the Crows, 1930
|
| |
|
|
Nine hand-written pages of
notes , [ca. 1930]
|
| |
|
|
Typewritten pages of "The
Fight on the Little Big Horn" with hand-written notes , [ca. 1930]
|
| |
|
|
Old-Man Coyote, 1931
|
| |
|
|
Handwritten notes and
typescript of stories , [ca. 1931]
|
| |
|
|
Blackfeet Indians: Pictures by Winold Reiss,
story by Linderman , 1935
|
| |
|
|
"Out of the North," carbon
copy with hand-written notations by Frank Bird Linderman on Blackfeet Indians
, [ca. 1935]
|
| |
|
|
Recollections of Charley Russell, H.G. Merriam,
ed. , 1962
|
| |
|
|
Original copy of unedited
manuscript , undated
|
| |
|
|
My Recollections of Charley Russell,
handwritten pages and typescript by Wilda J. Linderman , undated
|
| |
|
|
Carbon typed copy of
manuscript with editing marks by Wilda J. Linderman , undated
|
| |
|
|
Copy of edited manuscript
with many hand-written editing notes by Dr. Merriam , 1962
|
| |
|
|
Edited manuscript with H. G.
Merriam's marks , [ca. 1962]
|
| |
|
|
Typed carbon copy with
editing notations , 1962
|
| |
|
|
Montana Adventure: The Recollections of Frank B.
Linderman, H.G. Merriam, ed. , [1968]
|
| |
|
|
Five hand-written pages of
notes by Frank Bird Linderman for autobiography , undated
|
| |
|
|
245 pages of original typed
manuscript with hand-written notations and additions by Frank Bird Linderman
, undated
|
| |
|
|
245 pages of original typed
manuscript with hand-written notations and additions by Frank Bird Linderman
, undated
|
| |
|
|
H.G. Merriam manuscript
, [ca. 1968]
|
| |
|
|
Quartzville, Larry Barsness, ed. , 1985
|
| |
|
|
Story: "Lousey Hank," notes,
original and draft , undated
|
| |
|
|
Story: "Partners," original
and draft , undated
|
| |
|
|
Story: "Man from England"
, undated
|
| |
|
|
Story: "Yong Sing"
, undated
|
| |
|
|
Story: "Bohemian Club"
, undated
|
| |
|
|
Story: "Killing in Keep Cool"
, undated
|
| |
|
|
Story: "Bessie" , undated
|
| |
|
|
Story: "Uncle Billy"
, undated
|
| |
|
|
Story: [untitled]
, undated
|
| |
|
|
Story: "Broncho Liz"
, undated
|
| |
|
|
First typed copy with editing
marks by Wilda Linderman , undated
|
| |
|
|
Typescript with editorial
notes by S.J. Hatfield , [ca. 1984]
|
| |
|
|
Final typing by S.J. Hatfield
, [ca. 1984]
|
| |
|
|
Page proofs, Mountain Press
, [1985]
|
| |
|
|
Galleys (photocopy)
, [1985]
|
| |
|
|
Wolf and the Winds, Hugh A. Dempsey introduction
, 1986
|
| |
|
|
Handwritten original draft
, undated
|
| |
|
|
Handwritten original draft
, undated
|
| |
|
|
"First Plan," typescript with
handwritten Frank Bird Linderman corrections , undated
|
| |
|
|
Typescript with Frank Bird
Linderman corrections and additions , undated
|
| |
|
|
Typescript, second typing,
with Frank Bird Linderman and Verne Linderman corrections and additions
, undated
|
| |
|
|
Typescript by S.J. Hatfield
, 1981
|
| |
|
|
Typescript by S.J. Hatfield
, 1981
|
| |
|
|
Typescript with typesetter's
marks , [ca. 1986]
|
| |
|
|
Typescript with typesetter's
marks , [ca. 1986]
|
| |
|
|
Galleys , [1986]
|
| |
|
|
Subseries 2:
Linderman's Published Short
Stories and Poetry
|
| |
|
|
"A Dog's Life," original
typescript , [published 1930]
|
| |
|
|
"Red Cloud," carbon of
typescript , [published 1933]
|
| |
|
|
"Who Was This Soldier Chief?"
carbon of typescript , [published 1934]
|
| |
|
|
"A Little Flier in Wool,"
carbon of typescript , [published 1938]
|
| |
|
|
"Stuck to Win" [published 1938]
|
| |
|
|
"Little Bear (Chief of the Cree
Tribe)" , undated
|
| |
|
|
[Poetry], with notes on
publication , undated
|
| |
|
|
Subseries 3:
Linderman's Notes
|
| |
|
|
[Notes and research material]
, undated
|
| |
|
|
[Linderman? Critique of
painting, "When Shadows Hint Death" or "The Sun's Warning,"] undated
|
| |
|
|
[Notes on plaster casting]
, undated
|
| |
|
|
[Notebooks on Native Americans]
, undated
|
| |
|
|
[Notebooks on Native Americans]
, undated
|
| |
|
|
Subseries 4:
Writings of Others
|
| |
|
|
Photograph of ALS, Barnum Brown
to Dr. Alfred Smith , 1920
|
| |
|
|
"Brief--Subject--Dupuyer,"
signed SML
|
| |
|
|
John R. Barrows, review of Will
James
The Lone Cowboy, "Windy Jim" , undated
|
| |
|
|
Hawkins, "Blair the Regular"
, undated
|
| |
|
|
"An Incident in Dakota History"
, undated
|
| |
|
|
Henry Sieben--Pioneer
, undated
|
| |
|
|
"Staggerbear and Guzzlenot," by
James Stevens , undated
|
| |
|
|
"Ten Men Red with Blood and
Dead" , undated
|
| |
|
|
[Toast to Gov. Hauser]
, undated
|
| |
|
|
"Verse of John Anderson..."
, undated
|
| |
|
|
Stanley Vestal, biography and
color print of Sitting Bull , undated
|
| |
Series IV:
Politics , 1918-1968
4 folders
This series contains a variety of items related to Linderman's
campaign for the United States Senate in 1918 and 1924, and includes campaign
materials, election records, and newspaper clippings. The last folder contains
photocopies of notes made by H.G. Merriam as he edited Linderman's manuscript,
Montana Adventure. Correspondence relating to
Linderman's political career, including his terms in the Montana legislature,
may be found in Series II under "Politics" and under the names of other
politicians with whom he corresponded.
Materials are arranged chronologically.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Campaign , 1918
|
| |
|
|
Campaign , 1924
|
| |
|
|
Clippings , 1924
|
| |
|
|
Original folders with annotations
, [ca.
1968]
|
| |
Series V:
Memorabilia , 1911-1937
1 linear inch and
oversize
This series contains a number of items collected by Linderman or
by his family members and closely resembles the types of materials in Series
VII: Portfolios. Contents include Linderman's membership card from the Osman
Temple, a 1911 menu from the Montana Club, and a copyright registration card
from 1933. There are also prints of artwork, including postcards and prints of
Charley Russell paintings and a print of O. C. Seltzer's painting,
Jerkline Freighter of Pioneer Days.
Materials are arranged chronologically.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Montana Club menu , 1911
|
| |
|
|
Act of May 1, 1920
|
| |
|
|
State of Montana Hunting and
Fishing License , 1920
|
| |
|
|
University of Montana bookstore
receipt , 1920
|
| |
|
|
Membership card, National
Republican League , 1923
|
| |
|
|
Copyright registration card,
photo, "The Old Flag," Library of Congress , 1933
|
| |
|
|
The Centennial of the Beginning
of College Education for Women and of Coeducation on the College Level"
, 1937
|
| |
|
|
[List] , undated
|
| |
|
|
List No. 92 , undated
|
| |
|
|
Membership card, Osman Temple
, undated
|
| |
|
|
The Portrait Indispensable
, undated
|
| |
|
|
[Sketch of lion signed "JSL"]
, undated
|
| |
|
|
Postcards of Charley Russell
paintings , undated
|
| |
|
|
Print of "Jerkline Freighter of
Pioneer Days," by O.C. Seltzer , undated
|
| |
|
|
Prints of Charley Russell
paintings , undated
|
| |
Series VI:
Publications , 1885-1992
0.75 linear feet
This series contains published materials by, about, and collected
by Linderman and his family. The materials cover a wide range of subjects; most
are not annotated. There is a 1939 issue of the
Frontier and Midland featuring Linderman's writings
and a 1933 review of
Stumpy. Publications collected by Linderman include
those on mining and Native Americans. The largest group are those collected by
family members; many of these materials are pamphlets and other small
publications of the Museum of the Plains Indian. Most of these describe aspects
of Plains Indian history and culture, but do not seem to contain material
directly related to Linderman. There are also a few modern newspapers that have
articles about Linderman.
Materials are divided into four subseries: By Linderman, About
Linderman, Collected by Linderman, and Collected by Linderman Family. The last
two categories are determined by date and contents of the materials; there are
seldom annotations that offer any other documentation. Within these categories,
materials are arranged chronologically.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Subseries 1:
By Linderman
|
| |
|
|
Frontier and Midland, Spring 1939 (Vol. 19,
no.3), featuring Frank Bird Linderman writings, not annotated
|
| |
|
|
Subseries 2:
About Linderman
|
| |
|
|
Brief review of "Stumpy," Fort
Worth Star-Telegram , 3/19/1933
|
| |
|
|
Subseries 3:
Collected by Linderman
|
| |
|
|
Photocopy of "The Kalispel
[sic] Country," from
The Century Magazine, April 1885
|
| |
|
|
Saturday Globe, vol. 20, no. 40 , February 16, 1901
|
| |
|
|
Carlos Sellerier.
Data Referring to Mexican Mining. Mexico: F.P.
Hoeck and Company , 1901
|
| |
|
|
The Mountaineer, 1905
|
| |
|
|
Mines and Minerals, February 1906
|
| |
|
|
Sheridan Enterprise, 12/21/1906
|
| |
|
|
"Preparing Democracy for
Peace," Charter Day Address, University of Montana Bulletin #208 , February 1918
|
| |
|
|
"The War on the Yellowstone,"
National Parks Association , 1920
|
| |
|
|
"Death of Charles Fenn,"
Helena Independent, 1923
|
| |
|
|
Punch, March 21, 1928; July 17, 1929; July 31, 1929; September
18, 1929; September 25, 1929
|
| |
|
|
"The Buffalo and Early Buffalo
Hunters" , 8/27/1931
|
| |
|
|
The Chapter in Your Life Entitled San Francisco: Some
Notes of Introduction. San Francisco: Californians, Inc. , 1937
|
| |
|
|
"General Scott Starts for West
to Take Talkies of Indians" , undated
|
| |
|
|
Report on Alder Gulch, undated
|
| |
|
|
Subseries 4:
Collected by Linderman Family
|
| |
|
|
Sands Bros. Dry Goods Co.
(Helena, Montana) catalog , [ca. 1920]
|
| |
|
|
United States. Department of
the Interior, Bureau of Indian Affairs.
Indians At Work, March 1938
|
| |
|
|
United States. Department of
the Interior, Bureau of Indian Affairs.
Three Maps of Indian Country, ca. 1948
|
| |
|
|
Golden Anniversary of the Class
of 1914, Helena High School , [1954]
|
| |
|
|
Montana Institute of the Arts Quarterly, vol 12,
no 2 , Winter 1960
|
| |
|
|
The Buffalo in Western American Art: An Exhibition from
the collections of the Glenbow Foundation. Calgary. Museum of the
Plains Indian , 1961
|
| |
|
|
United States. Department of
the Interior, Bureau of Indian Affairs. The
Bison Drive of the Blackfeet Indians, Museum of
the Plains Indian , 1962
|
| |
two copies
|
| |
|
|
United States. Department of
the Interior, Bureau of Indian Affairs. Museum of the Plains Indian, Archives
Division. Blackfeet Agency Archives.
Correspondence Relating to Affairs At Blackfeet Agency,
Montana, 1873-1910, 1962
|
| |
|
|
Modern American Indian Art: An Art Exhibition from the
Collections of The Philbrook Art Center, Tulsa, Museum of the Plains
Indian, Browning , 1963
|
| |
|
|
Frontier Times, January 1964
|
| |
|
|
Edmund Carpenter,
Man and Art in the Arctic. Browning, Montana:
Museum of the Plains Indian , 1964
|
| |
|
|
Helen West.
Meriwether Lewis in Blackfeet Country. Museum of
the Plains Indian , 1964
|
| |
|
|
United States. Department of
the Interior, Indian Arts and Crafts Board.
Bear Ceremonialism of the Kutenai Indians, 1966
|
| |
|
|
Claude E. Schaefer.
Le Blanc and La Gasse Predecessors of David Thompson in
the Columbian Plateau. United States. Department of the Interior,
Indian Arts and Crafts Board. Museum of the Plains Indian , 1966
|
| |
|
|
United States. Department of
the Interior, Indian Arts and Crafts Board.
Development of the Museum of the Plains Indian and
Crafts Center in Browning, Montana, 1965-1970
|
| |
|
|
Kalispell Weekly News, October 16, 1985, vol.
97, no. 8. Frank Bird Linderman article on front page. , October 16, 1985
|
| |
|
|
The Senior Go-Getter, vol. 2, no. 4 , June 1992
|
| |
|
|
United States. Department of
the Interior, Bureau of Indian Affairs.
Life on the Blackfeet Indian Reservation Today, undated
|
| |
|
|
United States. Department of
the Interior, Bureau of Indian Affairs.
The Starvation Winter of the Piegan Indians,
1883-84, undated
|
| |
|
|
United States. Department of
the Interior, Bureau of Indian Affairs.
The Blackfeet As Raiders, undated
|
| |
|
|
[Brochure from Sarah J.
Hatfield's art business advertising Frank Bird Linderman sculpture copies for
sale] , undated
|
| |
two copies
|
| |
Series VII:
Portfolios , 1885-1984
7 oversize
portfolios
This series contains seven portfolios of materials by, collected
by, and about Linderman that provide a useful biographical summary of
Linderman's accomplishments. The first two document his career chronologically
and contain photographs, letters, and memorabilia. The third documents his
published books and contains correspondence with editors, reviews, and
photographs, all arranged chronologically by the date of each book's
publication. The fourth portfolio contains numerous photographs, memorabilia
from Linderman's substantial involvement with the Masons, and prints of Native
American paintings. The fifth contains correspondence collected for and about
Linderman biographies, and also includes photographs of Linderman, sketches
written by his children, and Linderman's own biographical notes. This
correspondence is largely between scholars and Linderman's daughters. The sixth
consists of photographs from Linderman's research files and includes
miscellaneous historical pictures of Montana and surrounding states and images
of Blackfeet, Coast, Cree, Chippewa, Flathead, Kootenai, Pend'Oreille, Oklahoma
and Sioux Indians. The seventh is a group of photographs taken of displays of
Linderman Native American artifacts at the University of Montana's Mansfield
Library in about 1984.
The materials were arranged by Sarah J. Waller Hatfield,
Linderman's granddaughter, in the late 1970s and early 1980s in thematic
grouping; that order has been retained in its entirety by her request. Although
portions of the materials in this series date after Linderman's death and were
both produced and assembled by his heirs, the materials are mostly those
produced and collected by Linderman, and so remain in this series rather than
being intermingled with their genre categories. The only exception is the
photographs, which remain as duplicates in the scrapbooks but are listed
individually in Series VIII: Photographs.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Portfolio 1, Career , 1885-1927
|
| |
|
|
Portfolio 2, Career , 1927-1982
|
| |
|
|
Portfolio 3, Published Books
, 1920-1935
|
| |
|
|
Portfolio 4, Photographs,
Masonic memorabilia, prints of Native American paintings , 1904-[ca. 1920] and undated
|
| |
|
|
Portfolio 5, Correspondence,
Linderman biographies , 1904-1977 and undated
|
| |
|
|
Portfolio 6, Photographs from
Linderman files of Blackfeet, Coast, Cree, Chippewa, Flathead, Kootenai,
Pend'Oreille, Oklahoma and Sioux Indians; Miscellaneous Historical Pictures
, 1886-1937 and undated
|
| |
|
|
Portfolio 7, Linderman Displays,
Mansfield Library , [ca.
1984]
|
| |
Series VIII:
Photographs , ca. 1870-1985
525 images (2 linear ft. and
oversize)
This series includes still image materials produced and collected
by Linderman and his heirs and includes family portraits and snapshots, images
of early Western settlers (some of whom were Linderman's friends and
associates), images of Linderman displays at museums and other cultural
resource agencies, notable and important images of Native Americans in the
West, and a few photographs of forests and wildlife. The latter two categories
seem to have been collected mostly for the purpose of illustrating books and
other publications produced by Linderman. Many of the images were removed from
the portfolios in Series VI so that they could be listed individually. One
group of photos, "Buffalo Pictures," remains in its original album as the
photographs could not be safely detached.
