Overview of the Collection
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Repository Name:
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Washington State University Libraries
Manuscripts, Archives, and Special
Collections
New Holland Library Pullman, WA 99164-5610 USA (509) 335-6691 http://www.wsulibs.wsu.edu/holland/masc/masc.htm
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Collection Number:
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Cage
662
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Creator:
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Bailey, Wm. H. (William Horace), 1910-
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Title:
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William Horace Bailey
Papers
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Dates:
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1915-1992 (inclusive)
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Quantity:
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17 containers. 17 linear feet of shelf space.
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Languages:
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Collection materials are in
English.
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Summary:
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Chiefly music manuscripts (holograph and
printed), letters, and memorabilia documenting life and career as
composer.
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Biographical Note
William Horace Bailey was born January 30, 1910, in Allentown,
Pennsylvania. His father was a professor of biology and botany at Muhlenberg
College. When at age five Bailey began his musical studies with his mother, a
piano teacher, he was found to have perfect pitch. His violin study began when
he was eleven. He studied both instruments under prominent teachers in eastern
Pennsylvania.
At fifteen, Bailey moved with his family to Pasadena, California. He
took up piano, harmony, and counterpoint with Clarence Mader, of Los Angeles.
While still in his teens he won "Students' Class" first prize in the "Ideas
Afloat Contest" held in Los Angeles with a piano composition entitled
Musing, which was published in
New Music magazine. Belwin, Inc., a New York music
publisher, also accepted this piece for publication. Bailey graduated from
Pasadena High School in 1926 and went on to Pasadena Junior College, where he
completed courses in harmony, history, and musicianship. In 1929 he graduated
magna cum laude with a Bachelor of Arts degree from Pomona College in
Claremont, California. For his academic achievements he became a member of Phi
Beta Kappa and was awarded a two-year Honnold Traveling Fellowship.
Bailey was active in a number of southern California music
organizations. As a violinist he played in the Euphony Trio, the Sierra String
Quartet, the Pomona College String Quartet, and the Valley Symphony Orchestra.
He was assistant concertmaster for the Pasadena Civic Orchestra and
concertmaster for the Pomona Symphony. In 1936 Bailey received a master of
music degree from the Eastman School of Music in Rochester, New York, where he
studied composition with Harold Hanson, Arnold Schoenberg, and Bernard Rogers.
From Eastman he went to Stetson University in DeLand, Florida. He taught music
and conducted the civic orchestra there for six years.
In 1939 he married Gertrude Mary Axtell. During World War Two, Bailey
taught radio at the Naval Radio Training Center at the University of Idaho
(Moscow) and worked in a radar factory in California. In August 1945 Bailey
went to Walla Walla, Washington, on a one-year assignment at Whitman College as
instructor of string instruments and music theory. He ended up teaching at
Whitman for more than thirty years. After his retirement in June 1975 he was
called back to teach as an adjunct professor for the fall semester of 1976. He
was conductor of the Walla Walla Symphony Orchestra from 1945 to 1970.
William Bailey was a prolific composer, with more than seventy
compositions to his credit. His major works include:
Song of the Greatly Daring, a cantata written in 1947 to
commemorate the 100th anniversary of the Whitman massacre, and performed by the
Whitman College choir;
The King and the Wonderful Melody, a musical guide to the
orchestra, performed October 30, 1960, by the Walla Walla Symphony; and,
Luminescence 1, a symphonic piece commissioned in 1975 by
the Washington State Arts Commission and the Walla Walla Symphony, which has
been performed by six Northwest orchestras and featured in ten concerts. Thomas
D. Howells, professor of English at Whitman College, wrote the texts for the
first two works. William Bailey will also be remembered for his orchestral
arrangement of the Trails West music, recordings of which were played nightly
in Walla Walla in the summer of 1976 as prelude and postlude music for a series
of live musical programs. The variety of Mr. Bailey's compositions displays a
musical facility that enabled him to write in a number of styles and genres,
from songs and swing tunes that were shared with friends and family to pieces
for the concert hall, including orchestral, choral, keyboard, and chamber
music. Mr. Bailey also worked in musical theater and film as a composer and
arranger.
