Museum of History & Industry
Sophie Frye Bass Library
2700 24th Avenue East
Seattle, WA 98112
Phone: 206-324-1126
URL: http://www.seattlehistory.org



Guide to the Ladies Musical Club Records, 1891-1983


1981.7337





Finding aid prepared by Helice Koffler

Finding aid encoded by, 2006
Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.


Overview of the Collection

 
Repository Name:
 

Museum of History & Industry
Sophie Frye Bass Library

2700 24th Avenue East
Seattle, WA 98112
Phone: 206-324-1126
URL: http://www.seattlehistory.org

 
Collection Number:
 

1981.7337

 
Creator:
 

Ladies Musical Club (Seattle, Wash.)

 
Title:
 

Ladies Musical Club Records

 
Dates:
 

1891-1983 (inclusive)

 
Quantity:
 

33 boxes
15 linear feet

 
Languages:
 

Collection materials are in English. 

 
Summary:
 

The Ladies Musical Club Records comprise minutes, financial records, programs, photographs, scrapbooks, yearbooks and other publications, and some limited correspondence. The records offer a unique insight into the development of Seattle's classical music scene and also provide information on turn of the century Seattle

 
Location of Collection:
 

15a.2.2-6

 

Historical Note

The Ladies Musical Club (LMC) of Seattle was organized officially on March 2, 1891. Twenty-four women attended a meeting at the home of Ellen Bartlett (Mrs. George) Bacon to create a club designed for the purpose of "developing the musical talent of its members, and stimulating musical interest in Seattle." At the very first meeting a constitution and bylaws were adopted. Membership in the club rapidly expanded, the roster having doubled by the end of the club's first year of existence. Most of the original members of the LMC were married middle-class women, who had received musical training. The club provided an important outlet for these trained musicians at a time when few women were able to pursue a professional music career.

The LMC initially offered two categories of membership: active and associate. Each prospective active member had to pass an audition before she was extended an invitation to join the club. Once accepted for membership, an active member was expected to perform regularly at the active members meetings, which were held the fourth Monday of each month from October through May. Associate members were not allowed to perform, but they could participate fully in the monthly "open meetings" and purchase tickets to club concerts. Under the club's first bylaws, associate membership was open only to women, but this category of membership was made available to men by the 1893/94 LMC season. By 1904, a third category of membership was established for students, but it was later discontinued.

An important new feature of club activity was adopted during the club's 1900/1901 season, when the LMC began sponsoring a series of public concerts by professional artists. Under the dedicated management of Rose Gottstein, who served as the concert manager from the program's beginnings until her death in 1939, the club was responsible for bringing some of the most internationally famous singers and instrumentalists of the day to Seattle. Among the performers who appeared during the Gottstein years were Teresa Carreño, Geraldine Farrar, Sergei Rachmanioff, Jascha Heifetz, and Marian Anderson. The artist recital series continued under various names until the 1980s when the increasing costs of booking professional artists of this caliber rose beyond club resources. The LMC, however, still works with the University of Washington to sponsor an annual concert series at Meany Hall.

Benevolent activities also were always an important component of the club's mission. The club helped support musical activity in Seattle early on by providing funds to organizations such as the Seattle Symphony and the Cornish School. It also ran a scholarship program that enabled promising music students to continue their professional training. Other notable early philanthropic ventures included contributions to the Children's Orthopedic Hospital and the Red Cross during the First World War. The LMC continues its long tradition of generosity by providing free concerts for the public at several venues in Seattle each season and through its programs for schools.

Content Description

The Ladies Musical Club Records comprise minutes, financial records, programs, photographs, scrapbooks, yearbooks and other publications, and some limited correspondence.

The LMC records offer a unique insight into the development of Seattle's classical music scene. They also provide information on turn of the century Seattle and include a variety of playbills from Seattle theaters and concert houses.

