Western Washington University
Center for Pacific Northwest Studies
Goltz-Murray Building
808 25th Street
Bellingham, WA 98225-9123
Phone: 360-650-7747
http://www.acadweb.wwu.edu/cpnws/



Guide to the Jane Hamilton Hovde and Annis Jorgen (A.J.) Hovde Papers, 1932-2003


XOE0016hovde





Finding aid prepared by Sarah Nelson

Finding aid encoded by Jason Viers, January 2004
Funding for preparing this finding aid was provided through a grant awarded by the Washington State Legislature to the Washington Women's History Consortium. Funding for encoding the finding aid was awarded by the National Endowment for the Humanities.


Overview of the Collection

 
Repository Name:
 

Western Washington University
Center for Pacific Northwest Studies

Goltz-Murray Building
808 25th Street
Bellingham, WA 98225-9123
Phone: 360-650-7747
http://www.acadweb.wwu.edu/cpnws/

 
Collection Number:
 

XOE0016hovde

 
Creator:
 

Hamilton Hovde, Jane; Hovde , Annis Jorgen (A.J.)

 
Title:
 

The Jane Hamilton Hovde and Annis Jorgen (A.J.) Hovde papers

 
Dates:
 

1932-2003 (inclusive)

 
Quantity:
 

9.5 Linear Ft.
14 Boxes

 
Languages:
 

Collection materials are in English 

 
Summary:
 

The Hovde Papers document the creative life of Pacific Northwest artist Jane Hamilton Hovde and her husband, Western Washington University professor and poet A.J. Hovde. Jane's creative process is reflected in her writings, sketches, notes, and clippings while A.J.'s is reflected in his poems and short fiction stories. Also included are biographical materials in the form of journals and correspondence.

 

Biographical Note

Jane Hamilton was born in 1921 on the tugboat “Northwest” in the seas of Rosario Strait, Washington State. She and her sister and brothers were raised on Blakeley and Whidbey Islands. Jane traveled a few miles north to attend Western Washington College of Education in Bellingham. While studying English and art, she met Annis Jorgen (A.J.) Hovde. A.J. came to Bellingham from Edmonds, Washington. Born the youngest of eleven children in 1917 in Alberta, Canada, his family moved to Washington State when he was seven years old. After high school, A.J. worked in sawmill and lumber employment, including the Civilian Conservation Corps, until 1939 when he enrolled in Western Washington College of Education.

In 1942, Jane received her teaching certificate from Western Washington College. That same year she married A.J. - immediately before his departure for a three-year tour in World War II. In 1944, she completed her Bachelor’s of Arts in Creative Writing from University of Washington. After A.J. reunited with Jane in Seattle, he also finished his degree with a Bachelor’s in English in 1947. While A.J. studied at the University of Washington, Jane continued her artistic education. She attended private lessons with Mark Tobey, the enigmatic Northwest painter, as well as full-time coursework in the University of Washington's art department. During the winter of 1947, the couple lived in New York City where she attended the Art Students’ League and he continued work on his Master’s degree. A.J. Hovde received his M.A. in English from the University of Washington in 1949.

In 1948, the Hovdes settled in Bellingham with employment at Western Washington State College. However, the Hovdes took several substantial sojourns from Bellingham. They spent a year in Palo Alto, California while A.J. studied at Stanford from 1951 to 1952. Then, after hosting W.H. Auden during his visit to Bellingham, they accepted an invitation to stay as guests at the poet’s villa on the island of Ischia, Italy, from 1955 to 1956. Other ventures included hosting students on a study-abroad program to Greece in 1970, and an artists-in-residence program at Virginia Center for the Creative Arts, Sweet Briar, Virginia, in 1980. In Bellingham, A.J. built both the family’s homes where he and Jane raised their daughters Karen and Kathy.

Jane began exhibiting her work in 1947 with yearly showings in the Seattle Art Museum’s Annual Exhibition of Northwest Artists. Recognition began with the 1953 first prize at the Washington Territorial Centennial Show for “Nets and Driftwood.” The 1950s, 1960s and 1970s were industrious decades, reflecting her firm establishment as a Northwest artist. Exhibitions continued through her 1972 Retrospective and the 2000 Exhibit “Picasso’s Eye: A Subjective Symbolic Process,” both held at Whatcom Museum of Art and History in Bellingham. Jane’s works appeared nationally with traveling exhibits of the Seattle Art Museum and the Smithsonian Institution; while living in Italy, she exhibited in Rome. Her paintings and drawings reside in private collections and the permanent collections of the Seattle Art Museum, the Whatcom County Museum of History and Art and the Virginia Center for the Creative Arts. Jane’s early artistic style reflected a semi-abstract treatment of landscapes and scenes she observed in the Pacific Northwest and Italy. Many subjects include beach and fishing images such as fishnets and driftwood. Through the decades, her images became more abstract and expressionistic, eventually emphasizing her interest in Jungian symbolic imagery.