In 1965 Bailey received the Town and Gown Award in memory of Judd
Kimball. He was a member of the Walla Walla Symphony board of directors, the
Walla Walla Valley Radio Amateurs Club, the First Congregational Church, and a
number of professional organizations.
William Horace Bailey died of a cerebral hemorrhage on April 15, 1977.
He is survived by his widow, Mary A. Bailey, of Mercer Island, Washington
Island; two sons, Bruce W. Bailey of Seattle, and Daniel A. Bailey of Caracas,
Venezuela; a daughter, Joyce Beazley of Bellevue, Washington; five
grandchildren, and two great-grandchildren.
Content Description
The collection original scores and facsimiles, as well as letters,
programs, scripts, and other documents related to the production and
performance of these pieces. The dates of these compositions span the bulk of
Bailey's life, from his musical writings of childhood to pieces written within
a year of his death in 1977. Also included are compositions written by Mr.
Bailey for the musical education of his children, and several composed by the
children themselves. Also included are sketches and exercises in music theory
spanning 1936 to 1963. Some are the work of Bailey's student days; others date
from Bailey's tenure as a teacher at Whitman College. Undated score fragments
are also included. The collections includes document with photographs,
certificates, diplomas, programs, clippings, catalogs, letters, and ephemera,
spanning the life of William Bailey from childhood through his career as
composer, teacher, and conductor to his retirement in 1975, as well as programs
citing performances of his pieces through 1992.
Arrangement
The William Horace Bailey Papers are arranged alphabetically into
three series:
Administrative Information
Acquisition Information With the facilitation of Mary Moldenhauer, Mrs. Mary Bailey donated
the William Horace Bailey Papers (MS 98-15) to Washington State University
Libraries in May 1998.
Use of the Collection
Restrictions on Access This collection is open for research use.
Restrictions on Use Use of these materials is restricted to nonprofit, "fair use" usage
only. All other uses require the prior permission of the Bailey family, which
holds the copyrights to the Bailey material in this archive.
Preferred Citation [Item Description]. Cage
662, William Horace Bailey
Papers. Manuscripts, Archives, and Special Collections, Washington State University Libraries, Pullman, WA.
Subjects
This collection is indexed under the following headings in the online
catalog. Researchers desiring materials about related topics, persons, or
places should search the catalog using these headings.
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| Bailey, Wm. H. (William Horace), 1910---Archives (creator) |
| Composers--United
States |
| Composers--Washington
(State)--Manuscripts |
Detailed Description of the Collection
The following section contains a detailed listing of the materials in
the collection.
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Series 1: Compositions
Consists of original scores and facsimiles, as well as letters,
programs, scripts, and other documents related to the production and
performance of these pieces. The dates of these compositions span the bulk of
Bailey's life, from his musical writings of childhood to pieces written within
a year of his death in 1977. Also included are compositions written by Mr.
Bailey for the musical education of his children, and several composed by the
children themselves.
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Container(s)
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Description
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Album Leaf, February,
1925
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Alma Mater, undated
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Andante con moto, undated
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Andante espressivo, undated
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Badinage, undated
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Birth of a Giant, The, 1950
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Blow, Blow, Thou Winter Wind, Op. 20, 1937
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Brigg Fair, Op. 29, undated
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Call to Worship, 1939
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Canon and Fugue in G Minor, Op. 10, undated
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Canon for Two, April,
1973
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Centennial Fanfare, 1958
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Children's Piano Pieces: Clown, The, undated (c
1949-1959?)
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Children's Piano Pieces: Copy Cat, undated
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Children's Piano Pieces: Indians!, undated
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Children's Piano Pieces: Oh! Oh! Oh!, May-46
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Children's Piano Pieces: Summer Days, undated
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Children's Piano Pieces: Swiss
Variations, undated
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Children's Piano Pieces: To Joyce, undated
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Choral Opening, Ditty and Choral
Finale, undated
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Chorale? Variations for String Quartet, Op.
