Overview of the Collection
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Repository Name:
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University of Oregon Libraries
Special Collections & University Archives
1299 University of Oregon
Eugene, OR 97403-1299 USA
URL: http://libweb.uoregon.edu/speccoll/index.html
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Collection Number:
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Ax 533
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Creator:
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Meltzer, Milton, 1915-
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Title:
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Milton Meltzer Papers
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Dates:
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1955-1973 (inclusive)
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Quantity:
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17 linear feet
12 containers
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Languages:
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Collection materials are in
English.
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Summary:
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Milton Meltzer (May 8, 1915- ) held many positions in his life, varying from working in public relations to lecturing and working as a full-time writer.
Collection comprises primarily literary manuscripts and correspondence related to Milton Meltzer's work as an author and editor of books for children and young people on American history, particularly African American history.
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Biographical Note
Milton Meltzer (May 8, 1915- ) was born in Worcester, Massachusetts to Benjamin and Mary (Richter) Meltzer. He wed Hilda Balinky on June 22, 1941 and they had two daughters.
Meltzer received his education at Columbia University from 1932-1936. He was a member of the Author’s Guild, Author’s League of America, PEN, and Organization of American Historians.
During his career Meltzer held positions in public relations for the staff of Henry A. Wallace for President, and Pfizer. He was also an editor for Science and Medicine Publishing Co. Inc., and a consulting editor for Thomas Y. Crowell Co., Doubleday and Co. Inc., and Scholastic Book Services. Meltzer was also a writer for Federal Theater Project of the Works Project Administration and Columbia Broadcasting Inc. Meltzer was also an account executive for the Medical and Pharmaceutical Information Bureau. He was also a full time writer of books. Meltzer was an adjunct professor at the University of Massachusetts, Amherst and a lecturer at universities in the United States and England, as well as professional meetings and seminars. Meltzer also wrote films and filmstrips. He served in the air force branch of the military and became a sergeant.
Content Description
The collection contains several manuscripts and correspondence reflecting Meltzer's writing career. For several of the manuscripts the correspondence for a particular work is included in the collection of folders holding a particular manuscript. There is a separate series for correspondence that does not pertain to a particular work.
Arrangement
Collection is organized into the following series: Manuscripts; Correspondence; and Manuscripts.
Administrative Information
Acquisition Information Gift of Milton Meltzer in 1969.
Use of the Collection
Restrictions on Access Collection is open to the public.
Collection must be used in Special Collections and University Archives Reading Room.
Restrictions on Use Property rights reside with Special Collections & University Archives, University of Oregon Libraries.
Copyright resides with the creators of the documents or their heirs.
All requests for permission to publish or quote from manuscripts must be submitted to the
Manuscripts Librarian in Special Collections & University Archives. The
reader must also obtain permission of the copyright holder.
Preferred Citation [Identification of item], Milton Meltzer Papers, Ax 533, Special Collections and University Archives, University of Oregon Libraries, Eugene, Oregon.
Subjects
This collection is indexed under the following headings in the online
catalog. Researchers desiring materials about related topics, persons, or
places should search the catalog using these headings.
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| Meltzer, Milton, 1915---Correspondence |
| African Americans--History--Juvenile literature |
| Authors, American--20th century |
| Young adult literature, American--Authorship |
| Other Creators : |
| Bontemps, Arna Wendell, 1902-1973 (contributor) |
| Hughes, Langston, 1902-1967 (contributor) |
| Rapoport, Bernard, 1917- (contributor) |
Detailed Description of the Collection
The following section contains a detailed listing of the materials in
the collection.
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Manuscripts
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Container(s)
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Description
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Dates
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Black Magic, A Pictorial History of the Negro in American Entertainment, Langston Hughes, Milton Meltzer, Prentice Hall
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1967 |
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Final draft, carbon with holograph revisions
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Correspondence
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196 letters and notes; also 12 letters
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Langston Hughes
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Incoming
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Outgoing
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Miscellaneous
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In Their own Words, A Treasury of Negro History, Crowell, edited by Milton Meltzer
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1964-1965 |
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Manuscript, Volume 1, carbon manuscript with holograph corrections 186 p.
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Notes
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Miscellaneous
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Proposal for a book
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Correspondence (5 letters)
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Clippings
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Other materials
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Notes
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Manuscript, Volume 2, 202 p.
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Volume 3
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Notes and letters 68 p.
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Manuscript: Harlem Reconsidered, Memories of my Native Land, by Loften Mitchell, carbon 23 p.
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Miscellaneous materials
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Langston Hughes, a Biography, Crowell
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1968 |
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First draft, original typed copy with holograph revisions (red pencil), and Milton Meltzer 167 p.
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Draft was revised completely after the death of Langston Hughes in 1967.
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Revised first draft, carbon 186 p.
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Final draft 234 p.