The scope of the LMC records is quite comprehensive up to the late 1940s. The later records do not included detailed minutes or financial records, but some of this information can be obtained from the yearbooks and scrapbooks. As much as possible, the original organization of the material by the club's archivist has been preserved. Each of the eight series that comprise the LMC records has its own descriptive note.

Arrangement

  • Series I: Artist photographs, 1901-1957
  • Series II: Programs, 1891-1983
    • Subseries A: Artist recitals, 1891-1983
    • Subseries B: Members concerts, 1891-1983
  • Series III: Publications, 1891-1980
  • Series IV: Financial records, 1891-1944
  • Series V: Minutes and other records of meetings, 1891-1954
    • Subseries A: Minutes, 1891-1942
    • Subseries B: Attendance records, 1905-1954
    • Subseries B: Club members
  • Series VI: Scrapbooks, 1891-1983
    • Subseries A: Ladies Musical Club scrapbooks, 1891-1983
    • Subseries B: Mrs. Carlson's scrapbooks, 1929-1966
  • Series VII: Miscellaneous subject files, 1893-1941
    • Subseries A: Anniversaries and histories, 1941-1981
    • Subseries B: Concert manager's files, 1944-1966
    • Subseries C: Miscellaneous subjects, 1893-1941
  • Series VIII: Realia, 1940s

Administrative Information

Acquisition Information 

The first set of materials forming the Ladies Musical Club Records was presented by the club's archivist, Leotta (Mrs. Erroll) Rawson, to the Museum of History & Industry in a ceremony marked by a concert on September 27, 1981. The records donated on behalf of the club at that time consisted primarily of a comprehensive set of yearbooks and scrapbooks, an extensive set of programs, and a large collection of autographed photographs of the many internationally renowned performers who had participated in the club-sponsored series of concerts in Seattle from 1901 through 1939. Other records forming a part of the original gift included minutes and financial records dating from the club's founding through the 1940s. At the time it was decided to fully process the Ladies Musical Club Records, another set of albums containing concert programs from the 1970s and early 1980s, not recorded on the original accession, had been located in the museum. Mrs. Rawson apparently gave these albums to the museum at another time after the date of the initial donation. A set of similar materials, consisting mainly of scrapbooks and photographs, also turned up at the museum. These items came from the collection of Adeline (Mrs. Henning) Carlson, (possibly acquired through Rawson) but this collection apparently was never formally accessioned. The later concert programs and the Carlson materials have been integrated with the records from the original accession.

Processing Note 

Processed by Helice Koffler in 2001.

Use of the Collection

Restrictions on Access 

The collection is open to the public by appointment.

Restrictions on Use 

The Museum of History & Industry is the owner of the materials in the Sophie Frye Bass Library and makes available reproductions for research, publication, and other uses. Written permission must be obtained from MOHAI before any reproduction use. The museum does not necessarily hold copyright to all of the materials in the collections. In some cases, permission for use may require seeking additional authorization from the copyright owners.

Preferred Citation 

Ladies Musical Club Records, Museum of History & Industry, Seattle

Related Information

Bibliography 

Berner, Richard C. Seattle in the 20th Century. 3 vols. Seattle: Charles Press, 1991- 1997.

Blair, Karen J. "The Seattle Ladies Musical Club, 1890-1930." Experience in a Promised Land: Essays in Pacific Northwest History. Ed. Edwards, G. Thomas and Carlos A. Schwantes. Seattle: U of WA Press, 1986.

"How we started." Ladies Musical Club. Home page. Undated. <http://www.lmcseattle.org/lmchistory.htm> (text/html) 

Rawson, Leotta. Unpublished history of the Ladies Musical Club, 1981.

Rhoads, Mary. "Seattle's Ladies Musical Club." Abstract of paper presented at the Pacific Northwest Historians Guild conference (Museum of History & Industry, Seattle. 4 March 2000.). Pacific Northwest Historians Guild. 15 February 2001.