A.J. wrote both poetry and fiction from a young age. Publishing as early as 1947, his acceptance in literary journals and magazines grew to well over a hundred publications. He began his teaching career at Western Washington State College in 1948. In 1967, A.J. and other faculty members joined to form Fairhaven College, an experimental division of Western Washington State College. In 1968 he and Jane published Hovde Folio 10:10, a combination of their works. He retired from his professorship in 1981. He kept journals - of World War II, the family’s various travels, and everyday affairs – until his death in 1984.

Content Description

The Hovde Papers measure 9.2 linear feet, spanning the dates 1932 to 2003, documenting the creative life of Pacific Nortwest artist Jane Hamilton Hovde and her husband, Western Washington University professor and poet A.J. Hovde. Jane’s papers consist of biographical material, journals, correspondence, notes, writings, subject and project files, business records, sketches, printed material about the artist and other artists, photographs, slides of the artist’s works, and a college scrapbook that chronicles the courtship of Jane and A.J. in the early 1940s. A.J. Hovde’s papers consist primarily of biographical information, journals, and his writings, including non-fiction, poetry, short fiction and full-length fiction manuscripts.

Both subseries include informative biographical material. Jane’s journals devotedly chronicle her adolescence and twenties. Her correspondence (mostly incoming) demonstrates her interactions with other artists and art galleries and institutions, educators, and critics. Correspondents include June Burn, W.H. Auden, Kenneth Callahan, San Francisco art critic Al Frankenstein, Dolly Connolly, Paul Woodring, poet William Stafford, professor James Jarrett, and Glenn Wessells (including a copy of his correspondence from Hans Hoffman). Business records and printed material reveal the exhibitions of her works and her activities in the art world of the second half of the 20th century. Her creative process is reflected in her writings, sketches, notes, and clippings. A collection of dream journals includes Jungian-based interpretations of Jane’s dreams from 1973 to 2001. These are restricted to academic research by permission till 2020 A.D.

Both subseries include informative biographical material. Jane’s journals devotedly chronicle her adolescence and twenties. Her correspondence (mostly incoming) demonstrates her interactions with other artists and art galleries and institutions, educators, and critics. Correspondents include June Burn, W.H. Auden, Kenneth Callahan, San Francisco art critic Al Frankenstein, Dolly Connolly, Paul Woodring, poet William Stafford, professor James Jarrett, and Glenn Wessells (including a copy of his correspondence from Hans Hoffman). Business records and printed material reveal the exhibitions of her works and her activities in the art world of the second half of the 20th century. Her creative process is reflected in her writings, sketches, notes, and clippings. A collection of dream journals includes Jungian-based interpretations of Jane’s dreams from 1973 to 2001. These are restricted to academic research by permission till 2020 A.D.

Both Jane’s and A.J.s papers include photographs. The photos in Jane’s collection include images of her artworks, her at work, and personal scenes such as wedding and family pictures, ranging from her infancy to 2000 A.D. Photographs of A.J. date from his youth, and span through the 1970s.

Arrangement

The Papers are organized in accordance with the following series and subseries arrangement:

  • Series 1: Jane Hamilton Hovde, 1921-2003 (1940-2003)
    • Subseries 1: Biographical Material, 1934-2003
    • Subseries 2: Correspondence, 1940-2002
    • Subseries 3: Research/Writing, circa 1950-1983
    • Subseries 4: Business and Legal, 1950-1998
    • Subseries 5: Projects Box, 1972-2003
    • Subseries 6: Printed Material, circa 1940-1999
    • Subseries 7: Art Work, circa 1968-1979
    • Subseries 8: Photographs and Slides, 1921-2000
    • Subseries 9: Filmed Interviews, 1972-1978
  • Series 2: Annis Jorgen (A.J.) Hovde, circa 1933-1984
    • Subseries 1: Biographical Information, 1933-1984
    • Subseries 2: Journals, 1942-1984
    • Subseries 3: Correspondence, 1954-1980
    • Subseries 4: Subject Files, 1960-1981
    • Subseries 5: Writings, circa 1960-1980s
    • Subseries 6: Photographs, Undated

Administrative Information

Acquisition Information 

Jane Hamilton Hovde donated collection materials to the Center for Pacific Northwest Studies in March 2003.

Processing Note 

Sarah Nelson processed the collection for the Center for Pacific Northwest Studies in 2003.

Use of the Collection

Restrictions on Access 

A collection of dream journals including Jungian-based interpretations of Jane Hamilton Hovde's dreams from 1973 to 2001 are restricted to academic research by permission till 2020 A.D.