Family portraits and snapshots include both formal and informal
images of Frank and Minnie Linderman, their daughters, and their grandchildren,
and date from about 1885 to the 1950s; there are photos of Linderman taken as
late as 1938. There are formal portraits of Linderman from his service in the
Montana legislature and other organizations, including the Masons. There are
images of various Linderman homes, notably the Goose Bay cabin, and businesses,
including the assay and newspaper office in Sheridan, Montana.
Images of early Western settlers and prominent Montana businessmen
and politicians include those of Duncan McDonald, Bob Vaughn, and W. H.
Murgittroyd, and Theo Gibson. There are numerous photos of artist and author
Charlie M. Russell. Other associates include Presidents Taft and Coolidge and
the literary critic Frederick Van de Water.
Native American images include those of well-known individuals,
including Plenty-Coups, Two-Comes-Over-the-Hill, Little Bear, Pretty-Shield,
and White Elk. Notable images of Native American customs include many
photographs of preparations for the Sun Dance and its accompanying gatherings.
There are also numerous images of Indian artifacts, some of which may be part
of Linderman's collections.
The forest and wildlife photographs are mostly those produced by
commercial photographers, including the Glacier National Park photographer
Hileman and the Forest Service photographer K.D. Swan. The wildlife photographs
are largely unidentified as to location and date, but the species pictured are
readily apparent. The forest photographs are well-identified and include
subject, forest, and date.
Images of Linderman collection displays include those at the
Museum of the Plains Indian in Browning, Montana; the Western Heritage Center
in Billings, Montana; and the Mansfield Library at the University of
Montana--Missoula.
Photographers represented include Linderman himself, Asahel
Curtis, Edward Curtis, K. D. Swan, the Glacier National Park photographer
Hileman, Morton J. Elrod, and Matthew Brady. Image formats include albumen
prints, negatives, and modern color prints on cartes-de-visite (in varying
sizes), postcards, and printing-out paper. Many of the Native American
photographs are hand-colored. A number of the photographs appear to be modern
reproductions of historic prints and are of variable image quality.
The photographs are arranged in their original order as dictated
by scrapbooks and other housings. This gives them some thematic arrangement,
but the researcher is advised to look at the listed photographs carefully to
find all items on a particular subject. Many of the photographs have
annotations on the back that have been transcribed in this finding aid; the
source of these annotations appears to be Linderman and his family members, but
the full provenance of these identifications and comments is largely
unknown.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
From Portfolio 1, Career
, 1885-1927
|
| |
|
|
photo number 007(VIII):1:
Frank Bird Linderman at Oberlin
College , ca. 1885
|
| |
|
|
photo number 007(VIII):2:
Frank Bird Linderman at Oberlin
College , ca. 1885
|
| |
|
|
photo number 007(VIII):3:
Frank Bird Linderman and Samuel
E. Johns , 1890
|
| |
|
|
photo number 007(VIII):4:
Andrew "Shorty" Balfour
, undated
|
| |
|
|
photo number 007(VIII):5:
Frank Bird Linderman and Andrew
Balfour , undated
|
| |
|
|
photo number 007(VIII):6:
Andrew Balfour , undated
|
| |
|
|
photo number 007(VIII):7:
Red Pipe Mine , undated
|
| |
|
|
photo number 007(VIII):8:
Minnie and Frank Bird
Linderman, wedding portrait , 1893
|
| |
|
|
photo number 007(VIII):9:
Frank Bird Linderman in costume
for a play, Sheridan, Montana , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):10:
Frank Bird Linderman in costume
for a play, Sheridan, Montana , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):11:
Frank Bird Linderman and Minnie
Linderman in costume for a play, Sheridan, Montana , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):12:
Minnie Linderman in costume for
a play, Sheridan, Montana , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):13:
Frank Bird Linderman and Minnie
Linderman in costume for a play, Sheridan, Montana , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):14:
Frank Bird Linderman on stage
in a play , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):15:
Frank Bird Linderman and Minnie
Linderman in costume for a play, Sheridan, Montana , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):16:
Frank Bird Linderman Chinook
& assay office, Sheridan, Montana , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):17:
The Chinook--name of Frank Bird
Linderman newspaper office, Sheridan, Montana , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):18:
Frank Bird Linderman in apron
in front of assay and newspaper office, Sheridan, Montana , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):19:
Frank Bird Linderman Sheridan
Montana assay office, Frank Bird Linderman is in the apron, Sheridan, Montana
, [ca. 1900]
|
| |
|
|
photo number 007(VIII):20:
Frank Bird Linderman Assay
Office, Sheridan, Montana , [ca. 1900]
|
| |
|
|
photo number 007(VIII):21:
Frank B. Linderman (far right)
Morrison Cave (Lewis and Clark Caverns) , undated
|
| |
|
|
photo number 007(VIII):22:
Frank Bird Linderman home in
Sheridan, Montana --daughters Verne, Norma and Wilda , [ca. 1900]
|
| |
|
|
photo number 007(VIII):23:
Modern color Photograph of
Cartoon Man swinging club saying, "Now! Will you be good?" , undated
|
| |
|
|
photo number 007(VIII):24:
Seattle Parade, Frank Bird
Linderman in Lewis and Clark outfit , [ca. 1904]
|
| |
|
|
photo number 007(VIII):25:
Frank Bird Linderman, portrait
for 9th Legislature , [1907]
|
| |
|
|
photo number 007(VIII):26:
Frank Bird Linderman home. 524
W. Lawrence St., Helena, Montana, circa 1907-1917
|
| |
|
|
photo number 007(VIII):27:
Frank Bird Linderman looking
left, high collar, no glasses. Portrait for 8th Legislature , [1903]
|
| |
|
|
photo number 007(VIII):28:
Legislature and Norma Linderman
(Waller). "Norma Linderman Waller youngest daughter of Linderman in
front.", Undated
|
| |
|
|
photo number 007(VIII):29:
9th Legislature, group picture
with crossed American Flags , [1905]
|
| |
|
|
photo number 007(VIII):30:
8th Legislature, looking across
the group, speaker in front seated, Linderman marked with "x" on photo
, [1903]
|
| |
|
|
photo number 007(VIII):31:
9th Legislative Assembly,
Montana, standing on the steps of the Capitol , 1905
|
| |
|
|
photo number 007(VIII):32:
Modern color Photograph of
cartoon of scalps nailed to a cabin wall , undated
|
| |
|
|
photo number 007(VIII):33:
Sam Prickett and Frank B.
Linderman's burros. Sheridan, Montana , [ca. 1900]
|
| |
|
|
photo number 007(VIII):34:
"Brothers of Ours." Daddy's
Burros. Sheridan, Montana , [ca. 1900]
|
| |
|
|
photo number 007(VIII):35:
Linderman mules, no location
, undated
|
| |
|
|
photo number 007(VIII):36:
Linderman mules in a pack
string, no location , undated
|
| |
|
|
photo number 007(VIII):37:
Frank Bird Linderman and
Thunder Lodge at Broadwater. Frank Bird Linderman 2nd from left. Small format
with writing around the edges , ca. 1910
|
| |
|
|
photo number 007(VIII):38:
Thunder Lodge painted by Mrs.
Running Rabbit and Mrs. Buffalo Body at Broadwater , 1910
|
| |
|
|
photo number 007(VIII):39:
Frank Bird Linderman in front
of Thunder Lodge painted for him by Mrs. Running Rabbit and Mrs. Buffalo Body.
Frank Bird Linderman kneeling near lodge door in buck skins and a hat
, ca. 1910
|
| |
|
|
photo number 007(VIII):40:
Frank Bird Linderman and
Thunder Lodge Tipi at Broadwater, 1910. Frank Bird Linderman standing with
feathers and a rifle (original and enlarged copy)
|
| |
|
|
photo number 007(VIII):41:
Frank Bird Linderman and
Thunder Lodge Tipi at Broadwater, 1910. Frank Bird Linderman kneeling in Native
American style dress with a buffalo horn hat
|
| |
|
|
photo number 007(VIII):42:
Frank Bird Linderman and
Thunder Lodge at Broadwater, 1910. Frank Bird Linderman 2nd from left.
, 1910
|
| |
|
|
photo number 007(VIII):43:
Frank Bird Linderman looking
left, mustache, high collar and no glasses, 1962 copy of 8th Legislature
portrait , [ca. 1905]
|
| |
|
|
photo number 007(VIII):44:
President Taft in Helena
, undated
|
| |
|
|
photo number 007(VIII):45:
Teepee of Left Hand Boy, a
Rocky Boy's Indian , undated
|
| |
|
|
photo number 007(VIII):46:
Teepee of Left Hand Boy, a
Rocky Boy's Indian , undated
|
| |
|
|
photo number 007(VIII):47:
Lodge pitched for night, Rocky
Boy's. Belonged to Left Hand Boy, a Rocky Boy Indian. , 1932
|
| |
|
|
photo number 007(VIII):48:
Left to Right: Chief Little
Bear, Kinnewash, Bole, Secretary of Interior Lane, Jim Denney, Other Person,
Pat Raspberry and Frank Bird Linderman in front of Placer Hotel. Helena,
Montana. 1913 conference on securing land for Chief Little Bear and Tribe.
, 1913
|
| |
|
|
photo number 007(VIII):49:
Rainbow Hotel, Great Falls,
Montana. Banquet given by Frank Bird Linderman for Bob Vaughn on 80th birthday.
2nd from left, maybe Bob Vaughn. 3rd from left, Charles Marion Russell. 5th
from left, Theo Gibson (?), 6th from left, Frank B. Linderman.
|
| |
|
|
photo number 007(VIII):50:
George Armstrong Custer, Signal
Corps, USA. Robbins US History. Custer seated, seen waist up, copy photo
, [ca. 1870]
|
| |
[Matthew] Brady
|
| |
|
|
photo number 007(VIII):51:
Custer waist-up profile shot,
copy Photo , [ca. 1870]
|
| |
[Matthew] Brady
|
| |
|
|
photo number 007(VIII):52:
Algerian members, at Northern
Pacific Station giving an identifying hand shake. Pictured: Imperial Potentate
of UA, Dr. F.R. Smith, Ill. Potentate of Algeria Temple, John H. Hull,
(autographed by him on back), Helena, Montana , 1915
|
| |
|
|
photo number 007(VIII):53:
Ancient and Accepted Scottish
Rite, Helena, Montana, February 18, 1914. Degree Team, 15. Second Section,
February 18, 1914. William Dryburgh (Palace Guard), Julius Holzman (Master of
the Palace), A.I. Wahlgren (Master of Cavalry), E.D. Weed (King Kurash), N.P.
Walters (Master of Infantry), R.J. Lemert (Master of the Household), J.L. Dyer
(Palace Guard), Jacob Sultan (Beggar), Frank Bird Linderman (Zerubbabel).
|
| |
|
|
photo number 007(VIII):54:
Ancient and Accepted Scottish
Rite, Helena, Montana, February 18, 1914. Degree Team, 15. First Section,
February 18, 1914. Linderman standing with three other men. George H. Carlsley
(Master of Ceremonies), Frank Bird Linderman (Zerubbabel). E.C. Day (Ruler),
C.S. Haire (Junior Warden).
|
| |
|
|
photo number 007(VIII):55:
Lewis and Clark Centennial
group with backs to a brick wall, Helena, Montana , [ca. 1904]
|
| |
|
|
photo number 007(VIII):56:
Lewis and Clark Centennial
group with "natural" setting, (backdrop), Helena, Montana , [ca. 1904]
|
| |
|
|
photo number 007(VIII):57:
Large photograph of Masons on
the steps of a Masonic Temple, Frank Bird Linderman on the back row
, undated
|
| |
|
|
photo number 007(VIII):58:
Frank Bird Linderman and Minnie
standing together. Small photo, full body shot. Minnie is wearing a hat with a
feather, La Jolla, California., 1915-1916
|
| |
|
|
photo number 007(VIII):59:
Frank Bird Linderman small
photo set in a large frame, glasses, looking left, in Helena , [ca. 1905]
|
| |
|
|
photo number 007(VIII):60:
Frank Bird Linderman Large
format photo, full suit, looking straight on, angled right, in Helena
, [ca. 1910]
|
| |
|
|
photo number 007(VIII):61:
President Coolidge fishing, no
location , undated
|
| |
|
|
photo number 007(VIII):62:
"Cal Takes Ride in Lumber
Wagon" printed on photo, no location , undated
|
| |
|
|
photo number 007(VIII):63:
Frank Bird Linderman, Pres.
Coolidge and Mrs. Coolidge posing for photos, cameras seen in the foreground,
no location , undated
|
| |
|
|
photo number 007(VIII):64:
Frank Bird Linderman and Mrs.
Coolidge in a wagon. Caption on back "What did you tell her to get this laugh,"
no location , undated
|
| |
|
|
photo number 007(VIII):65:
President and Mrs. Coolidge
washing gold at McKelvie's camp near Mystic, South Dakota. Rise photo
, undated
|
| |
|
|
photo number 007(VIII):66:
President and Mrs. Coolidge
panning gold at McKelvies, on back: "Frank Bird Linderman was there" undated
|
| |
|
|
photo number 007(VIII):67:
Mrs. Coolidge, posing in woods,
no location , undated
|
| |
|
|
photo number 007(VIII):68:
Coolidge fishing in Slate
Creek., undated
|
| |
Rise
|
| |
|
|
From Portfolio 2 Career
|
| |
|
|
photo number 007(VIII):69:
Frank Bird Linderman, Santa
Barbara, California , 1938
|
| |
|
|
photo number 007(VIII):70:
Frank Bird Linderman, Santa
Barbara, California , 1938
|
| |
|
|
photo number 007(VIII):71:
Linderman artifact Collection
on display in his den at the Goose Bay home , undated
|
| |
|
|
photo number 007(VIII):72:
Linderman artifact Collection
on display in his den at the Goose Bay home , undated
|
| |
|
|
photo number 007(VIII):73:
Chippewa pad saddle, Linderman
Plains Indian Collection , undated
|
| |
|
|
photo number 007(VIII):74:
Living room of Goose Bay
Linderman home, 1938. Frank B. Linderman, Norma Linderman Waller, Sara Jane
Waller (Hatfield), Richard L. Waller, Roy O. Waller, James B. Waller, Minnie J.
Linderman , [ca. 1935]
|
| |
|
|
photo number 007(VIII):75:
Aerial photo of Goose Bay
, 1930s
|
| |
Major Stevens
|
| |
|
|
photo number 007(VIII):76:
Aerial photo of Goose Bay
, 1930s
|
| |
Major Stevens
|
| |
|
|
photo number 007(VIII):77:
Aerial photo of Goose Bay
, 1930s
|
| |
Major Stevens
|
| |
|
|
photo number 007(VIII):78:
Aerial photo of Goose Bay
, 1930s
|
| |
Major Stevens
|
| |
|
|
photo number 007(VIII):79:
Aerial photo of Goose Bay
, 1930s
|
| |
Major Stevens
|
| |
|
|
photo number 007(VIII):80:
Aerial photo of Goose Bay
, 1930s
|
| |
Major Stevens
|
| |
|
|
photo number 007(VIII):81:
Teepee painted by Mrs. Buffalo
Body and Mrs. Running Rabbit. Where Charlie Russell stayed when he visited the
Lindermans; lost in 1918 fire , undated
|
| |
|
|
photo number 007(VIII):82:
Teepee painted by Mrs. Buffalo
Body and Mrs. Running Rabbit --Charlie Russell slept here. Lost in 1918 fire
, undated
|
| |
|
|
photo number 007(VIII):83:
Frank Linderman and Minnie
Linderman at Goose Bay , 1937
|
| |
|
|
photo number 007(VIII):84:
Dorthea Hagedorn and Frank B.