Subjects

Carlson, Adeline
Gottstein, Rose
Seattle (Wash.)
Photographic prints
Publicity photographs
Clubs--Washington (State)--Seattle
Concerts--Washington State--Seattle
Music--Societies, etc.
Women musicians--Washington State--Seattle
Women--Societies and clubs

Detailed Description of the Collection

 

Series I:  Artist Photographs , 1901-1957

Contains standard publicity photographs of the numerous individuals and groups who appeared as guest artists in each annual season of the LMC-sponsored professional concerts that were held in a variety of Seattle theaters beginning in 1901. The majority of the photographs in this series were removed from five albums of photographs collected by Rose Gottstein, who served as the LMC's first concert manager from the inception of the professional artist series in 1901 until her death in 1939. These albums, which were arranged alphabetically by artist, contained photographs of many of the distinguished performers who appeared in the artist recital series. Most of the photographs from these albums were autographed to Mrs. Gottstein. The five albums had been disassembled prior to the current processing of the collection. The present arrangement follows the original order of the photographs in the albums. An autographed photograph of the violinist, Jan Kubelik, is with the oversize materials. The remaining photographs in this series were taken from a group of materials that did not appear on the original accession of LMC records. These items include photographs removed from an album commemorating Adeline Carlson's tenure as concert manager from 1953-1957. These autographed photographs originally were arranged in a chronological sequence, but are now filed alphabetically by artist. Also included in this series is a second set of mostly autographed photographs from Mrs. Carlson's collection, which were found loose in an envelope. These photographs appear to date from Mrs. Carlson's later terms as concert manager (1962-1966). They have been arranged alphabetically by artist. A separate folder of the unsigned photographs taken from this set also has been arranged alphabetically by artist. Other publicity photographs of artists, as well as a few candid performance and post-performance images can also be found in the scrapbooks (Series VI).
 
 
Container(s)
Description
Dates
 
box
1
folder
1

Album 1 -- Artists, A-C
  1901-1940
 
2
Album 1 -- Artists, C-H
  1901-1942
 
3
Album 2 -- Artists, F-G
  1909-1926
 
4
Album 2 -- Artists, G-K
  1904-1935
 
5
Album 3 -- Artists, K-N
  1902-1936
 
6
Album 3 -- Artists, N-W
  1904-1938
 
7
Album 4 -- Artists, S-W
  1923-1939
 
8
Album 4 -- Artists, B-Z
  1902-1930
 
9
Album 5 -- Artists, Flonzaley Quartet & Scotti Opera
  1920
 
10
Album 5 -- Artists, Flonzaley Quartet & Scotti Opera
  1920
 
11
Artists, A-O
  1953-1957
 
12
Artists, P-W
  1953-1957
 
13
Autographed -- Artists, A-C
 
 
14
Autographed-- Artists, D-G
 
 
15
Autographed -- Artists, H-L
 
 
16
Autographed -- Artists, M-R
 
 
17
Autographed -- Artists, S-T
 
 
18
Unsigned -- Artists
 
 
box:oversize
32


Photographs (Autographed) -- Artists, Kubelik, Jan
 

 

Series II:  Programs , 1891-1983

Programs have been arranged into two subseries: Artist recitals and members concerts. The artist recital programs cover the annual series of presentations by professional artists that was sponsored by the LMC. The members concerts series programs includes programs for concerts given by members of the LMC in various settings, including club meetings and free public programs. Gaps in the holdings in this series are supplemented by the programs found in the scrapbooks (Series VI).
 
 
Container(s)
Description
Dates
   
Subseries A:  Artist recitals
  1923-1982
 
Contains playbills, handbills, and broadsides, some of which are annotated with comments such as indications of program changes and encores. From its inception, the artist recital series consisted primarily of vocal, orchestral, or instrumental soloist performances, but later grew to include some operatic productions and dance recitals as well. A wide variety of venues are represented by the programs including, the Metropolitan, Moore, and Palomar theaters, and the Seattle Center Playhouse. This series of professional artist programs was called variously the Artist Recital Course, the Concert Series, the Artist Series, and the International Artist Series. Some of the programs have been autographed by the artists.
 