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A Light in the Dark, the Life of Samuel Gridley Howe, Crowell
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1964 |
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First draft, holograph revisions, original typed 206 p.
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Miscellaneous
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Notes
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Bibliography
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Outlines
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Correspondence (23 letters)
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Clippings
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Tearsheets
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Mark Twain Himself, A Pictorial Biography, produced by Milton Meltzer, Crowell
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1960 |
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Bills and receipts
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Correspondence
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Miscellaneous
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Notes
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Picture research
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Permissions
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Publicity, includes manuscript for speech 19 p. For article for Publisher’s Weekly 7 p.
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Correspondence
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Correspondence
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Folders 16 and 17 have some miscellaneous materials
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Pictorial History of the Negro in America, Milton Meltzer and Langston Hughes
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Correspondence (165 letters)
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Manuscript revisions
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Correspondence: Arna Bontemps (78 letters)
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1953-1955 |
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Correspondence: Crown Publishers (38 letters)
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1956-1958 |
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Correspondence: Langston Hughes (8 letters)
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1956-1966 |
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Correspondence: C. Eric Lincoln (8 letters)
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1968 |
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Holograph manuscript
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Manuscript fragments edited by C. Eric Lincoln
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Miscellaneous
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Notes
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Biographical data
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Research materials
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Bills and receipts
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Correspondence
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Thaddeus Stevens and the Fight for Negro Rights, Crowell
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1967 |
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First draft, original typed copy with holograph revisions 212 p.
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Carbon of final version 197 p.
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Notes
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Correspondence (8 letters)
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A Thoreau Profile, Walter Harding and Milton Meltzer, Crowell
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1962 |
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Correspondence
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Notes
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Miscellaneous items
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Thoreau: People, Principles and Politics, Hill and Wang
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1963 |
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Notes
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Correspondence
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Time of Trial, Time of Hope, the Negro in America 1919-1941, Milton Meltzer and August Meier, Doubleday
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1966 |
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First draft with holograph revisions 91 p.
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Original manuscript with author’s holograph revisions 112 p.
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Carbons, 2 copies, one corrected
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Correspondence
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Notes
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Tongue of Flame, Lydia Maria Child, a Biography
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1965 |
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Revised manuscript, two carbon copies, one with editor’s queries 197 p.
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First draft, original manuscript, typed copy with holograph revisions 196 p.
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Correspondence
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Container(s)
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Description
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Dates
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Correspondence
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1956-1967 |
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Correspondence
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1968-1970 |
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Incoming: A-L
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Incoming: M-Z
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Incoming: Crowell, Thomas Y. and Co.
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Incoming: Follett Publishing Co.
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Incoming: Langston Hughes
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Incoming: Knopf, Alfred A. Inc.
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Incoming: Rapoport, Bernard
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Manuscripts
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Container(s)
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Description
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Dates
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Bread and Roses, Knopf, New York
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1967 |
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Synopsis
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First draft, holograph pages
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Worker outline, typed 6 p.
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Miscellaneous
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Brother Can You Spare a Dime?
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Outline notes, holograph
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First draft, holograph
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Second draft, typed
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Third draft, typed
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Fourth draft, photocopy of manuscript
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Manuscript fragments, some typed, some photocopy, with holograph revision
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Miscellaneous
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Freedom Comes to Mississippi
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First version
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First draft
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Second draft
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First version, fragment, typed
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Third draft, typed
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Final draft, typed
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Second version: first draft, holograph 92 p.
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Second version: second and third drafts, holograph revisions 87 p.
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Second version: forward, fourth draft, fragments, typed
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Miscellaneous
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Langston Hughes
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Sketch
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Prologue, typed
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Draft 1, holograph
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Draft 1, holograph
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Draft 2, holograph 80 p.
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Draft 2, holograph
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Carbon and Xerox draft
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Notes
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Letter
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Chapter outlines, holograph
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Correspondence, photocopies
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Articles and poetry
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Columns
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Biographical and research material
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Reviews
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Interview notes, some typed with holograph revisions, some holograph
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Miscellaneous
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Margaret Sanger
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First draft, some holograph revisions
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First draft, holograph, one typed page
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First draft, holograph
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Holograph notes
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Fragments, typed with holograph revisions
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Second draft, typed 147 p.
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Miscellaneous
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Slavery Volume 1
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First draft, holograph
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First draft, holograph
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Second draft 143 p.
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Third draft, typed with holograph revisions 147 p.
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Fourth draft, typed 186 p.
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Fifth draft, typed with holograph notes 19 p.