Linderman, [on Flathead Lake?] , [ca. 1930]
|
| |
|
|
photo number 007(VIII):85:
Linderman Junior High School,
Kalispell, Montana , [ca. 1955]
|
| |
|
|
photo number 007(VIII):86:
Linderman Junior High School,
Kalispell, Montana , [ca. 1955]
|
| |
|
|
photo number 007(VIII):87:
Linderman Junior High School,
Kalispell, Montana , undated
|
| |
|
|
photo number 007(VIII):88:
Linderman Junior High School,
Kalispell, Montana , undated
|
| |
|
|
photo number 007(VIII):89:
Linderman Elementary School,
Polson, Meiers Studio photo , [ca. 1955]
|
| |
|
|
photo number 007(VIII):90:
S.S. Frank B. Linderman,
leaving Seattle for Alaska and the Aleutians , 1944
|
| |
|
|
photo number 007(VIII):91:
S.S. Frank B. Linderman, "The
Atlantic Fleet Entering Puget Sound."
|
| |
Copyright 1908, Asahel Curtis, Romans Photo Company,
Seattle, Washington.
|
| |
|
|
photo number 007(VIII):92:
Claude Schaeffer and Norma
Waller., outside Museum of Plains Indian, Browning, Montana , [ca. 1955]
|
| |
|
|
photo number 007(VIII):93:
Linderman Browning Exhibit,
Cree, Lives of the Crow, Museum of Plains
Indian, Browning, Montana , [ca. 1955]
|
| |
|
|
photo number 007(VIII):94:
Linderman Exhibit Plaque, no
location , undated
|
| |
|
|
photo number 007(VIII):95:
Linderman Goose Bay lodge
, undated
|
| |
|
|
photo number 007(VIII):96:
Billings, Montana , [1981]
|
| |
|
|
photo number 007(VIII):97:
Western Heritage Center sign
with the Linderman Collection, Billings, Montana , [1981]
|
| |
|
|
photo number 007(VIII):98:
Head dresses [at Western
Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):99:
Linderman Collection items [at
Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):100:
Head dresses [at Western
Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):101:
Frank Linderman Collection sign
[at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):102:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):103:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):104:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):105:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):106:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):107:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):108:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):109:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):110:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):111:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):112:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):113:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):114:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):115:
Frank Bird Linderman Collection
displays [at Western Heritage Center] , [1981]
|
| |
|
|
photo number 007(VIII):116:
Chippewa Chief Big Rock.
Holding a pipe. Standing with Crazy Boy, Great Falls, Montana (2 copies)
, 1916
|
| |
|
|
From Portfolio 3 Published Books
|
| |
|
|
photo number 007(VIII):117:
First photograph ever made of
Chief Big Rock (77), medicine man of Chippewa Indians, in front of lodge
furnshed by Charles M. Russell in 1916 on rear of lot of Theodore Gibson's 4th
Street and 4th Avenue property, Great Falls, Montana. Big Rock gave Frank Bird
Linderman origin and ancient customs, superstitions, traditions and religion of
Chippewa and used as basis of
Indian Old-Man Stories, 1920 , Undated photo
|
| |
|
|
photo number 007(VIII):118:
Chippewa Chief Big Rock. Full
shot of teepee and Big Rock., Great Falls, Montana, 1916 , Undated photo
|
| |
|
|
photo number 007(VIII):119:
Advertising window in
Murgittroyd's in Spokane, Washington , [1920]
|
| |
|
|
photo number 007(VIII):120:
Photo of a painting of Plenty
Coups, Jeanne Hamilton exhibit (Kalispell artist) , undated
|
| |
|
|
photo number 007(VIII):121:
Chief Plenty Coups at 80 on his
horse , [ca. 1920?]
|
| |
|
|
photo number 007(VIII):122:
Plenty Coups at Fort Custer,
1890. He was 30 (40?) Years old at the time.
|
| |
|
|
photo number 007(VIII):123:
Chief Plenty Coups of the Crow,
holding the book
American about Himself , [ca. 1920]
|
| |
two copies
|
| |
|
|
photo number 007(VIII):124:
Pretty Shield, elderly, profile
, undated
|
| |
|
|
photo number 007(VIII):125:
Pretty Shield, elderly,
straight on pose , undated
|
| |
two copies
|
| |
|
|
From Portfolio 5 Correspondence,
Linderman biographies
|
| |
|
|
photo number 007(VIII):126:
Frank Bird Linderman modeling
Cree Chief Little Bear and description of the bust by Elmer Green , 1940
|
| |
|
|
photo number 007(VIII):127:
Frank Linderman, his father,
James Linderman, Charley Russell and Dr. Nash of Helena in the Pleasant Mary
Ann, trip down the Missouri , undated
|
| |
|
|
From Portfolio 4 Photographs,
Masonic memorabilia, prints of Native American paintings
|
| |
|
|
photo number 007(VIII):128:
Weasel Tail , undated
|
| |
|
|
photo number 007(VIII):129:
"Souvenir Collection, courtesy
N.P. Walters," W. Freeland Kendrick, Frank Bird Linderman, Edward Carson Day
(?), "Algeria Mosque," June 19, 1920, The New York Store, Helena, Montana
|
| |
|
|
photo number 007(VIII):130:
Masons (?) standing on steps
outside building with Virginia City banner , 15
May 1904
|
| |
|
|
photo number 007(VIII):131:
Two Guns White Calf
, undated
|
| |
|
|
photo number 007(VIII):132:
"Early Day Mining," 3 scenes on
one sheet , undated
|
| |
|
|
photo number 007(VIII):133:
2 men standing at waters edge,
photo of painting , undated
|
| |
|
|
photo number 007(VIII):134:
Shrine Band, Helena; Frank Bird
Linderman 3rd left - front row , undated
|
| |
|
|
photo number 007(VIII):135:
John Allen, Joseph Smith, 106,
Hudson Bay trapper & John Gressler. Frank Bird Linderman handwriting on
back , undated
|
| |
|
|
photo number 007(VIII):136:
Red Abbott , undated
|
| |
|
|
photo number 007(VIII):137:
Frank B. Linderman's Lewis
& Clark pageant, Helena, Montana , undated
|
| |
|
|
photo number 007(VIII):138:
The Standing Rock S.C. Major
McLanghelm & Sitting Bull , undated
|
| |
|
|
photo number 007(VIII):139:
World War I Troop Ship, no
location , undated
|
| |
|
|
photo number 007(VIII):140:
"Medicine Wheel, Big Horn
Mountains, Wyoming; Believe it or Not Clipping about the medicine wheel"
, undated
|
| |
|
|
photo number 007(VIII):141:
"The "Mystic Shrine" of a Race
extinct Medicine Wheel--Medicine Mt." Richard XT Ranch, Kirby, Montana."
, undated
|
| |
|
|
photo number 007(VIII):142:
Leo Coleman & Dr. Hoyt
collection of heads: "Collection of heads belonging to Leo Cloeman and Dr.
Hoyt, Glasgow, Montana, 2 sets genuine locked horns" , undated
|
| |
|
|
photo number 007(VIII):143:
Missouri River, Gates of the
Mountains , undated
|
| |
|
|
photo number 007(VIII):144:
Elk hide painted by Chief
Washakie of Shoshone Tribe.
|
| |
Frank Bird Linderman hand-written notations on back: "This
photo was taken from original painted elk hide painted to Chief Waskakieu of
the Shoshone Tribe. Chief W. was born 1804--died 1900 buried in Post Cemetary
Fort Washakie, WY."
|
| |
|
|
photo number 007(VIII):145:
Mose Soloman, Joe Kipp, Bob
Mills, Henry Kennedy John Largent (alive in 1918), July 1866, taken at Sioux
City on way from Ft. Benton to St. Louis.
|
| |
|
|
From Portfolio 6
|
| |
|
|
photo number 007(VIII):146:
Duncan McDonald and his wife
, undated
|
| |
|
|
photo number 007(VIII):147:
Blackfeet, undated
|
| |
Bloom Bros. Co., printed in Germany
|
| |
|
|
photo number 007(VIII):148:
"U.S. Indian agent, Mayor
Gaynor of New York, Horse Ghost, Spotted Eagle, Lour Dog, Grows Twice
(Blackfeet)," noted in Linderman's hand , undated
|
| |
|
|
photo number 007(VIII):149:
Flathead Indians (postcard)
, undated
|
| |
|
|
photo number 007(VIII):150:
Chief Charlo, Flathead
, undated
|
| |
|
|
photo number 007(VIII):151:
Chief Duck, wife and Grandchild
of Blackfoot Tribe, Canadian West
|
| |
On back of postcard: "Dear Miss Lindy! At Banff we saw a fine
exhibition of Indians riding by the Stoney Indians of the Sioux. A lovely trip.
Best wishes, Frederick G. Bur--- [illegible], postmarked 7/27/1938"
|
| |
|
|
photo number 007(VIII):152:
small photo, unidentified
Native American, no location , undated
|
| |
|
|
photo number 007(VIII):153:
Beaver-Head, Flathead, portrait
, 1937
|
| |
|
|
photo number 007(VIII):154:
Beaver-Head, Flathead
, 1937
|
| |
|
|
photo number 007(VIII):155:
Sergeant James King, Indian
Scout U.S. Army 1871-1886, Served under General Custer, co. C, Sisseton, South
Dakota, 1937
|
| |
Handwritten on back: "Full blood Sisseton-Wahpeton Siouxùborn
1850. Entered service as a boy of 15--at age 21 became a scout, accompanied
Custer west but was sent east with dispatches--had two horses shot from under
him and was wounded five times--speaks very little English."
|
| |
|
|
photo number 007(VIII):156:
Group of unidentified Native
Americans, portrait , undated
|
| |
|
|
photo number 007(VIII):157:
White Elk, from Oklahoma
, undated
|
| |
Handwritten on back: "Had a beautiful singing voice."
|
| |
|
|
photo number 007(VIII):158:
Dr. and Mrs. White Elk, card to
Linderman, 1920.
|
| |
Message on back: "Have been so busy I intended to write before
this. Sent you a magazine--hope you get it at G.B. Will be at the Helena Fair
all next week. Hope you are all fine. Write me there. All kinds of good wishes
for yourself and family. Sincerely yours, Dr. and Mrs. White Elk." Postmarked
9/11/1920
|
| |
|
|
photo number 007(VIII):159:
Mrs. White Elk, coastal Indian,
sitting on tree, portrait , undated
|
| |
R.E. Marble, Glacier National Park, Belton,
Montana.
|
| |
|
|
photo number 007(VIII):160:
Unidentified Native American
, undated
|
| |
|
|
photo number 007(VIII):161:
Unidentified Native American
, undated
|
| |
|
|
photo number 007(VIII):162:
Chief Red Cloud, [ca. 1880s]
|
| |
D. F. Barry (Superior, Wisconsin)
|
| |
|
|
photo number 007(VIII):163:
Chief Fire Cloud, , 1886
|
| |
D. F. Barry photographer, at Standing Rock
|
| |
|
|
photo number 007(VIII):164:
Passeo, Kootenai chief, son of
Aneas, no location , undated
|
| |
|
|
photo number 007(VIII):165:
Joe Malta, Kootenai and
Pend'Oreille Indian, no location , undated
|
| |
|
|
photo number 007(VIII):166:
Joe Malta, Kootenai and
Pend'Oreille Indian, no location , undated
|
| |
|
|
photo number 007(VIII):167:
Joe Malta, Kootenai and
Pend'Oreille Indian, no location , undated
|
| |
|
|
photo number 007(VIII):168:
Kootenai artifacts, "bought
from Kootenai" , undated
|
| |
|
|
photo number 007(VIII):169:
Kootenai artifacts, no
identification , undated
|
| |
|
|
photo number 007(VIII):170:
Kootenai artifacts, no
identification , undated
|
| |
|
|
photo number 007(VIII):171:
Kootenai artifacts, no
identification [some are in Series IX] , undated
|
| |
|
|
photo number 007(VIII):172:
Komsah Ellen Marhia, Kootenai
, undated
|
| |
|
|
photo number 007(VIII):173:
Sam Baptiste, Kootenai
, undated
|
| |
|
|
photo number 007(VIII):174:
Mathias Finley, Kootenai
, undated
|
| |
|
|
photo number 007(VIII):175:
Sakali Finley, Kootenai
, undated
|
| |
|
|
photo number 007(VIII):176:
Sam Baptiste, Kootenai
, undated
|
| |
|
|
photo number 007(VIII):177:
Antiste and Josh Chiefhat,
Kootenai, Mose Auld (half Chinaman [sic]) (postcard) , undated
|
| |
|
|
photo number 007(VIII):178:
Antiste and Josh Chiefhat,
Kootenais , undated
|
| |
|
|
photo number 007(VIII):179:
Sam Baptiste, Kootenai
, undated
|
| |
|
|
photo number 007(VIII):180:
Sam Baptiste, Camas, Montana,
Flathead Reservation, Kootenai, undated
|
| |
|
| |
|
|
photo number 007(VIII):181:
Kootenai Indians, Camas,
Montana, Flathead Reservation. Chief Koostata, Josh Chiefhat, and Mose Auld
(half Chinaman [sic]), , undated
|
| |
|
| |
|
|
photo number 007(VIII):182:
Chiefhat, Kootenai , undated
|
| |
|
|
photo number 007(VIII):183:
Chiefhat, Kootenai , undated
|
| |
|
|
photo number 007(VIII):184:
Tobacco Plains Indians,
Kootenai; Mathias Finley , undated
|
| |
|
|
photo number 007(VIII):185:
Wife of Koostata, Kootenai,
portrait (postcard) , undated
|
| |
|
|
photo number 007(VIII):186:
Chief Koostata, wife and
stepdaughter, Kootenai, portrait, undated
|
| |
|
| |
|
|
photo number 007(VIII):187:
Wife of Koostata, Kootenai,
portrait, undated
|
| |
|
| |
|
|
photo number 007(VIII):188:
William Julien and wife,
Kootenai, portrait, undated
|
| |
|
| |
|
|
photo number 007(VIII):189:
Patrick Big Bear, Kootenai
, undated
|
| |
|
|
photo number 007(VIII):190:
Mak-suk (Martin), wife, and
child, Kootenai , undated
|
| |
|
|
photo number 007(VIII):191:
Paul, Chief of Tobacco Plains
Indians, undated
|
| |
|
| |
|
|
photo number 007(VIII):192:
Paul, Chief of Tobacco Plains
Indians, undated
|
| |
|
| |
|
|
photo number 007(VIII):193:
Native Americans on horses,
unidentified , undated
|
| |
|
|
photo number 007(VIII):194:
Native Americans outside
teepee, unidentified , undated
|
| |
|
|
photo number 007(VIII):195:
Native Americans outside
teepee, unidentified , undated
|
| |
|
|
photo number 007(VIII):196:
Native Americans around
ceremony poles, unidentified , undated
|
| |
|
|
photo number 007(VIII):197:
Andrew Valler, half-breed Cree;
with Kootenai wife and two children , undated
|
| |
|
|
photo number 007(VIII):198:
Andrew Valler on
horseback, undated
|
| |
|
| |
|
|
photo number 007(VIII):199:
Native Americans in front of
teepee within stockade, unidentified , undated
|
| |
|
|
photo number 007(VIII):200:
Group of Native Americans on
horses in ceremonial dress, unidentified , undated
|
| |
|
|
photo number 007(VIII):201:
Two Native Americans on horses
wearing capots, blurred photo, unidentified , undated
|
| |
|
|
photo number 007(VIII):202:
Group of Native Americans on
horses, unidentified , undated
|
| |
|
|
photo number 007(VIII):203:
Group of Native Americans on
horses, in town, unidentified , undated
|
| |
|
|
photo number 007(VIII):204:
Group of Native Americans on
horses in ceremonial dress, horses with bit bridles,unidentified , undated
|
| |
|
|
photo number 007(VIII):205:
Group of Native Americans on
horses in ceremonial dress, two wearing Flathead "dandy" style outfits with
foral and with front pieces and vests, unidentified , undated
|
| |
|
|
photo number 007(VIII):206:
Teepees on plain, unidentified
, undated
|
| |
|
|
photo number 007(VIII):207:
Teepee encampment on plain,
unidentified , undated
|
| |
|
|
photo number 007(VIII):208:
Group of Native Americans on
horses, ceremonial dress, unidentified , undated
|
| |
|
|
photo number 007(VIII):209:
Two Native American women on
horses, unidentified , undated
|
| |
|
|
photo number 007(VIII):210:
Group of Native Americans on
horses, ceremonial dress, unidentified , undated
|
| |
|
|
photo number 007(VIII):211:
Group of Native Americans
standing in front of teepee, unidentified , undated
|
| |
|
|
photo number 007(VIII):212:
"Bill and Lizzie Gird and
smoke" , undated
|
| |
|
|
photo number 007(VIII):213:
Group of Native Americans,
standing in front of teepee, unidentified, undated
|
| |
|
| |
|
|
photo number 007(VIII):214:
Native Americans at gathering,
unidentified , undated
|
| |
|
|
photo number 007(VIII):215:
Child of S. Pierre, undated
|
| |
|
| |
|
|
photo number 007(VIII):216:
Native Americans at gathering,
unidentified , undated
|
| |
|
|
photo number 007(VIII):217:
McDonaer Stable , undated
|
| |
|
|
photo number 007(VIII):218:
Native American man behind
bushes, blurred , undated
|
| |
|
|
photo number 007(VIII):219:
McDonaer ranch house
, undated
|
| |
|
|
photo number 007(VIII):220:
Native Americans at a gathering
|
| |
|
|
photo number 007(VIII):221:
Native Americans at a Sun Dance
, undated
|
| |
|
|
photo number 007(VIII):222:
Horse with travois, Native
Americans in background, in town, unidentified , undated
|
| |
|
|
photo number 007(VIII):223:
Two European Americans in
woods, unidentified , undated
|
| |
|
|
photo number 007(VIII):224:
Native American children, under
shelter, unidentified , undated
|
| |
|
|
photo number 007(VIII):225:
Pictures of raising Medicine
Man for Sun Dance ceremony, Kootenai , undated
|
| |
|
|
photo number 007(VIII):226:
Teepee encampment on Rocky
Boy's for Sun Dance , 1934
|
| |
|
|
photo number 007(VIII):227:
Teepee encampment on Rocky
Boy's for Sun Dance , 1934
|
| |
|
|
photo number 007(VIII):228:
Pictures of raising Medicine
Man for Sun Dance ceremony, Kootenai , undated
|
| |
|
|
photo number 007(VIII):229:
Kootenai dance, Elmo, Montana
, undated
|
| |
|
|
photo number 007(VIII):230:
Kootenai dance, Elmo, Montana
, undated
|
| |
|
|
photo number 007(VIII):231:
Kootenai Sun Dance lodge, Elmo,
Montana , undated
|
| |
|
|
photo number 007(VIII):232:
Kootenai Dance, Camas, Montana
, undated
|
| |
|
|
photo number 007(VIII):233:
Thunder Lodge pitched near rail
fence and outbuildings, undated
|
| |
|
|
photo number 007(VIII):234:
"Just before the Dance
Beginning, Flathead Indian Reservation, Mont[ana]" , 1911
|
| |
|
|
photo number 007(VIII):235:
Kootenai Dance, Camas, Montana
, undated
|
| |
|
|
photo number 007(VIII):236:
Dance arena, unidentified
[Rocky Boy's?] , undated
|
| |
|
|
photo number 007(VIII):237:
"So-called medicine wheel in
Bighorn County, made by those who live without fire," Frank Bird
Linderman., 1931
|
| |
Copyright Jasamine Spear Johnson
|
| |
|
|
photo number 007(VIII):238:
Chief Three Bear, Glacier
National Park, Montana, undated
|
| |
|
| |
|
|
photo number 007(VIII):239:
Group of European Americans on
horses, soldiers in background, unidentified , undated
|
| |
|
|
photo number 007(VIII):240:
[At Rocky Boy (??)] Medecine
Wheel (Looks like the one in Bighorn, Wyoming), [blurred photo] , undated
|
| |
|
|
photo number 007(VIII):241:
Buffalo-With-Him, age 82, taken
by Linderman at Sun-Dance at Rocky Boy's , 6/28/1933
|
| |
|
|
photo number 007(VIII):242:
Buffalo-With-Him, age 82, taken
by Linderman at Sun-Dance at Rocky Boy's , 6/28/1933
|
| |
|
|
photo number 007(VIII):243:
Buffalo-With-Him, age 82, taken
by Linderman at Sun-Dance at Rocky Boy's , 6/28/1933
|
| |
|
|
photo number 007(VIII):244:
Buffalo-With-Him, age 82, taken
by Linderman at Sun-Dance at Rocky Boy's , 6/28/1933
|
| |
|
|
photo number 007(VIII):245:
Linderman's lodge at Sun-Dance
at Rocky Boy's , 6/28/1933
|
| |
two copies
|
| |
|
|
photo number 007(VIII):246:
Linderman's lodge at Sun-Dance
at Rocky Boy's , 6/28/1933
|
| |
|
|
photo number 007(VIII):247:
Linderman's lodge at Sun-Dance
at Rocky Boy's , 6/28/1933
|
| |
|
|
photo number 007(VIII):248:
Linderman's lodge at Sun-Dance
at Rocky Boy's , 6/28/1933
|
| |
|
|
photo number Photos 249:
Grain at Rocky Boy's
, 1932
|
| |
four copies
|
| |
|
|
photo number Photos 251:
Grain at Rocky Boy's
, 1932
|
| |
|
|
photo number Photos 252:
Grain at Rocky Boy's
, 1932
|
| |
|
|
photo number Photos 253:
Grain at Rocky Boy's
, 1932
|
| |
three copies
|
| |
|
|
photo number 007(VIII):254:
Native American man,
unidentified , undated
|
| |
|
|
photo number 007(VIII):255:
Native American man,
unidentified , undated
|
| |
|
|
photo number 007(VIII):256:
Native American woman,
unidentified , undated
|
| |
|
|
photo number 007(VIII):257:
Groups at Rocky Boy's,
unidentified , undated
|
| |
|
|
photo number 007(VIII):258:
Groups at Rocky Boy's,
unidentified , undated
|
| |
|
|
photo number 007(VIII):259:
Groups at Rocky Boy's,
unidentified , undated
|
| |
|
|
photo number 007(VIII):260:
Groups at Rocky Boy's,
unidentified , undated
|
| |
|
|
photo number 007(VIII):261:
Groups singers at Rocky Boy's,
dancers in bacground, unidentified , undated
|
| |
four copies
|
| |
|
|
photo number 007(VIII):262:
Native American children, Rocky
Boy's Reservation, unidentified , undated
|
| |
|
|
photo number 007(VIII):263:
Rosie Gopher, Rocky Boy's child
, undated
|
| |
|
|
photo number 007(VIII):264:
Rocky Boy's children,
unidentified (2 copies) , undated
|
| |
|
|
photo number 007(VIII):265:
Native American man,
unidentified (3 copies) [double exposure] , undated
|
| |
|
|
photo number 007(VIII):266:
Native American man,
unidentified , undated
|
| |
three copies
|
| |
|
|
photo number 007(VIII):267:
Woman and children in Sundance
lodge, unidentified , undated
|
| |
two copies
|
| |
|
|
photo number 007(VIII):268:
Native American child,
unidentified , undated
|
| |
two copies
|
| |
|
|
photo number 007(VIII):269:
Bear in woods, [Glacier
National Park?] unidentified , undated
|
| |
|
|
photo number 007(VIII):270:
Two tangled deer heads in snow,
[Glacier National Park?] unidentified , undated
|
| |
|
|
photo number 007(VIII):271:
Dinosaur bones, found near
Glacier [national park], unidentified , undated
|
| |
|
|
photo number 007(VIII):272:
Group of Euro-American men and
women in camp, [Glacier National Park?]unidentified , undated
|
| |
[Morton J. Elrod photo?]
|
| |
|
|
photo number 007(VIII):273:
Euro-American man and two women
on lake shore, [Glacier National Park?] unidentified , undated
|
| |
[Morton J. Elrod photo?]
|
| |
|
|
photo number 007(VIII):274:
Euro-American man with freshly
killed buck, [Glacier National Park?] unidentified , undated
|
| |
|
|
photo number 007(VIII):275:
Pack string, [Glacier National
Park?] unidentified , undated
|
| |
|
|
photo number 007(VIII):276:
Tent camp by lake, [Glacier
National Park?] unidentified , undated
|
| |
|
|
photo number 007(VIII):277:
Horses swimming creek, [Glacier
National Park?] unidentified , undated
|
| |
|
|
photo number 007(VIII):278:
Horses swimming creek, [Glacier
National Park?] unidentified , undated
|
| |
|
|
photo number 007(VIII):279:
Horse race, unidentified
, undated
|
| |
|
|
photo number 007(VIII):280:
Euro-American men and women by
train, unidentified [Linderman family in costume?], undated
|
| |
|
| |
|
|
photo number 007(VIII):281:
Euro-American men and women by
train, unidentified [Linderman family in costume?], undated
|
| |
|
| |
|
|
photo number 007(VIII):282:
"Young white pine planted in
old 1910 burn. Coeur d'Alene National Forest." , undated
|
| |
K.D. Swan
|
| |
|
|
photo number 007(VIII):283:
White pine timber on Burnt
Cabin Creek sale area. Coeur d'Alene National Forest, undated
|
| |
K.D. Swan
|
| |
|
|
photo number 007(VIII):284:
Logging cut-over land. Results
of poor brush disposal on lumber company land., undated
|
| |
K.D. Swan
|
| |
|
|
photo number 007(VIII):285:
Larch, fir-type, state land
near Radnor, Montana. , undated
|
| |
K.D. Swan
|
| |
|
|
photo number 007(VIII):286:
Results of Half Moon Fire on
North Fork Road near Bailey Lake, Flathead National Forest. , 1929
|
| |
K.D. Swan
|
| |
|
|
photo number 007(VIII):287:
Logged-off land of lumber
company. , undated
|
| |
K.D. Swan
|
| |
|
|
photo number 007(VIII):288:
South fork of Flathead road
near Dry Peak, before fire 1926. , undated
|
| |
K.D. Swan
|
| |
|
|
photo number 007(VIII):289:
View of South Fork Road, after
the fire (Lost Johnny), Flathead National Forest, 1925
|
| |
K.D. Swan
|
| |
|
|
photo number Photos 290:
Painting,
Where the millions have gone, undated
|
| |
J.H. Moser, National Museum
four copies
|
| |
|
|
photo number 007(VIII):291:
Painting,
Still Hunting Buffaloes on the Northern Range
|
| |
two copies
|
| |
|
|
Portfolio 7: Photographs of
Linderman Displays, Mansfield Library , ca.
1984
|
| |
|
|
photo number 007(VIII):292:
Oil portrait of Linderman, J.
Hamilton, Kalispell. Linderman display, Montana Room, Maureen and Mike
Mansfield Library, the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):293:
Eagle wing fan on display.
Linderman display, Montana Room, Maureen and Mike Mansfield Library, the
University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):294:
Buffalo bonnet on display.
Linderman display, Montana Room, Maureen and Mike Mansfield Library, the
University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):295:
Two Indian headdresses on
display. Linderman display, Montana Room, Maureen and Mike Mansfield Library,
the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):296:
Assayer's scale on display.
Linderman display, Montana Room, Maureen and Mike Mansfield Library, the
University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):297:
Southwest corner of Montana
room with Linderman displays. Linderman display, Montana Room, Maureen and Mike
Mansfield Library, the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):298:
Artifacts on display (circular
beaded bag, quilled armlets, pipe, scabbard). Linderman display, Montana Room,
Maureen and Mike Mansfield Library, the University of Montana--Missoula
, ca. 1984
|
| |
|
|
photo number 007(VIII):299:
Artifacts on display
(cradleboard, moccasins, rattle). Linderman display, Montana Room, Maureen and
Mike Mansfield Library, the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):300:
Artifacts on display (Cree
dance rattle, Cree hammer). Linderman display, Montana Room, Maureen and Mike
Mansfield Library, the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):301:
Artifacts on display (Kootenai
flesher, fish line, powder horn, rattle). Linderman display, Montana Room,
Maureen and Mike Mansfield Library, the University of Montana--Missoula
, ca. 1984
|
| |
|
|
photo number 007(VIII):302:
Parfleche and saddle on
display. Linderman display, Montana Room, Maureen and Mike Mansfield Library,
the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):303:
Glass case with artifacts on
display (Linderman sculptures, academic hood, Masonic objects). Linderman
display, Montana Room, Maureen and Mike Mansfield Library, the University of
Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):304:
South wall of Montana room with
artifacts on display (snowshoes, paintings, et. al.). Linderman display,
Montana Room, Maureen and Mike Mansfield Library, the University of
Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):305:
Wooden case with Linderman
sculptures on display. Linderman display, Montana Room, Maureen and Mike
Mansfield Library, the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):306:
Southwest wall of Montana room
with Linderman objects on display. Linderman display, Montana Room, Maureen and
Mike Mansfield Library, the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):307:
Artifacts on display
(typewriter, teepee, parfleche). Linderman display, Montana Room, Maureen and
Mike Mansfield Library, the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):308:
Artifacts on display (backrest
et al). Linderman display, Montana Room, Maureen and Mike Mansfield Library,
the University of Montana--Missoula , ca. 1984
|
| |
|
|
photo number 007(VIII):309:
Backrest on display. Linderman
display, Montana Room, Maureen and Mike Mansfield Library, the University of
Montana--Missoula , ca. 1984
|
| |
|
|
Loose Photographs
|
| |
|
|
photo number 007(VIII):310:
"Sasatank, Kiowa Chief"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):311:
"Potawatomie Squaw"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):312:
"Wichita" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):313:
"Bunhi, Queen of the
Cimaron", undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):314:
"Boston Charley", undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):315:
"Ute Squaw", undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson, 1849-1915"
|
| |
|
|
photo number 007(VIII):316:
"Capt. Jack", undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson, 1849-1915"
|
| |
|
|
photo number 007(VIII):317:
"Spotted Horse, The Indian in
charge of the band I chased about the country last fall" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):318:
"Buffalo, three years old and
calf" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):319:
"Ben Clark's squaw"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):320:
"Red Cloud, Sioux Chief"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):321:
"Rock painting" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):322:
"Fort Lyon from across the
Arkansas, Large building on rt. hospital; row of buildings. On rt. of flag
staff, and on the end one of which two shutters (windows) can be seen
--officers quarters. Buildings to left of flag staff --soldiers barracks."
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):323:
"Wichita Squaws" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):324:
"Dove Eye the Lodge Queen,
Spotted Tail's daughter" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):325:
"Jake's squaw, a Sioux (?) of a
few weeks" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):326:
"Big Mouth, Arapahoe Chief"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):327:
"Tall Bull, Chief of Sioux
killed by Geo. Carr on the Republican River" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):328:
"American Horse, Ogalally
Chief" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):329:
"Geo. Bent's Squaw"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):330:
"Pueblo Indians, the band that
murdered the first governor of New Mexico" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):331:
"Patawatmie Chief" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):332:
"Baby in a papoose"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):333:
"Ute" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):334:
"Wigwams (teepees) painted in
various colors and trimmed with Buffalo tails" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):335:
"Burros packed, a New Mexico
transportation train loaded and ready for the road" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):336:
"Latanta, Indian with a bow"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):337:
"Spotted Tail's lodge"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):338:
"Arapahoe squaws" , undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):339:
"Shoshonee Charley"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):340:
"Bannack Indians, Montana"
, undated
|
| |
Collected by Brig. Gen. Geo. S. Anderson,
1849-1915
|
| |
|
|
photo number 007(VIII):341:
"Mary Ann," Klondyke boats
, undated
|
| |
|
|
photo number 007(VIII):342:
Garden Wall - Ants On Trail;
"Glacier National Park Views" , undated
|
| |
Hileman (Kalispell, Montana)
|
| |
|
|
photo number 007(VIII):343:
View Of Flathead Lake (two
copies), Fred W. Wheaton (Kalispell, Montana) , [ca.1921]
|
| |
|
|
photo number 007(VIII):344:
Two foot wide crack, near Three
Forks, Montana , undated
|
| |
|
|
photo number 007(VIII):345:
Flathead Lake, undated
|
| |
Hileman (Kalispell, Montana), Glacier Park Photo
Shop
two copies
|
| |
|
|
photo number 007(VIII):346:
Bad Rock Canyon, undated
|
| |
Hileman (Kalispell, Montana), Glacier Park Photo
Shop
|
| |
|
|
photo number 007(VIII):347:
Cub Bears in Pine
Tree, undated
|
| |
Hileman, Glacier Park Photo Shop (Kalispell,
Montana)
|
| |
|
|
photo number 007(VIII):348:
Bear Grass, undated
|
| |
Hileman, Glacier Park Photo Shop (Kalispell,
Montana)
|
| |
|
|
photo number 007(VIII):349:
Stoners Dock, undated
|
| |
Hileman, Glacier Park Photo Shop (Kalispell,
Montana)
|
| |
|
|
photo number 007(VIII):350:
Man Feeding Cub
Bear, undated
|
| |
Hileman, Glacier Park Photo Shop (Kalispell,
Montana)
|
| |
|
|
photo number 007(VIII):351:
The Majestic King (bighorn
sheep), undated
|
| |
Hileman, Glacier Park Photo Shop (Kalispell,
Montana)
|
| |
|
|
photo number 007(VIII):352:
Native American woman feeding
fawns, undated
|
| |
Hileman, Glacier Park Photo Shop (Kalispell,
Montana)
|
| |
|
|
photo number 007(VIII):353:
[Marten ?] caught in
trap, undated
|
| |
Hileman, Glacier Park Photo Shop (Kalispell,
Montana)
|
| |
|
|
photo number 007(VIII):354:
Doe with two fawns, undated
|
| |
Hileman, Glacier Park Photo Shop (Kalispell,
Montana)
|
| |
|
|
photo number 007(VIII):355:
Person feeding big horn
sheep, undated
|
| |
Hileman, Glacier Park Photo Shop (Kalispell,
Montana)
|
| |
|
|
photo number 007(VIII):356:
Charlie Russell, 1914
|
| |
Eklund.