box
2
folder
1

Programs
  May 25, 1923-November 10, 1931
 
2
Programs
  February 4, 1932-October 21,1936
 
3
Programs
  January 20, 1937-October 25,1938
 
33

Program for Marian Anderson concert [oversize]
  March 1, 1938
 
2 4
Programs
  February 24, 1939-October 23, 1940
 
5
Programs
  February 18, 1941-December 9, 1941
 
6
Programs
  March 24, 1942-November 24, 1945
 
7
Programs
  March 4, 1947-October 15, 1951
 
8
Programs
  January 21, 1952-December 3, 1952
 
9
Programs
  March 18, 1953-November 8, 1954
 
10
Programs
  January 23, 1955-April 23, 1956
 
11
Programs
  November 9, 1956-October 27, 1959
 
12
Programs
  January 11, 1959-March 7, 1962
 
13
Programs
  February 4, 1963-March 8, 1965
 
14
Programs
  January 30, 1967-April 1, 1968
 
15
Programs
  October 14, 1968-November 10, 1969
 
16
Programs
  January 19, 1970-March 15, 1971
 
17
Programs
  October 25, 1971-September 25, 1972
 
18
Programs
  April 8, 1973-March 18, 1974
 
19
Programs
  November 4, 1974-April 28, 1975
 
20
Programs
  March 15, 1976-April 18, 1977
 
21
Programs
  November 28, 1977-April 16, 1979
 
22
Programs
  February 18, 1980-April 26, 1981
 
23
Programs
  November 27, 1982-April 11, 1983
   
Subseries B:  Members concerts
  1891-1982
 
Includes programs for public concerts given by members, as well as recitals given by active members at their regularly scheduled meetings. Called "musicales" early on, he programs for the earliest concerts are simple manuscript or typescript listings of the numbers performed at a given event. Later programs tend to be somewhat more elaborate and detailed. The bulk of these materials (1970-1982) were removed from a set of albums compiled by the program committee. This committee was responsible for arranging the free public concerts given by LMC members that, for many years, were held at the Seattle Public Library. In addition to the programs themselves, some ancillary materials also were found in the albums, including printing proofs for the programs, index cards containing the speaker's introductory notes for concerts, and some correspondence between the scheduled performers and the event organizers (1970-1972). These materials are contained in two separate folders of background notes. Additional programs for various types of member's concerts also can be found in the meetings albums (Series V) and the scrapbooks (Series VI).
 
3 1
Programs
  1891-1894
 
2
Programs
  March 3, 1936-March 27, 1950
 
3
Programs
  1970-1971
 
4
Background notes
  October 1970-February 1971
 
5
Programs
  1971-1972
 
6
Background notes
  April 1971-May 1972
 
7
Programs
  October 8, 1972-May 20, 1974
 
8
Programs
  October 14, 1974-May 10, 1976
 
9
Programs
  July 12, 1976-May 23, 1977
 
10
Programs
  September 26, 1977-May 22, 1978
 
11
Programs
  October 9, 1978-May 21, 1979
 
12
Programs
  October 1,1979-May 18, 1981
 
13
Programs
  September 27, 1981-March 27, 1982

 

Series III:  Publications , 1891-1980

This series is comprised of official club publications including yearbooks, records of season, prospectuses, by-laws, club directories, and newsletters. The yearbooks (or members' books, as their covers read) were annual publications generally containing a list of officers, sketch of work, concert dates, by-laws, constitution, and member lists. The yearbooks were issued on a biennial basis beginning with the 1932/34 edition.


Both the records of season and the season prospectuses contain announcements to the membership regarding plans for the upcoming season, an outline the work of the club, and a listing of members. The design of the prospectuses, however, appears to reflect a distinct emphasis on the growing prominence of the LMC's rapidly expanding professional artist recital series over what earlier had been an established focus on the activities of the club members themselves in the records of season. Unlike the simpler covers of the records of season, the prospectus covers are lavishly decorated with numerous photographers of the performers featured in LMC concerts. Publication of the prospectus appears to have been suspended after the death of concert manager Rose Gottstein in 1939. This series also includes miscellaneous other LMC publications. For example, separate printed by-laws were published in several editions. Other LMC publications, including issues of the newsletter, Notes and Ties, can also be found in the LMC scrapbooks (Series VI).
 