3, 13-Oct-32
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Christmas Greeting, A, Op. 28, 1937
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Classic Suite for String Trio in A Major, Op.
11, June,
1933
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Coka Polka, undated
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Coka-Polka, undated
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Command Cantata, November,
1964
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Concertino in A Minor, undated
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Dedication, Op. 21, undated
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Dedication, Op. 21, undated
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Divertimento, Op. 45, undated
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Doric Interlude, undated
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Ducklings in the Pond, 15-Feb-46
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Duo for Flute and Clarinet, Op. 30, 1939
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Duo for S and V, undated
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Easter Carol, An, 1943
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Easter Morning/Trio, undated
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Fanfare for Six Brass Instruments, Op.
35, undated
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Fantasy on Twinkle, Twinkle Little
Star, undated
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For, Op. 32, undated
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For Sorrow's Sake, Op. 23, 1-Mar-37
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Frolic, The, undated
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Fughetta, 1973
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Fughetta for String Quartet, Op. 9, May,
1934
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Fughetta on a Well[-]Known Tune, Op.
27, c1937-1938 (1938
copyright, W.H. Bailey)
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Fugue on "Shave and a Haircut, Two
Bits, undated
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Gavotte for Viol d'Amore, Op. 12, May,
1934
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Goltermann, Concerto #4, undated (arr.
WHB)
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Green Corn, undated
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Green Corn, 21 February 1949
(arr. Polly Hansen)
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Idless, Op. 24, 1937 (copyright 1937, New Music
Magazine)
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Improvisation, 9-Jan-29
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Improvisation for Violin and Organ, June,
1943
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Intermezzo, Op. 4, undated
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Invention in Chrome, undated
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King and the Wonderful Melody, The, undated
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Lament, undated
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Legende, Op. 7, undated
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Let Every Spirit Praise the Lord, Op. 22, Psalm
150, undated
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Lift Up Your Heads, Ye Mighty Gates, Op.
38, undated
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Longing, Op. 31, undated
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Lover's Lament, The, Op. 17, undated
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Luminescence 1, January,
1975
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Maple Leaf is Calling, The, 1967
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Mexican Serenade, 1946
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Mexican Serenade, 1946
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Miscellaneous Composition Sketches (Op. 16, 34, 35, 36,
37, 44), undated
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Miscellaneous Sketches for Piano, undated
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Mixup, undated
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Moon Fog, undated
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Musical Greetings, Op. 6, undated
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Musing, Op. 2, 1930
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My Doll, undated
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My Dream, Op. 40, 1939
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Night in the Sierra, Op. 14, undated
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Night in the Sierra: An Orchestral Impression, Op.
14, undated
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Nocturne, Op. 1, undated
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Ode to a Nurse in Doggerel Verse, 25-May-73
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Of a Summer Morn, 1929
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Organ Offertory, undated
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Organ Passacaglia, Op. 36, undated
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Our Christmas Tree, undated
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Our Christmas Tree, undated
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Phrygian Prelude, undated
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Polka Dot Polka, undated
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Prelude and Fugue, Op. 42, 27-Apr-40
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Prelude, Chorale, and Fugue, undated
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Prelude in F-Sharp Minor, undated
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Reflections, Op. 33, undated
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Renaissance Arrangements, undated
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Ride 'Im Cowboy, undated
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Riding the Range, undated
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Sailing, undated
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Scherzo, undated
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Scherzo and Rondo for Woodwinds, Op.
19, undated
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Scherzo for String Quartet: The Mystic
Trumpeter, undated
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See Saw, undated
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Sevenfold Amen, 1939
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Sketched from Childhood (Scenes from Childhood), Op. 25
(Children's Suite), 1938
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Sketches (Op. 6, 7, 21, 24, 31), January, 1929
(?)