|
| |
|
|
photo number 007(VIII):357:
Charlie Russell, 1927
|
| |
Eklund.
|
| |
|
|
photo number 007(VIII):358:
Charlie Russell dressed as an
Indian
|
| |
|
|
photo number 007(VIII):359:
Bob Vaughn in a pioneer days
Sunday suit, 1916
|
| |
Letter on back: "Friend Frank: I started on my life's journey
in Wales June 5th, 1836. June 14th, 1864, I reached Alder Gulch, Montana
Territory. June 5th, 1916 in Great Falls at Hotel Rainbow, enjoying this
banquet that you and Theodore are giving me on my eightieth birthday. I have no
words to express my appreciation of this testimonial of friendship. Your
friend, Bob Vaughan."
|
| |
|
|
photo number 007(VIII):360:
Theo Gibson, son of Sen. Paris
Gibson, 1915
|
| |
Eklund (Great Falls, Montana)
Signed on front "Sincerely, Theo Gibson"
|
| |
|
|
photo number 007(VIII):361:
Charlie Russell's cabin at Lake
McDonald. Christmas card, "Thiri's Ariel View Service" (Polson, Montana)
, 1913
|
| |
|
|
photo number 007(VIII):362:
[Charlie Russell's wife Nancy?]
holding child , undated
|
| |
|
|
photo number 007(VIII):363:
Charlie Russell and wife,
Nancy, holding child with writing on front that means "love Papa" , undated
|
| |
|
|
photo number 007(VIII):364:
Baby photo of Jack Russell, by
Marble Studio , undated
|
| |
|
|
photo number 007(VIII):365:
Charlie Russell, Sara Johns,
Frank Linderman, James B. Linderman, Dr. Nash, trip down the Missouri on the
Pleasant Mary Ann , 1913
|
| |
|
|
photo number 007(VIII):366:
Frank Bird Linderman's painted
lodge photo by Mannie Bay , 1918
|
| |
|
|
photo number 007(VIII):367:
Charlie Russell's home and
studio , undated
|
| |
post card
|
| |
|
|
photo number 007(VIII):368:
Boulder with plaque inset for
Charlie Russell, plaque dated 1926 (Postcard) , undated
|
| |
|
|
photo number 007(VIII):369:
Photo of painting of Charlie
Russell , undated
|
| |
|
|
photo number 007(VIII):370:
Verne Linderman at Linderman
home, 524 W. Lawrence St., Helena , circa 1913
|
| |
|
|
photo number 007(VIII):371:
Will Miller at Linderman home,
524 W. Lawrence St., Helena, circa 1913
|
| |
|
|
photo number 007(VIII):372:
Charlie Russell at Linderman
home, 524 W. Lawrence St., Helena, circa 1913
|
| |
|
|
photo number 007(VIII):373:
Unidentified man at Linderman
home, 524 W. Lawrence St., Helena, circa 1913
|
| |
|
|
photo number 007(VIII):374:
Mr. and Mrs. C.M. and Nancy
Russell at Linderman home, 524 W. Lawrence St., Helena, November, 1913
|
| |
|
|
photo number 007(VIII):375:
Frank Bird Linderman and
Charlie Russell at Linderman home, 524 W. Lawrence St., Helena, November, 1913
|
| |
|
|
photo number 007(VIII):376:
"Saturday Afternoon at Home,"
Minnie Linderman and two daughters , circa 1913
|
| |
|
|
photo number 007(VIII):377:
Mrs. Nancy Russell , circa 1913
|
| |
|
|
photo number 007(VIII):378:
Mrs. Nancy Russell , circa 1913
|
| |
|
|
photo number 007(VIII):379:
Mr. and Mrs. Russell ready to
take train to Great Falls , November 1913
|
| |
|
|
photo number 007(VIII):380:
Daddy [Frank Bird Linderman]
and Charles Russell , circa 1913
|
| |
|
|
photo number 007(VIII):381:
Charlie Russell after operation
at Rochester, photo by Eklund , undated
|
| |
|
|
photo number 007(VIII):382:
Charlie Russell beating himself
at checkers , undated
|
| |
|
|
photo number 007(VIII):383:
Charlie Russell sitting in
front of a painting
|
| |
|
|
photo number 007(VIII):384:
Charlie Russell, Nancy, Mrs.
Baker (?) and F.B. Lindeman in front of car, [ca. 1914]
|
| |
Message on back: "Hello: Do you remember the 4th of July 1914.
Wish for your success in Primary and also General Election. Your friend, Dr. D.
Baker"
|
| |
|
|
photo number 007(VIII):385:
Bird , undated
|
| |
|
|
photo number 007(VIII):386:
Bird , undated
|
| |
|
|
photo number 007(VIII):387:
Bird , undated
|
| |
|
|
photo number 007(VIII):388:
Chipmunk , undated
|
| |
|
|
photo number 007(VIII):389:
Lynx , undated
|
| |
|
|
photo number 007(VIII):390:
Bison , undated
|
| |
|
|
photo number 007(VIII):391:
Bison , undated
|
| |
|
|
photo number 007(VIII):392:
Bison , undated
|
| |
|
|
photo number 007(VIII):393:
Bison , undated
|
| |
|
|
photo number 007(VIII):394:
Bighorn sheep , undated
|
| |
|
|
photo number 007(VIII):395:
Goose nest , undated
|
| |
|
|
photo number 007(VIII):396:
Blue heron nest , undated
|
| |
|
|
photo number 007(VIII):397:
Christmas card of bison herd
with one albino, from Alice Frost , undated
|
| |
|
|
photo number 007(VIII):398:
Bear sitting on a log
, undated
|
| |
|
|
photo number 007(VIII):399:
Black bear and two cubs
, undated
|
| |
|
|
photo number 007(VIII):400:
Black bear and two cubs
, undated
|
| |
|
|
photo number 007(VIII):401:
Black bear and two cubs
, undated
|
| |
|
|
photo number 007(VIII):402:
Two cubs playing in a tree
, undated
|
| |
|
|
photo number 007(VIII):403:
One cub playing in a tree
, undated
|
| |
|
|
photo number 007(VIII):404:
Bear on a boulder , undated
|
| |
|
|
photo number 007(VIII):405:
Bear on a boulder , undated
|
| |
|
|
photo number 007(VIII):406:
Man feeding cub as mother
watches , undated
|
| |
|
|
photo number 007(VIII):407:
Man feeding cub as mother
watches , undated
|
| |
|
|
photo number 007(VIII):408:
Black bear --close up
, undated
|
| |
|
|
photo number 007(VIII):409:
Deer feeding on hay during
winter --close up , undated
|
| |
|
|
photo number 007(VIII):410:
Deer feeding on hay during
winter , undated
|
| |
|
|
photo number 007(VIII):411:
Deer feeding on hay during
winter , undated
|
| |
|
|
photo number 007(VIII):412:
Deer feeding on hay during
winter , undated
|
| |
|
|
photo number 007(VIII):413:
Ptarmigans , undated
|
| |
|
|
photo number 007(VIII):414:
Elk , undated
|
| |
|
|
photo number 007(VIII):415:
Antelope on the bison range
, undated
|
| |
|
|
photo number 007(VIII):416:
Porcupine , undated
|
| |
|
|
photo number 007(VIII):417:
Mountain goat about to be shot,
West Fork of the Teton River., undated
|
| |
P.J. Ralston, Choteau, Montana
|
| |
|
|
photo number 007(VIII):418:
Little Bear, undated
|
| |
|
|
photo number 007(VIII):419:
Two-Comes-Over-The-Hill
, undated
|
| |
|
|
photo number 007(VIII):420:
Unidentified man , undated
|
| |
|
|
photo number 007(VIII):421:
Two-Comes-Over-The-Hill
, undated
|
| |
|
|
photo number 007(VIII):422:
Two-Comes-Over-The-Hill
, undated
|
| |
|
|
photo number 007(VIII):423:
Frank Bird Linderman portrait
, undated
|
| |
|
|
photo number 007(VIII):424:
Group of men, including Percy
Rabon, Frank Bird Linderman, Theo Gibson, Capt. Lanstrum, and Charlie Russell
, undated
|
| |
|
|
photo number 007(VIII):425:
Pretty-Shield as elder
, 1931
|
| |
|
|
photo number 007(VIII):426:
Kitty Deer interpreter to
Pretty Shield, March , 1931
|
| |
two copies
|
| |
|
|
photo number 007(VIII):427:
Pretty Shield as elder
, 1931
|
| |
|
|
photo number 007(VIII):428:
Pretty Shield as elder, in
profile , March 1931
|
| |
|
|
photo number 007(VIII):429:
P.G. Morrison, 70 years
, undated
|
| |
|
|
photo number 007(VIII):430:
Little Bear, Chief of Crees (2
copies); undated
|
| |
|
|
photo number 007(VIII):431:
Charlie Russell dressed as an
Indian , undated
|
| |
|
|
photo number 007(VIII):432:
Plenty Coups , undated
|
| |
|
|
photo number 007(VIII):433:
Mrs. Moffett , 1900
|
| |
|
|
photo number 007(VIII):434:
W.H. Murgittroyd , undated
|
| |
|
|
photo number 007(VIII):435:
Edward Carson Day , 12/25/1915
|
| |
On front: "Fraternally yours, Edward Carson Day, 33 Sov, Grand
Insp Gen'l in Montana."
|
| |
|
|
photo number 007(VIII):436:
"Your Sincere Friend 8th and
9th Assembly, William McGinnis , undated
|
| |
|
|
photo number 007(VIII):437:
Will H. Murgittroyd, Christmas.
Spokane, Washington , 1930
|
| |
|
|
photo number 007(VIII):438:
J.D. Moffett , 1900
|
| |
|
|
photo number 007(VIII):439:
N.J. Brennan, 1913
|
| |
Reed
|
| |
|
|
photo number 007(VIII):440:
"Early photo?" [mining
camp?]
|
| |
A.M. Moore
|
| |
|
|
photo number 007(VIII):441:
Frank Bird Linderman, Charlie
Russell, and Chippewa Chief Big Rock in front of a lodge. , 1916
|
| |
"One of first pictures ever taken of Big Rock after giving
origin, ancient customs, superstitions, traditions & religion of Chippewa
to Frank Bird Linderman and used in
Indian Old Man Stories, 1920"
|
| |
|
|
photo number 007(VIII):442:
Flag, June 1933
|
| |
Old flag bearing Washington eagle and thirteen stars of
original colonies, owned by old Indian warrior, Loud Thunder, taken at last Sun
Dance that Frank Linderman attended on Rocky Boy's Reservation, held by (l-r)
Loud Thunder (Jim Gopher), Frenchman, and Linderman
|
| |
|
|
photo number 007(VIII):442b:
Camps and Country in and about
Badger and Birch Creeks near headwaters , undated
|
| |
|
|
"Buffalo Pictures" album
|
| |
|
|
photo number 007(VIII):443:
Camps and Country in and about
Badger and Birch Creeks near headwaters , undated
|
| |
|
|
photo number 007(VIII):444:
Camps and Country in and about
Badger and Birch Creeks near headwaters , undated
|
| |
|
|
photo number 007(VIII):445:
Camps and Country in and about
Badger and Birch Creeks near headwaters , undated
|
| |
|
|
photo number 007(VIII):446:
Loading a pack horse, near
Badger and Birch Creeks near head waters , undated
|
| |
|
|
photo number 007(VIII):447:
Men in front of a cabin. Frank
Bird Linderman center, near Badger and Birch Creeks near head waters
, undated
|
| |
|
|
photo number 007(VIII):448:
Pack train, near Badger and
Birch Creeks near head waters , undated
|
| |
|
|
photo number 007(VIII):449:
Hangman's tree near Helena.
Copy of 30 April 1870 photo. , 30
April 1870
|
| |
|
|
photo number 007(VIII):450:
Charles Goodnight, owner of the
Goodnight buffalo herd. undated
|
| |
|
|
photo number 007(VIII):451:
"War Cloud, king of the Corbin
herd, (New Port, New Hampshire ??)" , undated
|
| |
|
|
photo number 007(VIII):452:
"Buffalo, Kalispell Queen.
Trampled a dog to death defending her calf" , undated
|
| |
|
|
photo number 007(VIII):453:
"Cow and calf, Conrad herd"
, undated
|
| |
|
|
photo number 007(VIII):454:
"Tame buffalo cow being hand
fed" , undated
|
| |
|
|
photo number 007(VIII):455:
"Taming buffalo calves. Two in
halters being led" , undated
|
| |
|
|
photo number 007(VIII):456:
"Grazing buffalo with calf in
the grass" , undated
|
| |
|
|
photo number 007(VIII):457:
"Domestic cow nursing a buffalo
calf" , undated
|
| |
|
|
photo number 007(VIII):459:
"Conrad herd, (Col Baynes)"
, undated
|
| |
|
|
photo number 007(VIII):460:
"Small herd of Pablo herd. Col.
E.M. Baynes (?)" , undated
|
| |
|
|
photo number 007(VIII):461:
"Phillips bunch (buffalo herd)
Pierre, South Dakota" , undated
|
| |
|
|
photo number 007(VIII):462:
"Goodnight herd" , undated
|
| |
|
|
photo number 007(VIII):463:
"Home of Keepra Wells (??),
Rose Creek, Lamar Valley, Yellowstone herd" , undated
|
| |
|
|
photo number 007(VIII):464:
"Goodnight herd. Goodnight,
Texas" , undated
|
| |
|
|
photo number 007(VIII):465:
"Buffalo ranch, Scotty Philip's
place, Pierre, South Dakota" , undated
|
| |
|
|
photo number 007(VIII):466:
"Dooly's Ranch house, Antelope
Island in the Great Salt Lake, built by Mormons over 20 years ago and used by
[illegible] to live in" , undated
|
| |
|
|
photo number 007(VIII):467:
"Yellowstone park herd on the
run" , undated
|
| |
|
|
photo number 007(VIII):468:
"A herder" , undated
|
| |
|
|
photo number 007(VIII):469:
"Buffalo in tall grass"
, undated
|
| |
|
|
photo number 007(VIII):470:
"Buffalo grazing on short
grass" , undated
|
| |
|
|
photo number 007(VIII):471:
"Buffalo cow up close"
, undated
|
| |
|
|
photo number 007(VIII):472:
Photo of a print "A Buffalo
Family" , undated
|
| |
|
|
photo number 007(VIII):473:
"Cattalo cow (buffalo/cow
cross)" , undated
|
| |
|
|
photo number 007(VIII):474:
Mare, undated
|
| |
Mare Frank Bird Linderman rode in 1908 flood in Missoula to
Helena and the animal Charley Peytore rode up Savare River where he was killed
by Indians later in year. Winter scene in full tack
|
| |
|
|
photo number 007(VIII):475:
Jack Monroe and "Red" Abbott,
with horses in winter, dog on saddle , undated
|
| |
|
|
photo number 007(VIII):476:
Teepees. "Sky scrapers of other
days" , undated
|
| |
|
|
photo number 007(VIII):477:
Eventide on the Fort Belknap
Reservation , undated
|
| |
|
|
photo number 007(VIII):478:
Robber's Roost near Sheridan,
Daly Ranch , undated
|
| |
two copies [one in a
folder]
|
| |
|
|
photo number 007(VIII):479:
Pete Daly of Robber's Roost
fame , undated
|
| |
|
|
photo number 007(VIII):480:
Pack of wolfhounds around a
dead coyote , undated
|
| |
|
|
photo number 007(VIII):481:
Hangman's tree near Laurin
, undated
|
| |
two copies
|
| |
|
|
photo number 007(VIII):482:
Logging in the Flathead. Horse
team with logs and loggers , undated
|
| |
|
|
photo number 007(VIII):483:
Various people in Linderman's
Thunderlodge in Helena , [ca 1910]
|
| |
|
|
photo number 007(VIII):484:
Various people outside
Linderman's Thunderlodge in Helena , [ca 1910]
|
| |
|
|
photo number 007(VIII):485:
Two young girls in front of
Frank Bird Linderman's Thunderloge , [ca 1910]
|
| |
|
|
photo number 007(VIII):486:
Linderman's Thunderlodge in
Helena , [ca 1910]
|
| |
|
|
photo number 007(VIII):487:
People digging on an unknown
shore [Flathead Lake?] , undated
|
| |
|
|
photo number 007(VIII):488:
Shore of an unknown lake.