 
Container(s)
Description
Dates
 
box
4
folder
1

Yearbook
  1891-1892
 
2
Yearbook
  1893-1894
 
3
Yearbook
  1894-1895
 
4
Yearbook
  1900/1901-1901/1902 1903/1904-1904/1905
 
5
Yearbook
  1905/1906-1909/1910
 
6
Yearbook
  1910/1911-1913/1914
 
7
Yearbook
  1914/1915-1917/1918
 
8
Yearbook
  1918/1919-1921/1922
 
9
Yearbook
  1922/1923-1925/1926
 
10
Yearbook
  1926/1927-1929/1930
 
11
Yearbook
  1930/1931-1934/1936
 
12
Yearbook
  1936/1938-1942/1944
 
13
Yearbook
  1944/1946-1950/1952
 
14
Yearbook
  1952/1954-1958/1960
 
15
Yearbook
  1960/1962-1966/1968
 
16
Yearbook
  1968/1970-1974/1976
 
17
Yearbook
  1976/1978-1978/1980
 
18
Record of season
  1900/1901-1906-1907
 
19
Season prospectus
  1908/1909-1939/1940
 
20
By-laws
  [1914], 1921, 1923, 1935
 
21
LMC Auxiliary Yearbook
  1941-1942
 
22
21 Years of Progress
 
 
23
LMC Active Members Directory
  1959-1960
 
24
Notes and Ties
  May 1957

 

Series IV:  Financial Records , 1891-1944

Contains various financial records of the club. The club's archivist originally divided these financial records into three different categories: cashbooks, treasury books, and record books. The cashbooks record general club revenue and expenses. There does not appear, however, to be much discernible difference between those items identified as treasury books and those described as record books. Both the treasury books and the record books chiefly list expenses relating to individual seasons or concerts in the artist recital series. Accounting methods vary considerably in formality. Gottstein's original treasury book, described on the accession list as dating from 1900 (item no. 81.7337.311), contained numerous loose receipts, statements, computations, and other materials, dating from 1901-1918, inserted between the pages. These materials have been removed from the book, arranged chronologically, and filed separately. A complete listing of these materials, citing the pages from which they were removed is included as an appendix.
 
 
Container(s)
Description
Dates
 
box
5
folder
1

Cashbook [.305]
  1891-1899
 
2
Cashbook [.306]
  1899-1900
 
3
Treasury Book [.311] (Gottstein's original account book, receipts removed)
 
 
4
Receipts from .311
  1901/1902-1905/1906
 
5
Receipts from .311
  1906/1907-1909/1910
 
6
Receipts from .311
  1910/1911-1912/1913
 
7
Receipts from .311
  1913/1914-1914/1914
 
8
Receipts from .311
  1915/1916-1917/1918
 
9
Receipts from .311
 
 
6 10
Treasury Book [.307]
  1900-1905
 
11
Treasury Book [.308]
  1905-1912
 
12
Record book [.298]
  1915
 
13
Record book [.299]
  1916
 
14
Record book [.301]
  1916/1919
 
15
Record book [.300]
  1919/1921
 
16
Record book [.302]
  1921/1922
 
17
Record book [.303] Scotti Opera
  1920
 
18
Record book [.304] Chaliapin/Farrar
  1922
 
19
Record book
  1923/1924
 
20
Record book
  1924/1925-1925/1926
 
7 21
Record book
  1926/1927-1927/1928
 
22
Record book
  1928/1929-1930/1931
 
23
Record book
  1931-1935
 
24
Record book
  1935-1937
 
25
Record book
  1937-1939
 
box:oversize
13


Treasury Book [.309]
  1934-1940
 


Treasury Book [.310]
  1940-1944

 

Series V:  Minutes and other records of meetings , 1891-1954

This series consists of three subseries: Minutes, attendance records, and meeting albums.
 