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Snow on the Mountains, April,
1946
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Sometimes, 1939
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Song of the Cello/Sailing, undated
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Song of the Greatly Daring, undated
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Song We Sing, A, undated
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St. Francis' Tune, Op. 34, undated
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String Quartet No. 1, undated
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Suite for Orchestra, Op. 18, undated
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Symphony? Allegro, undated
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Syncopate, March,
1947
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Theme and Variations, undated
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Theme and Variations in A Minor, March,
1947
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Theme and Variations in C, undated
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Theme and Variations in C, undated
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Three Nocturnes, Op. 26, 28-Dec-37
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Tis Time Once Again, 1976
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To My Mother, Op. 39, April,
1939
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Toccata, Op. 44, undated
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Toccata, Op. 44, undated
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Toccata for Three, undated
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Trails West Suite, 1975
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Unidentified Piano Compositions, Christmas 1939,
undated
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Unidentified Work for Piano in A Minor, undated
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Unidentified Work for Piano in G Major, undated
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Unidentified Work No. 2 for Piano in G
Major, 20-Oct-39
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Untitled, undated
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Untitled for Violin and Piano in A
Major, undated
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Untitled for Violin and Piano in G
Major, undated
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Vacationtime, Op. 43, undated
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Variations, undated
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Variations, Oct-67
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Variations on "Johnny Comes Marching Home," Op.
6, 1947
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Wedding March, Op. 41, 1939
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Wedding Wish, A, 13-Aug-66
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Wynken, Blynken and Nod, undated
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Series 2: Composition
Fragments
Consists of sketches and exercises in music theory spanning 1936
to 1963. Some are the work of Bailey's student days; others date from Bailey's
tenure as a teacher at Whitman College. Undated score fragments are also
included.
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Container(s)
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Description
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Composition books, 1936-1942, 1963;, undated
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Score fragments, undated
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Series 3: Personal
Papers
Includes documents with photographs, certificates, diplomas,
programs, clippings, catalogs, letters, and ephemera, spanning the life of
William Bailey from childhood through his career as composer, teacher, and
conductor to his retirement in 1975. Programs citing performances of his pieces
through 1992 display the posthumous impact of his work.
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Container(s)
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Description
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Biographical material, 1940-1992,
undated
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Document: certificate, 1 pg,
27.5 x 35.5 cm., printed, from Keyte Hladly, 1975; poster, 1 pg, 45 x 30.5 cm.,
printed,
Fiddler's Ode to his Old Fiddle; 1952; BA
diploma, 1pg, 33 x 43 cm., printeDocument: all three documents rolled up in
cardboard tube.
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Document: yearbook (
Whitman 72), 64 pp, 28 x 21.5 cm.,
printed.
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Document: photograph,
black-and-white, of WHB as a conductor, 25.5 x 20.5 cm., undated, 2
copies.
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Document: photograph,
black-and-white, of WHB as child at piano, 25 x 21.5 cm., undated, [c
1915?].
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Document: resume, 1 pg, 28 x
21.5 cm., typed, undated
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Document: program notes to
Luminescence 1, 1 pg, 28 x 21.5 cm typed, August
1976.
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Document: review quote, 1 pg,
28 x 21.5 cm., ink, handwritten, David Burge, 1990.
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Document: catalog of tapes of
WHB's compositions, 1 pg, 28 x 21.5 cm., typed, undated
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Document: catalog of WHB's
compositions on reel-to-reel, 1 pg, 28 x 21.5 cm., typed, undated
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Document: 27 programs re: WHB's
performances, conducting, students, compositions, 1940-1992,
undated
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Document: notes, 11 pp, 21 x 17
cm. (blue book), pencil, re: (
Louisiana Story and five portraits by Virgil
Thompson, undated
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Autograph Document: paper, 16
pp, 28 x 21.5 cm., typed, in folder:
Use of New Resources in the Documentary Motion
Picture, 26 July 1951.
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Autograph Document: WHB's notes
for recording, 10 pp: 8 pp, 28 x 22 cm., ink, handwritten,
Sibelius II Symphony; 1 pg, 26.5 x 20 | |