The Jane Hamilton
Hovde and Annis Jorgen (A.J.) Hovde papers
Dates:
1932-2003 ( inclusive )
Quantity:
9.5 Linear Ft. (14 Boxes)
Collection Number:
XOE0016hovde
Summary:
The Hovde Papers document the creative
life of Pacific Northwest artist Jane Hamilton Hovde and her husband, Western
Washington University professor and poet A.J. Hovde. Jane's creative process is
reflected in her writings, sketches, notes, and clippings while A.J.'s is
reflected in his poems and short fiction stories. Also included are
biographical materials in the form of journals and correspondence.
Repository:
Western Washington University Center for Pacific Northwest Studies
Funding for preparing this
finding aid was provided through a grant awarded by the Washington State
Legislature to the Washington Women's History Consortium. Funding for encoding
the finding aid was awarded by the National Endowment for the
Humanities.
Biographical Note
Jane Hamilton was born in 1921 on the tugboat “Northwest” in the seas
of Rosario Strait, Washington State. She and her sister and brothers were
raised on Blakeley and Whidbey Islands. Jane traveled a few miles north to
attend Western Washington College of Education in Bellingham. While studying
English and art, she met Annis Jorgen (A.J.) Hovde. A.J. came to Bellingham
from Edmonds, Washington. Born the youngest of eleven children in 1917 in
Alberta, Canada, his family moved to Washington State when he was seven years
old. After high school, A.J. worked in sawmill and lumber employment, including
the Civilian Conservation Corps, until 1939 when he enrolled in Western
Washington College of Education.
In 1942, Jane received her teaching certificate from Western
Washington College. That same year she married A.J. - immediately before his
departure for a three-year tour in World War II. In 1944, she completed her
Bachelor’s of Arts in Creative Writing from University of Washington. After
A.J. reunited with Jane in Seattle, he also finished his degree with a
Bachelor’s in English in 1947. While A.J. studied at the University of
Washington, Jane continued her artistic education. She attended private lessons
with Mark Tobey, the enigmatic Northwest painter, as well as full-time
coursework in the University of Washington's art department. During the winter
of 1947, the couple lived in New York City where she attended the Art Students’
League and he continued work on his Master’s degree. A.J. Hovde received his
M.A. in English from the University of Washington in 1949.
In 1948, the Hovdes settled in Bellingham with employment at Western
Washington State College. However, the Hovdes took several substantial sojourns
from Bellingham. They spent a year in Palo Alto, California while A.J. studied
at Stanford from 1951 to 1952. Then, after hosting W.H. Auden during his visit
to Bellingham, they accepted an invitation to stay as guests at the poet’s
villa on the island of Ischia, Italy, from 1955 to 1956. Other ventures
included hosting students on a study-abroad program to Greece in 1970, and an
artists-in-residence program at Virginia Center for the Creative Arts, Sweet
Briar, Virginia, in 1980. In Bellingham, A.J. built both the family’s homes
where he and Jane raised their daughters Karen and Kathy.
Jane began exhibiting her work in 1947 with yearly showings in the
Seattle Art Museum’s Annual Exhibition of Northwest Artists. Recognition began
with the 1953 first prize at the Washington Territorial Centennial Show for
“Nets and Driftwood.” The 1950s, 1960s and 1970s were industrious decades,
reflecting her firm establishment as a Northwest artist. Exhibitions continued
through her 1972 Retrospective and the 2000 Exhibit “Picasso’s Eye: A
Subjective Symbolic Process,” both held at Whatcom Museum of Art and History in
Bellingham. Jane’s works appeared nationally with traveling exhibits of the
Seattle Art Museum and the Smithsonian Institution; while living in Italy, she
exhibited in Rome. Her paintings and drawings reside in private collections and
the permanent collections of the Seattle Art Museum, the Whatcom County Museum
of History and Art and the Virginia Center for the Creative Arts. Jane’s early
artistic style reflected a semi-abstract treatment of landscapes and scenes she
observed in the Pacific Northwest and Italy. Many subjects include beach and
fishing images such as fishnets and driftwood. Through the decades, her images
became more abstract and expressionistic, eventually emphasizing her interest
in Jungian symbolic imagery.
A.J. wrote both poetry and fiction from a young age. Publishing as
early as 1947, his acceptance in literary journals and magazines grew to well
over a hundred publications. He began his teaching career at Western Washington
State College in 1948. In 1967, A.J. and other faculty members joined to form
Fairhaven College, an experimental division of Western Washington State
College. In 1968 he and Jane published Hovde Folio 10:10, a combination of
their works. He retired from his professorship in 1981. He kept journals - of
World War II, the family’s various travels, and everyday affairs – until his
death in 1984.