 
Container(s)
Description
Dates
   
Subseries A:  Minutes
  1891-1942
 
The surviving minute books have been arranged chronologically and by type. The earliest recording secretary's minute book contains the original club constitution and by-laws. It also contains programs (either transcriptions or pasted in), minutes of various types of meetings, and treasurer's reports. The recording secretary's minutes and scrapbook spanning 1934-1941 includes a report on a gift of $5,000 made to the Children's Orthopedic Hospital in 1940. The minutes of the executive board, which appear in the early recording secretary's minute books, can be found in separate books after 1930. There are no original records for 1919-1929, but some missing information can be found in the yearbooks that cover the period (Series III).
 
box
8
folder
1

Recording secretary's minutes [.317]
  1891-1897
 
2
Recording secretary's minutes [.318]
  1897-1901
 
14

Recording secretary's minutes [.319] [oversize]
  1902-1909
 
15

Recording secretary's minutes [.320] [oversize]
  1909-1918
 
16

Recording secretary's minutes and scrapbook [.321] [oversize]
  1934-1941
 
8 folder
3

Board minutes [.312]
  1930-1936
 
4
Board minutes [.313]
  1936-1942
   
Subseries B:  Attendance records
  1905-1954
 
The membership book (1905-1910) is an alphabetical directory of members and their addresses. The 1938-1943 attendance book records attendance at monthly meetings and the purchase of tickets for individual seasons. The 1942-1954 attendance book consisted of sign-in sheets with member's signatures. These sheets were contained in a loose-leaf binder. The contents of this binder have been removed and divided into two folders.
 
5
Membership book [.314]
  1905-1910
 
9 6
Attendance book [.315]
  1938-1943
 
7
Attendance book [.316]
  1942-October 1948
 
8
Attendance book [.316]
  November 1948-1954
   
Subseries C:  Meetings albums
  1953-1956
 
Consists of three albums containing photographs of club members in performance at active members monthly meetings and public concerts. Programs, sometimes annotated, are also present for most of the events. Many of the performers and some of the other individuals in the photographs are identified. A complete listing of the photographs is available.
 
17

Meetings album [.292] [oversize]
  1953-1954
 


Meetings album [.293] [oversize]
  1954-1955
 


Meetings album [.294] [oversize]
  1955-1956

 

Series VI:  Scrapbooks , 1891-1983

The scrapbooks are arranged chronologically in two subseries: LMC scrapbooks and Mrs. Carlson's scrapbooks.
 
 
Container(s)
Description
Dates
   
Subseries A:  Ladies Musical Club Scrapbooks
  1891-1983
 
The LMC scrapbooks contain clippings, programs, photographs (artist publicity shots and snapshots of club members), publications (e.g. the Notes and Ties newsletter), various publicity material (including flyers and brochures), sample election ballots, correspondence, and invitations. The earliest LMC scrapbooks appear to have been the work of Rose Gottstein. Most of the later LMC scrapbooks have annotations by either the compiler, or Leona Rawson, who served as the club archivist.
 
box
18


Scrapbook no. 1 [.288] [oversize]
  1891-1943
 
19

Scrapbook no. 2 [.289] [oversize]
  1943-1949
 
20

Scrapbook no. 3 [.290] [oversize]
  1949-1956
 
21

Scrapbook no. 4 [.291] [oversize]
  1956-1958
 
22

Scrapbook no. 5 [.295] [oversize]
  1951-1959
 
23

Scrapbook no. 6 [.296] [oversize]
  1959-1966
 
24

Scrapbook no. 7 [.297] [oversize]
  1966-68 1979-1980
 
25

Scrapbook no. 8 [oversize]
  1978-1983
   
Subseries B:  Mrs. Carlson's scrapbooks
  1929-1966
 
These scrapbooks compiled by Adeline Carlson interfile LMC club materials similar to those found in the LMC scrapbooks along with items relating to areas of Carlson's personal life (e.g. holiday cards) and other interests (allied arts organizations, social events).
 