Preferred Citation 

The Hovde Papers; Jane Hamilton Hovde and Annis Jorgen (A.J.) Hovde, Center for Pacific Northwest Studies, Western Washington University Bellingham WA 98225

Subjects

This collection is indexed under the following headings in the online catalog. Researchers desiring materials about related topics, persons, or places should search the catalog using these headings.

 
Auden, W. H. -- (Wystan Hugh) -- 1907-1973.
Burn, June -- (1893-1979)
Callahan, Kenneth, -- (1905-) (creator)
Frankenstein, Alfred Victor, --(1906)
Hovde, A. J. -- (Annis J.) -- Archives.  (creator)
Hovde, Jane--Archives. (creator)
Stafford, William -- (1914-)
Wessells, Glenn A. -- (Glenn Anthony) -- (1895-)
Fairhaven College
Seattle Art Museum--Exhibitions
Western Washington College of Education
Western Washington State College
Western Washington University
Whatcom Museum of History and Art -- Exhibitions
Abstract Expressionism -- Northwest, Pacific
Art -- Northwest, Pacific
Art, Modern -- Northwest, Pacific
Authors, American -- Washington (State)
Jungian Psychology
Painters-- Northwest, Pacific
Women Artists -- Northwest, Pacific
Women Artists--Washington (State)
Ischia -- Italy

Detailed Description of the Collection

The following section contains a detailed listing of the materials in the collection.


 

Series I:   Jane Hamilton Hovde, 1921-2003,   (bulk 1940-2003)