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Some photocopied pages
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Fragments
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Illustration notes
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Miscellaneous
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Slavery Volume 2, Cowles Book Company Inc., New York
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First draft, holograph
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First draft, holograph with one typed page
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Second draft
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Notes
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Illustration notes, some typed, some holograph
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Publicity
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Background material
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Background material
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To Change the World
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Notes, holograph
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First draft, holograph
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Second draft, typed
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Third draft
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Fourth draft
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Fragments
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Fifth draft
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Galleys
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Who Look at Me?, by June Meyer
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Synopsis
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Art intro
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Poem
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Biographies
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Galleys
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Illustration lists, typed and holograph pages
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Illustration permissions
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Background material
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Bread and Roses
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Late draft, typed 168 p.
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Brother Can You Spare a Dime?
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Printers copy, with revisions 195 p.
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Page proofs
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Blue print
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Unbound book
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Hunted Like a Wolf, Farrar, Straus and Giroux
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Printer’s copy, with revision
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Two carbons 228 p.
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Langston Hughes
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Typed draft 186 p.
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First draft, typed with holograph revisions 218 p.
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Printer’s copy, with revisions 234 p.
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Margaret Sanger
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Carbon draft
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Printer’s copy
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Correspondence: Incoming (1 letter)
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October 3, 1969 |
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Pictorial History of Black Americans
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Galleys
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Paste-up photocopy
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The Right to Remain Silent
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Typed draft
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Printer’s copy, with revisions
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Correspondence: Incoming (1 letter)
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March 15, 1973 |
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Slavery Volume 1
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Printer’s copy, with revisions 195 p.
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Correspondence: Incoming (1 letter)
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August 24, 1973 |
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Slavery Volume 2
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First draft
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Late draft, carbon 296 p.
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To Change the World
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Late draft, typed with light holographic revisions
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Galley proofs
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Underground Man
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First draft, holograph
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The Slave Dancer, by Paula Fox
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Page proofs
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The Lurye Story, film, Norma Productions
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Story information etc., typed
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Research, clippings, photos
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Slavery Volume 1, Recon in Mississippi, Thoreau Profile
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Reference note cards
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Langston Hughes, Thurgood Marshall
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Reference note cards
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History of the Negro
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Illustration notes
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The Lurye Story
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Notes
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Slavery Volume 2
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Reference cards for notes and books
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Brother Can You Spare a Dime?
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Notes
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Underground Man
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Notes
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Notes on Mexican War
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Notes for Black History Calendar, Thaddeus Stevens, Seminole War, Zenith
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Notes for J. Brown, S.G. Howe, Mumbet
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Illustration notes for Pictorial History of the Negro in America II, Margaret Sanger, Black Magic
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Bound for the Rio Grande
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Correspondence: Incoming 4
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June 30, 1972-July 21, 1972 |
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Correspondence: Outgoing 2
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June 27, 1972-June 28, 1972 |
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First draft, typed with holograph revision
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Second draft, typed 260 p.
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Second draft, revised, typed
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Galley proofs
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Miscellaneous notes
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The Eye of Conscience
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Correspondence: incoming, outgoing, other
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First draft, revised, typed with holograph revisions
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Second draft, revised, typed with light holograph revisions
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Dummy
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Photographer Michael Abramson
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Correspondence: Incoming 1
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1972 |
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Correspondence: Outgoing 4
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Research: typed notes from interview
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Typed draft, holograph revisions 3 p.
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Holograph pages 5 p.
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Newsletter: the village VOICE
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Photographer Morrie Camhi
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Correspondence: Incoming (3 letters)
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1972 |
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Correspondence: Outgoing (5 letters)
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1972, 1973 |
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Holograph draft
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Typed draft
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Pacific Sun review
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April 27, 1972-May 3, 1972 |
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Photographer Lewis Hine
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Correspondence: Incoming (1 letter)
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November 21, 1966 |
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Correspondence: Outgoing (4 letters)
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1966, 1972 |
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Research material
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Holograph notes
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Typed draft 10 p.
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Photographer Fang Lam
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Correspondence: Incoming (2 letters)
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1972 |
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Correspondence: Outgoing (2 letters)
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1972 |
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Typed draft with holograph revisions 5 p.
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Photocopy of draft 4 p.
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Holograph draft
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Youth
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Photographer William Mackey
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Correspondence: Incoming (2 letters)
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1972 |
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Correspondence: Outgoing (6 letters)
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1969, 1971, 1972 |
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Holograph notes and draft
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Typed drafts 3
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Clippings
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Photograph by Mackey
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Photographer Ira Nowinoki
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Correspondence: Incoming (2 letters)
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1973 |
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Correspondence: Outgoing (5 letters)
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1972, 1973 |
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Holograph draft
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Typed drafts 3
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The San Francisco Fault Volume 1 No. 7
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December 29, 1971 |
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Photographer Jacob Riis
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Correspondence: Incoming (2 letters)
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July 1972 |
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Holograph pages 2
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Typed draft 8 p.