26

Scrapbook [oversize]
  1929-1947
 


Scrapbook [oversize]
  1948-November 1, 1949
 


Scrapbook [oversize]
  November 1949-September 6, 1950
 
27

Scrapbook [oversize]
  September 1950-May 1, 1951
 


Scrapbook [oversize]
  May 1951-February 5, 1952
 


Scrapbook [oversize]
  February 6, 1952-July 14, 1952
 


Scrapbook [oversize]
  July 14-1952-March 13, 1953
 
28

Scrapbook [oversize]
  March 14, 1953-April 3, 1954
 


Scrapbook [oversize]
  April 28, 1954-December 13, 1954
 


Scrapbook [oversize]
  December 1954-January 4, 1954
 
29

Scrapbook [oversize]
  January 3, 1956-November 12, 1956
 


Scrapbook [oversize]
  November 12, 1956-December 16, 1957
 


Scrapbook [oversize]
  December 1957-September 5, 1959
 
30

Scrapbook [oversize]
  September 5, 1959-February 14, 1961
 


Scrapbook [oversize]
  February 13, 1961-April 1962
 
31

Scrapbook [oversize]
  1962-1964
 
32

Scrapbook [oversize]
  1964-1966

 

Series VII:  Miscellaneous subject files , 1893-1981

This series consists of three subseries: Anniversaries and histories, concert manager's files, and, miscellaneous subjects.
 
 
Container(s)
Description
Dates
   
Subseries A:  Anniversaries and histories
  1941-1981
 
Contains originals and copies of different versions of a club history that was prepared by Leotta Rawson, the LMC archivist, and presented on various occasions; a book containing a 1947 inventory of club records at Rawson's house; and one folder of miscellaneous clippings and various handwritten lists of club members, club officers and dates of their terms, and LMC scholarship recipients. Also included in this subseries is a separate folder of programs for several LMC anniversary concerts.
 
box
10
folder
1

Club histories
  1978-1981
 
2
Archivist's notebook
  1947
 
3
Clippings, notes, and lists
 
 
4
Anniversary concert programs
  1941-1981
   
Subseries B:  Concert manager's files
  1944-1966
 
Contains materials from Adeline Carlson's terms as concert manager, including: one folder of promotional materials and other ephemera related to various programs in the artist recital series (1952-1958); one folder of correspondence to the concert manager from Herbert Barrett, the agent for Elie Siegmeister, the performers, Artur Schnabel and Elizabeth Schwarzkopf, regarding their appearances in Seattle; and one folder of clippings, brochures, and the program relating to a concert given by Jacob Lateiner (1966).
 
5
Correspondence
  1944-1960
 
6
Promotional materials
  1952-1958
 
7
Jacob Lateiner concert
  1966
   
Subseries C:  Miscellaneous subjects
  1891-1941
 
Contains one folder with a copy of an appraisal letter regarding the violin and bow given to Julius Durleshkaivich as part of an aid package presented to him in 1909 by the LMC to support his music studies. Also included in this folder are transcriptions of reviews of Durleshkaivich's performances, a program for one of his concerts, and a photograph of the violinist. Oversize items in this subseries include a photograph of LMC charter members taken at the 1941 anniversary meeting at the D.A.R. house in Seattle and an 1893 certificate of recognition to the LMC from the Columbian Exposition.
 
8
Durleshkaivich violin appraisal
  1925-1941
 
33

Photograph of charter members [oversize]
  1941
 


Certificate of recognition [oversize]
  1891

 

Series VIII:  Realia , 1940s

 
Container(s)
Description
Dates
 
box
11


Lead plate reproducing 1891 program for 1941 concert
 
 
12

Two printing plate reproductions of photographs of Joseph Szigeti
  circa 1940