 
Container(s)
Description
Dates
   
Subseries 1::  Biographical Material
  1934-2003
 
box/folder
1/1


Resumes, C.V.s
  1978-1998
 
1/2

“Hovde: An Epitome of the Life of Styles in Art” by Tom Sherwood
  1972
 
1/3

“Jane Hovde Exhibit”,write-up by M. Boylan
  1972
 
1/4

“Jane Hovde, Artist”
  1946-1983
 
1/5 - 1/8

Journals
  1934-1939, 1942-1947, 1954
 
1/9

Journals
  circa 1950s
 
1/10

Journals
  circa 1970s
 
1/11

Journals
  1980s
 
1/12

Journals
  1990s
 
1/13

Journals
  1998-2003
   
Subseries 2:   Correspondence
  circa 1940-2002
 
2/1

W.H. Auden
  1954-1955
 
2/2

June Burn
  circa 1950s
 
2/3

Al Frankenstein
  1962-1966
 
2/4

James Jarrett
  1998-1999
 
2/5

Paul Woodring
  1994
 
2/6

Correspondence
  circa 1940s
 
2/7

Correspondence
  1950-1954
 
2/8

Correspondence
  1955-1959
 
2/9

Correspondence
  1960-1964
 
2/10

Correspondence
  1965-1969
 
2/11

Correspondence
  1970-1974
 
2/12

Correspondence
  1975-1979
 
2/13

Correspondence
  circa 1980s
 
2/14

Correspondence
  circa 1990s
 
2/15

Correspondence
  2000-2002
   
Subseries 3:   Research/Writing
  circa 1950-1983
   
Alphabetical Subject Files
 
 
2/16

Animals, Birds, Creatures
  Undated
 
2/17

Asian Motifs
  Undated
 
2/18

Human Forms
  Undated
 
2/19

Letters, Fonts, Words
  Undated
 
2/20

Symbolic Imagery (I)
  Undated
 
2/21

Symbolic Imagery (II)
  Undated
 
2/22

“The Art of the Japanese Screen”
  circa 1970s
 
2/23

“Compound Angles, Shadows, Images"
  circa 1990s
 
2/24

“Creativity in Old Age”
  2000
 
2/25

“Death With Daddy, Neat and Tidy” (I)
  1980-1983
 
2/26

“Death With Daddy, Neat and Tidy” (II)
  1980-1983
 
2/27

“Death With Daddy, Neat and Tidy” (I)
  1980-1981
 
2/28

“Death With Daddy, Neat and Tidy” (II)
  1980-1981
 
2/29

Discussions with Glenn Wessells
  circa 1950s-1980s
 
3/1

"Dreams"
  Undated
 
3/2

“Father Mac and Acrobats”
  1978-1988
 
3/3

"Hands"
  Undated
 
3/4

Jimmy Pickett (I)
  1967-1994
 
3/5

Jimmy Pickett (II)
  1967-1994
 
3/6

"Jung Alchemy"
  Undated
 
3/7

"Jung and Kinds of Love" audiotape of lecture by Dr. James Jarrett
  1994
 
3/8

Notes from Mark Tobey Lessons
  1947
 
3/9

“Pennsylvania Dutch designs, peasant designs”
  Undated
 
3/10

Printmaking
  circa 1970s
 
3/11

Women in Art I
  1960-1990s
 
3/12

Women in Art II
  1960-1990s
   
Teaching Art
 
 
3/13

"Teaching Ideas"
  Undated
 
3/14

"Teaching Ideas for Painting"
  circa 1960s-1980s
   
Writings
 
 
3/15

Creative Writing (college)
  1940-1941
 
3/16

Creative Writing (college)
  1940-1941
 
3/17

Notes, lists
  Undated
 
3/18

"Return of the Rib,"
  Undated
 


"Cezanne and a Bowl of Mush"
  1960
   
Writings by Others
 
 
3/19

Draft of William Stafford introduction to Selected Poems by A.J.Hovde, illustrations by Jane Hamilton Hovde
  1981
 
3/20

Dolly Connolly’s Introduction to Jane Hamilton Hovde’s Retrospective
  1972
 
3/21

Fairhaven College Students
  1977
   
Writings: Dream Analysis (Restricted)
  1973-2001
 
4/1

Dream Analysis
  March-July 1973
 
4/2

Dream Analysis
  January-December 1974
 
4/3

Dream Analysis
  January-July 1975
 
4/4

Dream Analysis
  August-December 1975
 
4/5

Dream Analysis
  January-February 1976
 
4/6

Dream Analysis
  March 1976
 
4/7

Dream Analysis
  April-August 1976
 
4/8

Dream Analysis
  September-December 1976
 
4/9

Dream Analysis
  January-February 1977
 
4/10

Dream Analysis
  March-June 1977
 
4/11

Dream Analysis
  July-December 1977
 
4/12

Dream Analysis
  January-March 1978
 
4/13

Dream Analysis
  April-December 1978
 
4/14

Dream Analysis
  January-March 1979
 
4/15

Dream Analysis
  April-December 1979
 
4/16

Dream Analysis
  January-July 1980
 
4/17

Dream Analysis
  August-December 1980
 
4/18

Dream Analysis
  Entire Year 1981
 
4/19

Dream Analysis
  Entire Year 1982
 
4/20

Dream Analysis
  Entire Year 1983
 
4/21

Dream Analysis
  Entire Year 1984
 
4/22

Dream Analysis
  Entire Year 1985
 
4/23

Dream Analysis
  Entire Year 1986
 
4/24

Dream Analysis
  Entire Year 1987
 
4/25

Dream Analysis
  Entire Year 1988
 
4/26

Dream Analysis
  Entire Year 1989
 
4/27

Dream Analysis
  Entire Year 1990
 
4/28

Dream Analysis
  Entire Year 1991
 
4/29

Dream Analysis
  February-May 1992
 
4/30

Dream Analysis
  June-December 1992
 
4/31

Dream Analysis
  Entire Year 1993
 
4/32

Dream Analysis
  January-April 1994
 
4/33

Dream Analysis
  May-August 1994
 
4/34

Dream Analysis
  September-December 1994
 
4/35

Dream Analysis
  January-July1995
 
4/36

Dream Analysis
  August-December 1995
 
4/37

Dream Analysis
  Entire Year 1996
 
4/38

Dream Analysis
  January-July 1997
 
4/39

Dream Analysis
  August-December 1997
 
4/40

Dream Analysis
  Entire Year1998
 
4/41

Dream Analysis
  Entire Year 1999
 
4/42

Dream Analysis
  Entire Year 2000
 
4/43

Dream Analysis
  Entire Year 2001
   
Subseries 4:   Business and Legal
  1950-1998
 
box
5


Address Cards
 
 
box/folder
6/1


Artist's Equity Association
  circa 1950s
 
6/2

Blank Contracts, Notes
  Undated
 
6/3

Henry Art Gallery
  1962-1978
 
6/4

Museum of Northwest Art
  1996-1998
 
6/5

Otto Seligman Gallery
  1961-1964
 
6/6

Parks and Recreation Logo-Bellingham
  1967
 
6/7

Seattle Art Museum
  1955-1979
 
6/8

Solicitations, Sales Contracts, Receipts
  1975-1994
 
6/9

Whatcom Museum
  1966-1998
   
Subseries 5:   Projects
  1972-2003
   
Exhibitions
 
   
“Picasso’s Eye: A Subjective Symbolic Process”
 
 
box/folder
6/10


Artist's Statement
  2000
 
6/11

Portfolio from Exhibit
  October 2000
 
6/12 - 6/13

Artistic Development
  circa 1990s, 2000
 
6/14

Exhibit Preparations, Contract, Notes
  2000
   
Artist's Retrospective
  1972
 
6/15

Description, Preparation
  1972
 
6/16

Catalog Development
  1972
 
6/17

KVOS interview with Elaine Horn (transcript)
  1972
   
Community Arts Involvement