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Clippings
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Tear sheets
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Photographer Timothy O’Sullivan
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Correspondence: Incoming (1 letter)
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August 2, 1972 |
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Holograph draft
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One page of typed draft with heavy holograph revision
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Clippings
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Tear sheet
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Infinity
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February 1973 |
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Photographer Martin Schneider
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Correspondence: Incoming (2 letters)
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1972, 1973 |
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Correspondence: Outgoing (1 letter)
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October 4, 1972 |
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Correspondence: Other (2 letters)
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May 1972 |
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Holograph notes and draft
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Typed draft with holograph revisions
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Typed captions
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Photocopy of captions 4 p.
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Photocopy of interview corrections
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Research materials
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Photocopy of transcript of TV program Censorship
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Photocopy of interview (?) with Schneider, partial document
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Miscellaneous material
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Research data
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Hunted Like A Wolf
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Correspondence: Incoming and Outgoing
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Draft fragments included with correspondence
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Holograph notes for captions
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First draft, holograph 121 p.
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Second draft, carbon 176 p.
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Galley proofs
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Miscellaneous notes, typed and holograph
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Research data
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Margaret Sanger
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Correspondence: Incoming and Outgoing
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Manuscript material
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Miscellaneous notes and dust jacket
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Never to Forget
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First draft, typed
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First draft, revised, photocopy 178 p.
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Final draft, photocopy 214 p.
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Some typed pages with holograph revision
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Remember the Days
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Correspondence: Incoming and Outgoing
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| |
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First draft, typed, light holograph revision 110 p.
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|
Second draft, typed, light holograph revision 121 p.
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|
Final draft, typed, light holograph revision 121 p.
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|
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|
|
Color copy of dust jacket
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|
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|
|
Miscellaneous notes
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|
Right to Remain Silent
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Correspondence: Incoming and Outgoing
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First draft, typed
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|
First draft, holograph 87 p.
|
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|
Second draft, typed with holograph revisions
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|
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| |
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|
Third draft, typed
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Third draft, holograph draft pages
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|
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| |
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Correspondence
|
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| |
|
|
Final draft, photocopy 95 p.
|
|
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| |
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|
Final draft, select typed pages
|
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| |
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|
Miscellaneous notes, holograph and typed
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|
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Research data
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|
|
Slavery Volume 2
|
|
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| |
|
|
Correspondence: Incoming and Outgoing
|
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| |
|
|
Galley proofs
|
|
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| |
|
|
Miscellaneous notes
|
|
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| |
|
|
Taking Root, Farrar, Straus and Giroux, New York
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|
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| |
|
|
Final draft, photocopy 221 p.
|
|
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|
|
Underground Man
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|
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| |
|
|
First draft, typed, light holograph revision 136 p.
|
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|
|
First draft, revised, typed, with holograph revisions 120 p.
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| |
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|
Second draft, holograph
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| |
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Second draft, typed
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|
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| |
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Some holograph pages
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| |
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|
Second draft, revised, typed 154 p.
|
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| |
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|
Holograph notes 4 p.
|
|
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| |
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|
Third draft, typed, some holograph revisions, fragments
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| |
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|
Third draft, revised, typed
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| |
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|
Other draft fragments, some holograph revisions
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|
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| |
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|
Fourth draft, typed with holograph revisions 191 p.
|
|
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| |
|
|
Printer’s copy with holograph revisions, 203 p.
|
|
|
| |
|
|
Violins and Shovels
|
|
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| |
|
|
Correspondence: Incoming and Outgoing
|
|
|
| |
|
|
Early draft, typed with some holograph revision
|
|
|
| |
|
|
Final draft, typed and photocopy with some holograph revisions, 195 p.
|
|
|
| |
|
|
Miscellaneous notes, typed and holograph
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|
|
| |
|
|
Research data
|
|
|
| |
|
|
World of Our Fathers, Farrar, Straus and Giroux, New York
|
|
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| |
|
|
Correspondence: Incoming and Outgoing
|
|
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| |
|
|
First draft, typed
|
|
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| |
|
|
Final draft, typed
|
|
|
| |
|
|
Final draft, revised, photocopy 236 p.
|
|
|
| |
|
|
Page proofs
|
|
|
| |
|
|
Galleys
|
|
|
| |
|
|
Miscellaneous notes
|
|
|
| |
|
|
Page proofs of index
|
|
|
| |
|
|
Research data
|
|
|
| |
|
|
Zenith series, Doubleday
|
|
|
| |
|
|
Correspondence: Incoming, outgoing, and other
|
|
|
| |
|
|
Manuscript materials
|
|
|
| |
|
|
Miscellaneous notes
|
|
|
| |
|
|
Research data
|
|
|
| |
|
|
Mark Twain
|
|
|
| |
|
|
Notes on illustrations
|
|
|
| |
|
|
Text notes
|
|
|
| |
|
|
S.G Howe
|
|
|
| |
|
|
Notes
|
|
|
|