undated
|
| |
|
|
photo number 007(VIII):489:
Charlie Russell, Frank Bird
Linderman, James B. Linderman, Kreighoff at Kootenai lodge for a two week
hunting trip , undated
|
| |
|
|
photo number 007(VIII):490:
Charlie Russell, Frank Bird
Linderman, James B. Linderman, Kreighoff, and others at Kootenai lodge. Posing
with an owl , undated
|
| |
|
|
photo number 007(VIII):491:
Shore of an unknown lake
, undated
|
| |
|
|
photo number 007(VIII):492:
Unknown lake , undated
|
| |
|
|
photo number 007(VIII):493:
Unknown lake with boats
, undated
|
| |
|
|
photo number 007(VIII):494:
Charlie Russell, Frank Bird
Linderman, James B. Linderman, Kreighoff, and others at Kootenai lodge, posing
with an owl hanging from a tree , undated
|
| |
|
|
photo number 007(VIII):495:
Charlie Russell, Percy, James
B. Linderman, S.J., and Frank Bird Linderman with deer carcasses , undated
|
| |
[Two copies, one in a
folder]
|
| |
|
|
photo number 007(VIII):496:
Fish hanging from a line
between two trees , undated
|
| |
|
|
photo number 007(VIII):497:
Charlie Russell, Frank Bird
Linderman, James B. Linderman, Kreighoff, and others at Kootenai lodge
, undated
|
| |
|
|
photo number 007(VIII):498:
Linderman with rifle and
feather fan in Indian garb outside of Thunder lodge, Helena , [ca. 1910]
|
| |
|
|
photo number 007(VIII):499:
Linderman feather fan in
blanket outside of Thunder lodge, ca 1910 in Helena. Broadwater , [ca. 1910]
|
| |
|
|
photo number 007(VIII):500:
Unidentified creek near a ridge
, undated
|
| |
|
|
photo number 007(VIII):501:
Linderman ferry on the Flathead
river , undated
|
| |
|
|
photo number 007(VIII):502:
Joe Scheuerle and wife,
autographed "yours truly" , undated
|
| |
|
|
photo number 007(VIII):503:
"Gold Creek, where gold was
first struck in Montana--spot where gold was found is where man is standing"
, undated
|
| |
|
|
photo number 007(VIII):504:
Con Price, unidentified man,
Frank Bird Linderman, Kreighoff by stove, Charlie Russell seated , undated
|
| |
|
|
photo number 007(VIII):505:
Dog pointing, "Lady Marion 779"
, undated
|
| |
|
|
photo number 007(VIII):506:
People on Rocky Boy's
Reservation , undated
|
| |
|
|
photo number 007(VIII):507:
Chief Little Bear and two men
, undated
|
| |
|
|
photo number 007(VIII):508:
Photo of original vigilante
3-7-77 notice , undated
|
| |
|
|
photo number 007(VIII):509:
Photo of hangman's tree,
Helena, Montana , undated
|
| |
|
|
photo number 007(VIII):510:
Road to Newsome , undated
|
| |
|
|
photo number 007(VIII):511:
Bridge across unknown river
, undated
|
| |
|
|
photo number 007(VIII):512:
Winter scene in Whitefish
country , undated
|
| |
|
|
photo number 007(VIII):513:
Camp of Newsome , undated
|
| |
|
|
photo number 007(VIII):514:
Unknown river , undated
|
| |
|
|
photo number 007(VIII):515:
Eventide on the Fort Belknap
Reservation , undated
|
| |
|
|
photo number 007(VIII):516:
Provincial Museum, Victoria,
British Columbia, Canada , [ca. 1890s]
|
| |
|
|
photo number 007(VIII):517:
Blacktail mill and a snow slide
, undated
|
| |
|
|
photo number 007(VIII):518:
Blacktail mill, Lincoln,
Montana, "All for want of Holy Water" , undated
|
| |
|
|
Loose Photograph
|
| |
|
|
photo number 007(VIII):519:
Dr. O.M. Lanstrum, Helena
, [ca. 1920]
|
| |
|
|
In folder labeled "Famous
People"--Friends of Linderman
|
| |
|
|
photo number 007(VIII):520:
Frederick Van de Water,
autographed portrait , 1934
|
| |
|
|
photo number 007(VIII):521:
Frederick Van de Water on porch
, 1934
|
| |
|
|
photo number 007(VIII):522:
Charles Kennedy, autographed
portrait , 7/30/1932
|
| |
|
|
photo number 007(VIII):523:
Edith Wynne Mathieson (Mrs.
Charles Kennedy), portrait in costume, photo by Alice Boughton , undated
|
| |
|
|
photo number 007(VIII):524:
Edith Wynne Mathieson (Mrs.
Charles Kennedy), autographed portrait , 1932
|
| |
|
|
photo number 007(VIII):525:
Guisseppe Garibaldi,
autographed portrait, photo by Muray Studios, NY, NY , undated
|
| |
|
|
Loose Photograph
|
| |
|
|
photo number 007(VIII):526:
Plenty-Coups, Plain-Bull, and
Coyote-Runs [left to right].
|
| |
Edward Curtis
On back of framed image in Frank Bird Linderman manuscript:
"Strange that Curtis should have selected these 3 who figure in American,"
signed "Frank Bird Linderman." "In picture from left to right. Coyote-Runs,
Plain-Bull, and Plenty-Coups--and the buffalo skull mentioned by (Frank Bird
Linderman) by [sic] me."
|
| |
|
|
Photographs formerly in Archives
Photo Collection
|
| |
|
|
photo number 89-239 or 007(VIII):527:
Montana Legislature with Frank
B. Linderman , ca. 1908
|
| |
|
|
photo number 89-240 or 007(VIII):528:
Portrait of Frank B. Linderman
, ca. 1908
|
| |
|
|
photo number 89-241 or 007(VIII):529:
Conference on securing land for
Chief Little Bear [Rocky Boy's Reservation]. Left to right: Chief Little Bear,
Kinnewash, Secretary of Interior Bole, Jim Denney, unidentified, Pat Raspberry,
Frank Linderman. Placer Hotel, Helena, Montana , ca. 1913
|
| |
|
|
photo number 89-242 or 007(VIII):530:
Sam Prickett and Frank
Linderman's burros , ca. 1900
|
| |
|
|
photo number 89-333 or 007(VIII):531:
Frank Linderman, Dr. Nash,
Charles Russell, James B. Linderman in canoe , undated
|
| |
|
|
photo number 89-334 or 007(VIII):532:
Plenty-Coups, Chief of Crow.
Fort Custer, Montana , ca. 1890
|
| |
|
|
photo number 89-335 or 007(VIII):533:
Lodge pitched for Frank
Linderman when he was the guest of the Native Americans for the Sun Dance
, undated
|
| |
|
|
photo number 89-336 or 007(VIII):534:
Frank Linderman in apron in
front of his newspaper office in Sheridan, Montana , ca. 1900
|
| |
|
|
photo number 89-337 or 007(VIII):535:
Frank Linderman's home in
Sheridan, Montana , ca. 1900
|
| |
|
|
photo number 89-338 or 007(VIII):536:
Frank Linderman's Chinook and
Assay Office in Sheridan, Montana , ca. 1900
|
| |
|
|
photo number 90-84 or 007(VIII):537:
Kootenai housing, location
unknown , ca. 1900
|
| |
|
|
photo number 90-85 or 007(VIII):538:
Frank Linderman in full Indian
dress, sitting in front of teepee , ca. 1926
|
| |
|
|
photo number 90-86 or 007(VIII):539:
Frank Linderman in full Indian
dress, standing in front of teepee , ca. 1926
|
| |
|
|
photo number 90-87 or 007(VIII):540:
Chippewa Chief Big Rock [left]
and Crazy Boy [right] in front of lodge furnished by Charles M. Russell on a
lot at the rear of Theodore Gibson's home, Fourth Street and Fourth Avenue in
Great Falls, Montana , ca. 1916
|
| |
|
|
photo number 90-111 or 007(VIII):541:
Raising of the Medicine Man for
the Sun Dance ceremony of the Kooenai tribe in Elmo, Montana , ca. 1910
|
| |
|
|
photo number 90-169 or 007(VIII):542:
S.S. Frank Linderman, photo
taken in July 1944, leaving Seattle, Washington, for Alaska and the Aleutians
, July 1944
|
| |
|
|
photo number 90-172 or 007(VIII):543:
Political cartoon about Frank
Linderman , ca. 1905
|
| |
|
|
photo number 90-173 or 007(VIII):544:
Political cartoon about Frank
Linderman , ca. 1905
|
| |
|
|
photo number 92-67 or 007(VIII):545:
Kootenai tribe at Elmo,
Montana, dance , ca. 1910
|
| |
|
|
photo number 92-68 or 007(VIII):546:
Raising Medicine Man at Sun
Dance ceremony, Kootenai at Elmo, Montana , ca. 1910
|
| |
|
|
photo number 92-69 or 007(VIII):547:
Kootenai dance, no location
, undated
|
| |
|
|
photo number 92-70 or 007(VIII):548:
Big Rock, no location
, undated
|
| |
|
|
photo number 92-282 or 007(VIII):549:
Letter, Charlie Russell to
Frank Linderman , 5
November 1917
|
| |
|
|
photo number 92-350 or 007(VIII):550:
Little Bear, Chief of the Cree
, undated
|
| |
|
|
photo number 93-2482 or 007(VIII):551:
Group photograph at Rainbow
Hotel, Great Falls , undated
|
| |
Banquet given by Frank Linderman, Theodore Gibson for Bob
Vaugn's 80th birthday. Second from left: Bob Vaughn. Third from left: Charlie
Russell. Fifth from left: Theodore Gibson. Sixth from left: Frank
Linderman.
|
| |
|
|
photo number 93-3243 or 007(VIII):552:
Old flag, June 1933
|
| |
Old flag bearing Washington eagle and thirteen stars of
original colonies, owned by old Indian warrior in background, taken at last Sun
Dance Frank Linderman attended on Rocky Boy's Reservation
|
| |
|
|
photo number 93-3566 or 007(VIII):553:
Old flag, June 1933
|
| |
Old flag bearing Washington eagle and thirteen stars of
original colonies, owned by old Indian warrior, Loud Thunder, taken at last Sun
Dance that Frank Linderman attended on Rocky Boy's Reservation, held by (l-r)
Loud Thunder (Jim Gopher), Frenchman, and Linderman
|
| |
|
|
photo number 94-4178 or 007(VIII):554:
Chief Plenty-Coups , undated
|
| |
|
|
photo number 94-4179 or 007(VIII):555:
Pretty-Shield, Crow medicine
woman , 1931
|
| |
|
|
photo number 94-3470 or 007(VIII):556:
Linderman family in teepee
, undated
|
| |
|
|
photo number 94-4371 or 007(VIII):557:
Thunder Lodge, Linderman
family, painted 1910 in Helena, Montana. , Photo undated
|
| |
|
|
photo number 94-4372 or 007(VIII):558:
Two Linderman children in front
of Thunderlodge , undated
|
| |
|
|
photo number 91-1 or 007(VIII):559:
Two-Comes-Over-The-Hill,
Kootenai , undated
|
| |
|
|
photo number 97-2 or 007(VIII):560:
Charlie Russell, Frank
Linderman, Chief Big Rock , undated
|
| |
|
|
Glacier Park Photo Shop envelope
, 1931
|
| |
Series IX:
Artifacts , circa
1825-1940
81 objects
Items L1 through L43 in this series are Native American artifacts
collected by Linderman during his lifetime. Objects include both everyday and
ceremonial items associated with men, women, and children. Tribes represented
include Assiniboine, Blackfeet, Cheyenne, Chippewa, Cree, Crow, Flathead, Gros
Ventre. For detailed information on this portion of the Linderman artifact
collection, see Billy Kelly’s MA thesis,
Frank Bird Linderman Collection: A Study in Historic Material
Culture. The University of Montana (Missoula). Interdisciplinary
Studies Program, 1995.
Items L44 through L81 include printing plates from Linderman’s
businesses, publishing, and political campaigns and clothing worn by Linderman
and family members such as Masonic aprons and hats, vests, kimonos, and opera
gloves. It also includes a few items of memorabilia such as a cigarette holder
and a painting by Montana artist, Tom Moore.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Blackfeet parfleche, painted
rawhide , undated
|
| |
|
|
Blackfeet parfleche, painted
rawhide , undated
|
| |
|
|
Crow parfleche, painted rawhide
, undated
|
| |
|
|
Assiniboine war bull bonnet
, undated
|
| |
|
|
Blackfeet beaded strips from
leggings , undated
|
| |
|
|
Cheyenne beaded moccasins
, undated
|
| |
|
|
Cheyenne beaded moccasins
, undated
|
| |
|
|
Cree otter skin and eagle feather
collar , circa 1825-1885
|
| |
|
|
Blackfeet beaded strips from
shirt , undated
|
| |
|
|
Chippewa beaded leggings on blue
wool , undated
|
| |
|
|
Chippewa beaded vest , undated
|
| |
|
|
Blackfeet beaded belt with brass
studs , undated
|
| |
|
|
Cheyenne beaded baby moccasins
, undated
|
| |
|
|
Cheyenne war bonnet with beaded
band , undated
|
| |
|
|
Crow beaded armlets with shell
ornaments , undated
|
| |
|
|
Flathead women's beaded leggings
, circa 1900
|
| |
|
|
Assiniboine beaded legging strips
, undated
|
| |
|
|
Assiniboine eagle wing fan
, undated
|
| |
|
|
Blackfeet beaded leather pouch
, undated
|
| |
|
|
Blackfeet medicine bag, unborn
buffalo calf pouch , undated
|
| |
|
|
Chippewa beaded arm band
, undated
|
| |
|
|
Cree beaded deerskin pouch
, undated
|
| |
|
|
Cree wolf war bonnet , circa 1890
|
| |
|
|
Crow quilled armlets , undated
|
| |
|
|
Crow beaded knife scabbard
, undated
|
| |
|
|
Flathead fish line with horse
hair line and metal hook , circa 1885-1938
|
| |
|
|
Kootenai rattle, deerskin thongs
and hoofs , undated
|
| |
|
|
Kootenai shell bracelet
, undated
|
| |
|
|
Blackfeet sweet grass braid, undated
|
| |
|
|
Cheyenne berry necklace, undated
|
| |
|
|
Gros Ventre black stone pipe and stem, undated
|
| |
|
|
Kootenai flesher, made of moose horn, undated
|
| |
|
|
Kootenai flesher, made of elk horn, undated
|
| |
|
|
Sioux stone pipe bowl and stem, undated
|
| |
|
|
Blackfeet powder horn, buffalo horn, undated
|
| |
|
|
Cree hand ornament, buffalo hoof and beaded
stick, undated
|
| |
|
|
Crow rawhide rattle made of buffalo scrotum, undated
|
| |
|
|
Iroquois roach head with porcupine quills, undated
|
| |
|
|
Sioux red catlinite stone pipe and bowl, undated
|
| |
|
|
Cree hammer with rawhide handle, undated
|
| |
|
|
Kootenai back cradle of beaded deerskin, undated
|
| |
|
|
Blackfeet back rest, willow and sinew, undated
|
| |
|
|
Cree buffalo bonnet, circa 1885
|
| |
|
|
Cree women's buffalo hide saddle, circa 1900
|
| |
|
|
Four printer plates mounted on wood blocks, circa 1921
|
| |
|
|
Three printer plates, unmounted, circa 1921
|
| |
|
|
Cigarette holder in black case, undated
|
| |
|
|
Montana Savings Bank deposit stamp, undated
|
| |
|
|
Stone net sinker, undated
|
| |
|
|
Black hat with hatpin, circa 1940
|
| |
|
|
Black and white linen middy blouse, circa 1905
|
| |
|
|
White linen knickers, undated
|
| |
|
|
Black and white handmade women's swimsuit, circa 1915
|
| |
|
|
Burgundy red floral crepe kimono, undated
|
| |
|
|
Burgundy red floral silk kimono with lace
trim, undated
|
| |
|
|
Black crepe dress, circa 1936
|
| |
|
|
Beige button and buckle wool felt spats, circa 1917
|
| |
|
|
Off-white high collar net liner worn under a
blouse, undated
|
| |
|
|
Cream colored silk scarf, undated
|
| |
|
|
Dark green knit wool leggings, circa 1890
|
| |
|
|
Tan silk fabric from dress worn by Norma Linderman
Waller to the Governor's Ball in Helena, Montana, circa 1908
|
| |
|
|
Beige pleated chiffon collar tirmmed with
lace, undated
|
| |
|
|
Elbow length white lace opera gloves, undated
|
| |
|
|
Elbow length black lace opera gloves, undated
|
| |
|
|
Off-white and gold mesh high collar , 1895
|
| |
|
|
Black taffeta sash, circa 1910
|
| |
|
|
Pink taffeta sash, circa 1910
|
| |
|
|
Four crocheted baby hats, circa 1895
|
| |
|
|
Light blue and cream colored cotton Masonic
apron, circa 1920s
|
| |
|
|
Royal blue velvet, cream color fabric, and brocade
Masonic apron, circa 1920s
|
| |
|
|
French Canadian Voyageur Red River sash, undated
|
| |
|
|
Six printer plates, undated
|
| |
|
|
Black derby hat worn by Linderman for Eighth and Ninth
Montana legislatures, circa 1903
|
| |
|
|
Honorary 33rd degree Masonry hat, undated
|
| |
|
|
Wine felt Algeria Fez, undated
|
| |
|
|
"Pain" moccasins sent by Frank B. Linderman to his
eldest daughter, circa 1933
|
| |
|
|
Grey-blue vest with cinnamon colored velvet raised
design, undated
|
| |
|
|
Honorary doctorate hood from the University of
Montana, 1927
|
| |
|
|
Clothing worn by Linderman for Eighth and Ninth Montana
legislatures, circa 1905
|
| |
|
|
Glass fragment from the 8th Montana legislature's
clock, circa 1903
|
| |
|
|
Painting of Native American man by artist, Tom Moore,
Hamilton, Montana, undated
|
| |
Series X:
Accession 2000-42, 1901-2001
0.5 linear feet
This series includes a membership certificate, a few folders of
correspondence, a couple of writings by Linderman, miscellaneous notes,
personal accounts records, issues of his daughters’ high school’s newspapers,
yearbook and a few photos.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
National Geographic Society
membership certificate, 1929
|
| |
|
|
Carl Link, correspondence,
brochures, and photos, 1937-2001
|
| |
|
|
Prints by Carl Link,
signed, 1937-1938
|
| |
|
|
Handwritten copy of the
introduction to
Indian Why Stories, circa 1915
|
| |
|
|
A Calender of Historic Events in
the State of Montana (in 1913) by Frank B. Linderman, 1913
|
| |
|
|
Miscellaneous notes, circa 1904
|
| |
|
|
Miscellaneous
notebook, undated
|
| |
|
|
Two brochures about art exhibits
in Santa Barbara, California, including works of Charlie Russell, 1925-1927
|
| |
|
|
Check register, 1911-1912
|
| |
|
|
Cash accounts
notebook, 1901-1904
|
| |
|
|
Cash accounts
notebook, 1905-1911
|
| |
|
|
Accounting ledger, 1935-1937
|
| |
|
|
Helena Public Schools notebook
with lists of book titles and authors, undated
|
| |
|
|
The Nugget, a Helena High School publication,
Helena, Montana, 1910-1911
|
| |
|
|
The Nugget, a Helena High School publication,
Helena, Montana, 1912-1914
|
| |
|
|
The Vigilante, a Helena High School yearbook,
Helena, Montana, 1918
|
| |
|
|
Photos of steer hides with Teddy
Roosevelt's brand and one inscribed with a poem by Frank B.