Content Description
The Hovde Papers measure 9.2 linear feet, spanning the dates 1932 to
2003, documenting the creative life of Pacific Nortwest artist Jane Hamilton
Hovde and her husband, Western Washington University professor and poet A.J.
Hovde. Jane’s papers consist of biographical material, journals,
correspondence, notes, writings, subject and project files, business records,
sketches, printed material about the artist and other artists, photographs,
slides of the artist’s works, and a college scrapbook that chronicles the
courtship of Jane and A.J. in the early 1940s. A.J. Hovde’s papers consist
primarily of biographical information, journals, and his writings, including
non-fiction, poetry, short fiction and full-length fiction manuscripts.
Both subseries include informative biographical material. Jane’s
journals devotedly chronicle her adolescence and twenties. Her correspondence
(mostly incoming) demonstrates her interactions with other artists and art
galleries and institutions, educators, and critics. Correspondents include June
Burn, W.H. Auden, Kenneth Callahan, San Francisco art critic Al Frankenstein,
Dolly Connolly, Paul Woodring, poet William Stafford, professor James Jarrett,
and Glenn Wessells (including a copy of his correspondence from Hans Hoffman).
Business records and printed material reveal the exhibitions of her works and
her activities in the art world of the second half of the 20th century. Her
creative process is reflected in her writings, sketches, notes, and clippings.
A collection of dream journals includes Jungian-based interpretations of Jane’s
dreams from 1973 to 2001. These are restricted to academic research by
permission till 2020 A.D.
Both subseries include informative biographical material. Jane’s
journals devotedly chronicle her adolescence and twenties. Her correspondence
(mostly incoming) demonstrates her interactions with other artists and art
galleries and institutions, educators, and critics. Correspondents include June
Burn, W.H. Auden, Kenneth Callahan, San Francisco art critic Al Frankenstein,
Dolly Connolly, Paul Woodring, poet William Stafford, professor James Jarrett,
and Glenn Wessells (including a copy of his correspondence from Hans Hoffman).
Business records and printed material reveal the exhibitions of her works and
her activities in the art world of the second half of the 20th century. Her
creative process is reflected in her writings, sketches, notes, and clippings.
A collection of dream journals includes Jungian-based interpretations of Jane’s
dreams from 1973 to 2001. These are restricted to academic research by
permission till 2020 A.D.
Both Jane’s and A.J.s papers include photographs. The photos in
Jane’s collection include images of her artworks, her at work, and personal
scenes such as wedding and family pictures, ranging from her infancy to 2000
A.D. Photographs of A.J. date from his youth, and span through the 1970s.
Use of the Collection
Restrictions on Access :
A collection of dream journals including Jungian-based interpretations
of Jane Hamilton Hovde's dreams from 1973 to 2001 are restricted to academic
research by permission till 2020 A.D.
Preferred Citation :
The Hovde Papers; Jane Hamilton Hovde and Annis Jorgen (A.J.) Hovde,
Center for Pacific Northwest Studies, Western Washington University Bellingham
WA 98225
Administrative Information
Arrangement :
The Papers are organized in accordance with the following series and
subseries arrangement:
Series 1: Jane Hamilton Hovde, 1921-2003 (1940-2003)
Subseries 1: Biographical Material, 1934-2003
Subseries 2: Correspondence, 1940-2002
Subseries 3: Research/Writing, circa 1950-1983
Subseries 4: Business and Legal, 1950-1998
Subseries 5: Projects Box, 1972-2003
Subseries 6: Printed Material, circa 1940-1999
Subseries 7: Art Work, circa 1968-1979
Subseries 8: Photographs and Slides, 1921-2000
Subseries 9: Filmed Interviews, 1972-1978
Series 2: Annis Jorgen (A.J.) Hovde, circa 1933-1984
Subseries 1: Biographical Information, 1933-1984
Subseries 2: Journals, 1942-1984
Subseries 3: Correspondence, 1954-1980
Subseries 4: Subject Files, 1960-1981
Subseries 5: Writings, circa 1960-1980s
Subseries 6: Photographs, Undated
Acquisition Information :
Jane Hamilton Hovde donated collection materials to the Center for
Pacific Northwest Studies in March 2003.
Processing Note :
Sarah Nelson processed the collection for the Center for Pacific
Northwest Studies in 2003.
Detailed Description of the Collection
The following section contains a detailed listing of the materials in
the collection.