Linderman, undated
|
| |
|
|
Miscellaneous photos and a
brochure, undated
|
| |
|
|
Two photos of Beaver Head, a
Flathead Indian, undated
|
| |
Series XI:
Accession 2001-11, 1886-1997
1.25 linear feet
This series includes a short story, four drafts of
Henry Plummer, and some miscellaneous items mostly
reflecting Linderman’s businesses, his social activities and interactions with
two other authors.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Subseries 1:
Writings
|
| |
|
|
"Boy and his Wife"
manuscript, undated
|
| |
|
|
Henry Plummer notes, letters, and
research, 1909-1998
|
| |
|
|
Henry Plummer, original typed manuscript, pages
1-180, circa 1922
|
| |
|
|
Henry Plummer, original typed manuscript, pages
181-364, circa 1922
|
| |
|
|
Henry Plummer, carbon copy, pages
1-180, circa 1922
|
| |
|
|
Henry Plummer, carbon copy, pages
181-364, circa 1922
|
| |
|
|
Henry Plummer, proof, pages vii-125, undated
|
| |
|
|
Henry Plummer, proof, pages 126-221, undated
|
| |
|
|
Henry Plummer, master copy with edits, pages
1-175, 1997
|
| |
|
|
Henry Plummer, master copy with edits, pages
176-358, 1997
|
| |
|
|
Subseries 2:
Miscellaneous
|
| |
|
|
Photos of Robber's
Roost, undated
|
| |
|
|
Stationery samples from Frank
B. Linderman's businesses and political campaigns, 1897-1920
|
| |
|
|
Germania Life Insurance
notebook, undated
|
| |
|
|
Two Germania Life Insurance
notebooks stamped with "Frank B. Linderman, State Agent, Helena,
Mont.", circa 1921
|
| |
|
|
Burgundy leather notebook with
scattered notes, undated
|
| |
|
|
Frank B. Linderman, National
Bank of Montana account book, 1910-1914
|
| |
|
|
Webster notebook with
handwritten notes about Latin vocabulary words, undated
|
| |
|
|
Andrew's Souvenir, Facts and
Figures Selected from "Look Within", 1886
|
| |
|
|
Standard Monitor of the Grand Lodge of Ancient, Free,
and Accepted Masons of Montana, inscribed by Frank B.
Linderman, undated
|
| |
|
|
Constitution, House Rules, Officers and Members of The
Montana Club of Helena, Montana, 1910
|
| |
|
|
The Battle of the Little Big Horn by Wallace
David Coburn with a note from Coburn to Linderman and a photo of the two
men, circa 1936
|
| |
|
|
The Making of Maryland by Elmer Green with a
note from Green to Linderman, 1934
|
| |
|
|
Two views of pueblos near
Hualpi, Arizona, done by Butte photographer Wittick, circa 1908
|
| |
Series XII:
Accession 2005-16, 1927-2005
1.5 linear feet
This series includes drafts of
Big Jinny published in 2005,
Henry Plummer published in 2000, and
The Iron Shirt published in 2004. It also includes a
small amount of research materials and copies of two letters regarding
The Iron Shirt, one from Charles M. Russell and one
from Charles Scribner’s Sons. Some of the drafts list names of the Linderman
family members who contributed to the editing process, including Linderman
himself, his daughters, Wilda and Verne, his granddaughter, Sarah Waller
Hatfield, and her husband, Robert G. Hatfield.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Big Jinny, typed manuscript, undated
|
| |
|
|
Big Jinny, typed manuscript, 1927
|
| |
|
|
Big Jinny, typed manuscript with color
illustrations by Elizabeth Lochrie, undated
|
| |
|
|
Henry Plummer, typed manuscript with editing,
pages 1-149, undated
|
| |
|
|
Henry Plummer, typed manuscript with editing,
pages 150-363, undated
|
| |
|
|
The Iron Shirt, handwritten manuscript, pages
1-80, undated
|
| |
|
|
The Iron Shirt, handwritten manuscript, pages
81-160, undated
|
| |
|
|
The Iron Shirt, handwritten manuscript, pages
161-235, undated
|
| |
|
|
The Iron Shirt, first typed draft, pages
1-275, undated
|
| |
|
|
The Iron Shirt, second typed draft, pages
1-211, undated
|
| |
|
|
The Iron Shirt, third draft, computer print out,
pages 1-215, undated
|
| |
|
|
The Iron Shirt, final draft, computer print out,
pages 1-216, undated
|
| |
|
|
Two letters regarding
The Iron Shirt, 1918-1927
|
| |
|
|
Research for
The Iron Shirt, undated
|
| |
Series XIII:
Accession 2006-27, 1904-2001
1.0 linear feet
This series includes correspondence regarding
American, The Life Story of Plenty-Coups, Chief of the
Crows;
Big Jinny;
Indian Why Stories;
Indian Old Man Stories;
Wolf and the Winds;
Quartzville and
Recollections of Charley Russell. The series also
holds some unpublished Indian legend manuscripts like those included in
Indian Why Stories, notes about stories related in
Montana Adventure, reviews of
American, The Life Story of Plenty-Coups, Chief of the
Crows, and a miscellaneous assortment of photos of the Lindermans and
family friends.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Subseries 1:
Correspondence
|
| |
|
|
Correspondence regarding
American, The Life Story of Plenty-Coups, Chief of the
Crows, 1945-2001
|
| |
|
|
Correspondence regarding
copyright infringement and
American, The Life Story of Plenty-Coups, Chief of the
Crows, 1963-1965
|
| |
|
|
Balfour, A.M.
("Shorty"), 1921-1924
|
| |
|
|
Correspondence regarding
Big Jinny, 1904-1937
|
| |
|
|
Correspondence regarding
Big Jinny, 1938-2003
|
| |
|
|
Correspondence from David C.
Andrews of the Piegan Storyteller James Willard Schultz Socienty, 1983-1985
|
| |
|
|
Brian Dipple correspondence
regarding biography of Linderman and other writings, 1979-1996
|
| |
|
|
Dyck, Paul, 1972-1985
|
| |
|
|
Correspondence regarding
Indian Why Stories: Sparks from War Eagle's Lodge
Fire, 1916-1970
|
| |
|
|
Dean Edward Johnson art,
correspondence, photographs, and articles, 1980-1990
|
| |
|
|
Poindexter, Everton George and
Helen Poindexter, 1918-1941
|
| |
|
|
Handwritten draft of letter to
Charles Russell regarding illustrations for
Indian Old Man Stories, 1919
|
| |
|
|
Western Union wire from
Linderman to Charles Scribner's Sons regarding Charles Russell and other
possible illustrators for
Indian Old Man Stories, 1919
|
| |
|
|
Correspondence regarding
More Kootenai Stories, 1940
|
| |
|
|
Correspondence with Mountain
Press Publishing Company regarding
Quartzville, 1983-2000
|
| |
|
|
Rankin, James B., 1936-1942
|
| |
|
|
Correspondence regarding
Recollections of Charley Russell, 1954-1963
|
| |
|
|
Correspondence regarding
Wolf and the Winds, 1937-1988
|
| |
|
|
Miscellaneous correspondence
with publishers, 1936-1962
|
| |
|
|
Subseries 2:
Writings
|
| |
|
|
Handwritten manuscript of "Why
Children Lose their Teeth," an Indian legend published on page 37-48 of
Indian Old-Man Stories, undated
|
| |
|
|
Handwritten manuscript of "Why
Our Sight Fails with Age," an Indian legend published on pages 27-34 of
Indian Old-Man Stories, undated
|
| |
|
|
Handwritten manuscript of "Why
the Weasel is White," an Indian legend published on page 59-68 in
Indian Old-Man Stories, undated
|
| |
|
|
Six unrelated handwritten lines
beginning "…birds in lodge" followed by manuscript titled "Chickadees" later
published as "How the Ducks Got Their Fine Feathers" on pages 17-23 of
Indian Why Stories, undated
|
| |
|
|
Handwritten manuscript pages
from "How the Ducks Got Their Fine Feathers" published on pages 17-23 of
Indian Why Stories, undated
|
| |
|
|
Handwitten manuscript of "Old
Man's Treachery" published as page 121 of
Indian Why Stories, undated
|
| |
|
|
Untitled manuscript although
berry story became part of "Why Indians Whip Buffalo Berries from the Bushes"
published on pages 178-197 of
Indian Why Stories, undated
|
| |
|
|
Handwritten notes for Baker's
Battle at Marias and Battle of Cypress Hills,
Montana Adventure, undated
|
| |
|
|
Handwitten notes about Slippery
Springs,
Montana Adventure, undated
|
| |
|
|
Handwritten notes about buying
the Sheridan County Chinook newspaper in 1887,
Montana Adventure, undated
|
| |
|
|
Handwritten notes about
Yellowstone Expedition of 1863 as told to Linderman around 1889,
Montana Adventure, undated
|
| |
|
|
Introductory ad for
Wolf and the Winds, 1986
|
| |
|
|
Introduction to
Wolf and the Winds by Hugh A.
Dempsey, 1986
|
| |
|
|
"Frozen Water" manuscripts,
later in
Wolf and the Winds, undated
|
| |
|
|
Notes for unpublished Indian
legend titled "Coyote and Trout", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Deer's Tail", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Greedy SkinKoots", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "How the Fox Held the Big Rock", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Fire" or "How the Frog Woman Saved Fire", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "How the Frog Woman Saved Fire", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "How the Mountain Rat Got His Bad Smell", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Kootenaba", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Skinkoots", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Skintoots and Bluejay", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Skintoots and the Clouds", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Skintoots and Prairie Chickens", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Skintoots Marrying First", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Why the Beaver's Tail is Flat", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Why the Squirrel is White Around the Eyes", circa 1925
|
| |
|
|
Notes for unpublished Indian
legend titled "Why Whitefish…", circa 1925
|
| |
|
|
Notes for various unpublished
Indian legends, undated
|
| |
|
|
Subseries 3:
Miscellaneous
|
| |
|
|
Reviews of
American, The Life Story of Plenty-Coups, Chief of the
Crows, 1930
|
| |
|
|
Photos of Frank Bird Linderman,
Norma Linderman and Andrew M. Balfour, circa 1920
|
| |
|
|
Scrapbook of family friends
including the Poindexters, Irene Budd, Julia Edgerton, Gretchen Horton, Ted
Burgess and Archie Bray, undated
|
| |
Series XIV:
Accession 2007-24, 1893-1999
1.5 linear feet
This series includes a small group of correspondence some of
which is from or related to O.M. Lanstrum, the contract doctor for the Drum
Lummon Mine in Marysville, Montana. Also included are drafts of stories
published in
Fur, Gold and Grass;
Indian Why Stories;
Old Man Coyote;
Quartzville, and some serial publications and drafts
of unpublished stories, some Marysville mining stories intended for a
publication tentatively titled "The Doctor and I Stories." The series also
holds materials related to the provenance and research for a Kentucky Rifle
purported to have belonged to Captain William Clark, a few photos, and some
issues of the Helena High School newspaper,
The Nugget.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Subseries 1:
Correspondence
|
| |
|
|
Letter from Dr. O.M.
Lanstrum, 1919
|
| |
|
|
Correspondence, photo,
clippings and other information regarding Dr. O.M. Lanstrum, 1910-2006
|
| |
|
|
Letters to Wilda and Verne
Linderman from Charles Rann Kennedy, 1938-1939
|
| |
|
|
Letter to Verne Linderman from
Ethel Bret Harte, 1956
|
| |
|
|
Subseries 2:
Writings
|
| |
|
|
"Fur" manuscript for
Fur, Gold and Grass, undated
|
| |
|
|
"Gold" manuscript for
Fur, Gold and Grass, undated
|
| |
|
|
"Grass" manuscript for
Fur, Gold and Grass, undated
|
| |
|
|
Fur, Gold and Grass edits, memo and
letter, circa 1937
|
| |
|
|
"The Coyote Person Makes the
World" published in
Indian Why Stories, undated
|
| |
|
|
"Oldman and the Pin-Tail
Grouse" published in
Old Man Coyote, undated
|
| |
|
|
"The Stone Medicine Arrows and
Lost Boy" published in
Old Man Coyote, undated
|
| |
|
|
"Meeting Plenty Coups" first
published in the 2002 edition of
American which was retitled
Plenty Coups, Chief of the Crows, circa 1893
|
| |
|
|
Outline and manuscript for
"Bessie", published in
Quartzville, circa 1921
|
| |
|
|
"Bill Taylor and Jack Williams
Caught in a Snow Storm" published in
Quartzville, undated
|
| |
|
|
Outlines and manuscripts for
"Bronco Liz" and "The Call of the Greenhorn," published in
Quartzville, circa 1921
|
| |
|
|
"The Killing in Keep Cool" and
"The Kratke Mystery" published in
Quartzville, circa 1921
|
| |
|
|
Outlines and manuscripts for
"Lousey Hank" and "Lousy Hank," published in
Quartzville, circa 1921
|
| |
|
|
Outline and manuscript for "Man
from England," published in
Quartzville, circa 1921
|
| |
|
|
"Luck" manuscript published in
American Legion Monthly as "A Little Flyer in
Wool", February 1938, circa 1921
|
| |
|
|
"A Dog's Life" published in
The Frontier, 1930
|
| |
|
|
Manuscripts published in the
Masonic Bulletin, undated
|
| |
|
|
"Charley Russell, Cowboy
Artist" manuscripts, published in
The Outlook, 1927
|
| |
|
|
"Bashful Peebles"
manuscripts, undated
|
| |
|
|
"Bill Bailey" outline and
manuscripts, circa 1927
|
| |
|
|
"Chicken"
manuscripts, undated
|
| |
|
|
"The Crew of the Tuscan"
synopsis and manuscripts, circa 1920
|
| |
|
|
"Dirty Dick and Samson, a
Cowboy Bible Story" manuscripts, undated
|
| |
|
|
"A Foot Race on the Flathead"
manuscripts, circa 1900
|
| |
|
|
"Highgraders"
manuscripts, circa 1921
|
| |
|
|
"The Hypnotist"
manuscripts, undated
|
| |
|
|
"Idioma"
manuscripts, undated
|
| |
|
|
"The Killing of Red Rannaghan"
manuscripts, undated
|
| |
|
|
"A Matter of Distinction"
intended for inclusion in "Doctor and I Stories," outline and
manuscripts, circa 1924
|
| |
|
|
"Maverick Money"
manuscripts, undated
|
| |
|
|
"Partners," "The Partners," and
"The Secret of Keep Cool," same story with different titles intended for
inclusion in "Doctor and I Stories," outline and manuscripts, circa 1921
|
| |
|
|
"Pete Hardy and Rocket" outline
and manuscripts, circa 1921
|
| |
|
|
"Poker, Ponies and A Girl"
manuscripts, undated
|
| |
|
|
"Rattlesnake Jake and Charley
Fallon" manuscripts , undated
|
| |
|
|
"Ruse at Empire" outline and
manuscripts, circa 1921
|
| |
|
|
"Sale of Hidden Treasure Mine"
manuscripts, undated
|
| |
|
|
"Silver Shoes"
manuscript, undated
|
| |
|
|
"A Sneak Lead"
manuscripts, undated
|
| |
|
|
"The Stranger" intended for
inclusion in "Doctor and I Stories," outline and manuscripts, circa 1921
|
| |
|
|
"Swede Sam's Luck" and "Swede
Slim's Luck," same story with different titles intended for inclusion in
"Doctor and I Stories,", outline and manuscripts, circa 1921
|
| |
|
|
"Yong Sing" outline and
manuscripts, circa 1921
|
| |
|
|
Subseries 3:
The Kentucky Rifle
|
| |
|
|
Materials related to provenance
and research about the Kentucky Rifle purported to have belonged to Captain
William Clark (Inventory pages 1-4), 1919-1999
|
| |
|
|
Materials related to provenance
and research about the Kentucky Rifle purported to have belonged to Captain
William Clark (Inventory pages 5-7), 1905-1998
|
| |
|
|
Materials related to provenance
and research about the Kentucky Rifle purported to have belonged to Captain
William Clark (Inventory pages 8-13) , 1992-1998
|
| |
|
|
Materials related to provenance
and research about the Kentucky Rifle purported to have belonged to Captain
William Clark (Inventory pages 14-19) , 1998-1999
|
| |
|
|
Slides of many details of the
Kentucky Rifle, undated
|
| |
|
|
Subseries 4:
Miscellaneous
|
| |
|
|
Schnitzmeyer photography of
"The Narrows," Flathead Lake, Montana, 1921
|
| |
|
|
Taylor photograph of the public
school in Sheridan, Montana, undated
|
| |
|
|
Helena Montana High School
newspaper
The Nugget, volume 13, number 1, 1917
|
| |
|
|
Helena Montana High School
newspaper
The Nugget, volume 13, number 3, 1918
|
| |
|
|
Helena Montana High School
newspaper
The Nugget, volume 13, number 5, special
edition, 1918
|
| |
|
|
"Crow Legend for Lodge Lining
and Spring Boy" and "The Twin Boys," Wilda J. Linderman's revisions of stories
by Frank B. Linderman, undated
|
| |
Series XV:
Accession 2008-33, 1905-1954
0.7 linear feet
This series includes unpublished stories, many written around
1905, and some stories published in a Montana newspaper, the
Whitefish Pilot, and in a University of Montana
literary journal,
The Frontier and Midland. It also includes a story
written by a friend, a review, a couple of letters, and two photos.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Subseries 1:
Writings
|
| |
|
|
"Brinkman and Joe Butch Set
Afoot in 1873 in the Teton" manuscript, undated
|
| |
|
|
"Brinkman's Horse Stealing and
Buffalo Jumping Over Him" manuscripts, undated
|
| |
|
|
"Did You Ever Look Right into
the Muzzle of a Cocked '45?" manuscripts, undated
|
| |
|
|
"Dutch Fred and Spanish Joe"
manuscripts, undated
|
| |
|
|
"A Fishing Story" and two
"Uncle Billy Sayings" manuscripts, 1905
|
| |
|
|
"A Fish Story on Camas Creek"
manuscripts, undated
|
| |
|
|
"Hank Stanford Telling about
Being in Whoop-Up Country" manuscripts, undated
|
| |
|
|
"How Badly Have You Been
Scared" manuscripts, undated
|
| |
|
|
"It's a Winchester, Model 1886"
manuscripts, undated
|
| |
|
|
"Jim and the Burro" manuscripts
based on "Jimmy Stoner Jackass" by Jack Monroe" , undated
|
| |
|
|
"Lafe Turner and Suzette"
manuscripts, undated
|
| |
|
|
"Learning a Trapper's and
Hunter's Art" autobiographical manuscripts, undated
|
| |
|
|
"Mike, Stories of a Trapper's
Dog" manuscript with handwritten edits, undated
|
| |
|
|
"Mike, Stories of a Trapper's
Dog" manscripts, undated
|
| |
|
|
"Missions"
manuscripts, 1905
|
| |
|
|
Mounted police story
idea, undated
|
| |
|
|
"My Old Kentucky and other
Rifles" original manuscript with handwritten edits by H.G. Merriam and Norma L.
Waller, undated
|
| |
|
|
"My Old Kentucky and other
Rifles" manuscripts, undated
|
| |
|
|
"Piegan Jack Tells a Story"
manuscripts, undated
|
| |
|
|
"The Pinto Cayuse"
manuscripts, circa 1905
|
| |
|
|
"Spitzer Calvary and Royal
Mounted Police at Fort Hamilton, Whoop-Up Trail Post" manuscripts, undated
|
| |
|
|
"Strikin' It Big"
manuscript, circa 1905
|
| |
|
|
"A Thoroughbred"
manscripts, circa 1905
|
| |
|
|
"Uncle Billy as an Expert"
manuscript, circa 1905
|
| |
|
|
"Uncle Billy's Cabin and 65
Years Gatherin'" and "Merits of Arbitration" manuscripts, circa 1905
|
| |
|
|
"Uncle Billy's Blacksmith Shop"
manuscripts, circa 1905
|
| |
|
|
"Uncle Billy on Mournful
Fellows" manuscripts, circa 1905
|
| |
|
|
"Yankee Bar"
manuscripts, circa 1905
|
| |
|
|
"The Highlanders" published in
Quartzville, undated
|
| |
|
|
"The Bogie in the Box"
published in
The Frontier, 1931
|
| |
|
|
"Christmas in a Blizzard"
manuscripts with Joe De Yong illustrations, published in the
Whitefish Pilot, 1916
|
| |
|
|
"Partners" (Red Abbott et. al.)
manuscripts, published in
The Frontier and Midland, 1933
|
| |
|
|
"Partners (Black George)"
manuscripts published in
The Frontier and Midland, 1934
|
| |
|
|
"The Story of the Magical Key"
manuscript published in the
Whitefish Pilot, 1916
|
| |
|
|
"Through a Telescope"
manuscripts published in
The Frontier, 1931
|
| |
|
|
"Two Anecdotes (Strange
Companions)" manuscripts published in
The Frontier, 1928
|
| |
|
|
Subseries 2:
Writings by Others
|
| |
|
|
"Jimmy Stoner Jackass"
manuscripts by Jack Monroe, undated
|
| |
|
|
"A Whoop-Up Country Preview" by
Paul F. Sharp, published in
Montana: The Magazine of Western
History, 1954
|
| |
|
|
Subseries 3:
Miscellaneous
|
| |
|
|
Henry Stanford stories, letter,
and obituary, 1918-1944
|
| |
|
|
Envelope addressed from
Linderman to Herbert M. Stoops, undated
|
| |
|
|
Panoramic photo of group of
people on the bank of Flathead Lake, near Polson Point of Rock,
Montana, circa 1915
|
| |
|
|
Taylor photograph of Helena
High School graduating class, Verna Linderman is fifth from the left in the
second row, 1915
|
| |
Series XVI:
Accession 2011-40, 1916-1936
1 linear feet
This series includes notes, drafts, lectures, letters, poems,
published and unpublished stories, legends and copies of articles. The subjects
are various aspects of Native American life for tribes including Crow,
Flathead, Gros Ventre, Kootenai, Sioux, Blackfeet/Piegan, Chippewa, and Cree.
Most of the original materials were written by Frank Bird Linderman but a few
are written by his daughters, Wilda J. Linderman and Verne Bird Linderman.
|
| |
| |
Container(s)
|
Description
|
| |
|
|
Subseries 1:
Miscellaneous notes and
writings
|
| |
This sub-series includes Crow, Flathead, Gros Ventre, Kootenai,
and Sioux related stories, lectures, legends, poems, and letters by Frank Bird
Linderman and his daughters, Wilda J. Linderman and Verne Bird Linderman from
around 1920-1936.
|
| |
|
|
Preface to The Passing
Americans, undated
|
| |
|
|
Stone Arrow Point
Makers, 1936
|
| |
|
|
Picture Writing on Rocks
Throughout Montana, 1931
|
| |
|
|
Stone Piles in
Northwest, 1934
|
| |
|
|
The Other People, 1934
|
| |
|
|
The Indian's Bow and
Arrow, circa 1931
|
| |
|
|
His Wealth, undated
|
| |
|
|
"Indian Girls" poem by Verne
Linderman, circa 1921
|
| |
|
|
Last Indian address/speech
given by Linderman, circa 1929
|
| |
|
|
"On the Passing of the North
American Indian," poem by Verne Linderman, undated
|
| |
|
|
Pipe Ceremony, 1929
|
| |
|
|
Sign Language, 1933
|
| |
|
|
Erecting a Teepee, circa 1928
|
| |
|
|
Name of the Almighty Among the
Indians, circa 1930
|
| |
|
|
God Making the
World, undated
|
| |
|
|
The Indians' Twenty-third Psalm
Translation, undated
|
| |
|
|
How I Got the Storeis of Plenty
Coups and Pretty Shield, circa 1935
|
| |
|
|
Tobacco Seed and Tobacco Seed
Planting Notes, undated
|
| |
|
|
Chief Plenty Coups "thumb
print" signed leter to Linderman, circa 1929
|
| |
|
|
Quoted from Carson-Cornish,
Founders of Freedom in America. Crow Chief
Plenty Coups statement at the Tomb of the Unknown Soldier, 1921
|
| |
|
|
Pretty Shield's Sun Dance
Story, 1934
|
| |
|
|
How Flathead Indians Got Their
Horses, 1937
|
| |
|
|
Billy Bent Looks and
Listens, undated
|
| |
|
|
Billy Bent and the Shadow
People, undated
|
| |
|
|
Billy Bent and Good Voice and
the Echo People, published in
Indian Old Man Stories, 1920
|
| |
|
|
Walks Backward's Henry Rifle
(brother of Good Voice), undated
|
| |
|
|
Skintoots and More Kootenai
Legends, drafts and correspondence, undated
|
| |
|
|
Sioux Indian stories "Ever Hear
of Red Cloud?", 1931
|
| |
|
|
Subseries 2:
Blackfeet/Piegan
Stories
|
| |
This sub-series includes Blackfeet/Piegan stories written by
Frank Bird Linderman around 1900-1938.
|
| |
|
|
Memo regarding Sept. 26, 1895
sale of Blackfeet Indian mountain lands , undated
|
| |
|
|
Poem titled "Countless Snows
the Oldman Wandered", undated
|
| |
|
|
Oldman and Whiteman, undated
|
| |
|
|
Napa Kills the Toad, undated
|
| |
|
|
Why Ducks and Geese Shed
Feathers, undated
|
| |
|
|
Why All Mice Look
Alike, undated
|
| |
|
|
Why Skunk is Striped and Has a
Bad Smell, undated
|
| |
|
|
Napa Kills Fish-Thing
People, undated
|
| |
|
|
Oldman Turns into a
Swan, undated
|
| |
|
|
Untitled Notes a) Great Spirit
Manitou Got Angry at Oldman and b)Pinto Horse, undated
|
| |
|
|
Untitled Notes c) About Owls,
Butterflies and Eagles, undated
|
| |
|
|
Untitled Notes d) Shooting
Stars and e) Spirit that was Rock, undated
|
| |
|
|
Night Friend and
Two-Fires, undated
|
| |
|
|
Winds at Gunsight Pass and Why
Chipmunk's Back is Striped, undated
|
| |
|
|
Last Buffalo Skin
Lodge, undated
|
| |
|
|
Listen!, undated
|
| |
|
|
Aisomoye, undated
|
| |
|
|
Broken-Nose, undated
|
| |
|
|
Out of the North, undated
|
| |
|
|
Piegan Marriage Ceremony in the
Old Days, undated
|
| |
|
|
Pecunnie Names of the Months of
the Year, undated
|
| |
|
|
Subseries 3:
Chippewa and Cree
Stories
|
| |
This sub-series includes lectures and Chippewa and Cree stories,
legends and customs told to Frank Bird Linderman by Chippewa Medicine men, Full
of Dew and Big Rock, Chippewa Chief Rocky Boy, and Cree Chief Little Bear from
1916-1935.
|
| |
|
|
My Injins, the Chippewa and
Cree, speech, 1924
|
| |
|
|
The Red Men of Montana's
Mountains and Plains, speech , 1935
|
| |
|
|
"Manitou God of the Red Men,"
featured in
Great Falls Leader, 1916
|
| |
|
|
Handwritten Chippewa Story
Notes, told to Linderman by Chippewa Medicine Man Big Rock, 1916
|
| |
|
|
Handwritten Chippewa Story
Notes, told to Linderman by Chippewa Medicine Man Big Rock, 1916
|
| |
|
|
Legends, Stories, Facts and
Preliminary drawing of Chippewa Pipe Ceremony as told to Linderman by Chippewa
Medicine Man Big Rock, 1916
|
| |
|
|
Handwritten Storie Notes as
told to Linderman by Chippewa Medicine Man Full of Dew, undated
|
| |
|
|
Handwritten notes about a
crossbow as told to Linderman by Chippewa Medicine Man Full of Dew, undated
|
| |
|
|
"The Chippewa Crossbow,"
published in
Frontier & Midland, 1931
|
| |
|
|
Chippewa Chief Rocky Boy Story
#1, undated
|
| |
|
|
Chippewa Chief Rocky Boy Story
#2, undated
|
| |
|
|
Chippewa Chief Rocky Boy Story
#3, undated
|
| |
|
|
Pete Baker and about Chippewa
Chief Rocky Boy, undated
|
| |
|
|
"Who Was this Soldier Chief"
published in
The American Legion Magazine, 1934
|
| |
|
|
Cree Chief Little Bear's Story
of His Great Grandfather, undated
|
| |
|
|
Cree Chief Little Bear's
Opinion of What Becomes of All People, and All Animal Kind, undated
|
| |
|
|
What Cree Chief' Little Bear's
Dad Did, undated
|
| |
|
|
Left Hand (Cree) - Master
Liar, undated
|
| |
|
|
Pete LeBeau, undated
|
| |
|
|
Crooked Horns Talks to Buffalo
Bones a) Little Shell, undated
|
| |
|
|
Crooked Horns Talks to Buffalo
Bones b) Little Shell, undated
|
| |
|
|
Crooked Horns Talks to Buffalo
Bones c) Aged Indian Talks to Buffalo Bones , undated
|
| |
|
|
Crooked Horns Talks to Buffalo
Bones, undated
|
| |
|
|
The Rocky Boy
Renegades, undated
|
|