Series I: Jane Hamilton Hovde, 1921-2003, (bulk
1940-2003)
Container(s)
Description
Dates
Subseries
1:: Biographical
Material
1934-2003
Box/Folder
1/1
Resumes, C.V.s
1978-1998
1/2
“Hovde: An Epitome of the Life of Styles in Art” by
Tom Sherwood
1972
1/3
“Jane Hovde Exhibit”,write-up by M. Boylan
1972
1/4
“Jane Hovde, Artist”
1946-1983
1/5 - 1/8
Journals
1934-1939, ; 1942-1947, ; 1954
1/9
Journals
circa 1950s
1/10
Journals
circa 1970s
1/11
Journals
1980s
1/12
Journals
1990s
1/13
Journals
1998-2003
Subseries
2: Correspondence
circa 1940-2002
Box/Folder
2/1
W.H. Auden
1954-1955
2/2
June Burn
circa 1950s
2/3
Al Frankenstein
1962-1966
2/4
James Jarrett
1998-1999
2/5
Paul Woodring
1994
2/6
Correspondence
circa 1940s
2/7
Correspondence
1950-1954
2/8
Correspondence
1955-1959
2/9
Correspondence
1960-1964
2/10
Correspondence
1965-1969
2/11
Correspondence
1970-1974
2/12
Correspondence
1975-1979
2/13
Correspondence
circa 1980s
2/14
Correspondence
circa 1990s
2/15
Correspondence
2000-2002
Subseries
3: Research/Writing
circa 1950-1983
Alphabetical Subject
Files
Box/Folder
2/16
Animals, Birds, Creatures
Undated
2/17
Asian Motifs
Undated
2/18
Human Forms
Undated
2/19
Letters, Fonts, Words
Undated
2/20
Symbolic Imagery (I)
Undated
2/21
Symbolic Imagery (II)
Undated
2/22
“The Art of the Japanese Screen”
circa 1970s
2/23
“Compound Angles, Shadows, Images"
circa 1990s
2/24
“Creativity in Old Age”
2000
2/25
“Death With Daddy, Neat and Tidy” (I)
1980-1983
2/26
“Death With Daddy, Neat and Tidy” (II)
1980-1983
2/27
“Death With Daddy, Neat and Tidy” (I)
1980-1981
2/28
“Death With Daddy, Neat and Tidy” (II)
1980-1981
2/29
Discussions with Glenn Wessells
circa 1950s-1980s
3/1
"Dreams"
Undated
3/2
“Father Mac and Acrobats”
1978-1988
3/3
"Hands"
Undated
3/4
Jimmy Pickett (I)
1967-1994
3/5
Jimmy Pickett (II)
1967-1994
3/6
"Jung Alchemy"
Undated
3/7
"Jung and Kinds of Love" audiotape of lecture by Dr.
James Jarrett
1994
3/8
Notes from Mark Tobey Lessons
1947
3/9
“Pennsylvania Dutch designs, peasant designs”
Undated
3/10
Printmaking
circa 1970s
3/11
Women in Art I
1960-1990s
3/12
Women in Art II
1960-1990s
Teaching Art
Box/Folder
3/13
"Teaching Ideas"
Undated
3/14
"Teaching Ideas for Painting"
circa 1960s-1980s
Writings
Box/Folder
3/15
Creative Writing (college)
1940-1941
3/16
Creative Writing (college)
1940-1941
3/17
Notes, lists
Undated
3/18
"Return of the Rib,"
Undated
3/18
"Cezanne and a Bowl of Mush"
1960
Writings by
Others
Box/Folder
3/19
Draft of William Stafford introduction to Selected
Poems by A.J.Hovde, illustrations by Jane Hamilton Hovde
1981
3/20
Dolly Connolly’s Introduction to Jane Hamilton
Hovde’s Retrospective
1972
3/21
Fairhaven College Students
1977
Writings: Dream Analysis (Restricted)
1973-2001
Box/Folder
4/1
Dream Analysis
March-July 1973
4/2
Dream Analysis
January-December 1974
4/3
Dream Analysis
January-July 1975
4/4
Dream Analysis
August-December 1975
4/5
Dream Analysis
January-February 1976
4/6
Dream Analysis
March 1976
4/7
Dream Analysis
April-August 1976
4/8
Dream Analysis
September-December 1976
4/9
Dream Analysis
January-February 1977
4/10
Dream Analysis
March-June 1977
4/11
Dream Analysis
July-December 1977
4/12
Dream Analysis
January-March 1978
4/13
Dream Analysis
April-December 1978
4/14
Dream Analysis
January-March 1979
4/15
Dream Analysis
April-December 1979
4/16
Dream Analysis
January-July 1980
4/17
Dream Analysis
August-December 1980
4/18
Dream Analysis
Entire Year 1981
4/19
Dream Analysis
Entire Year 1982
4/20
Dream Analysis
Entire Year 1983
4/21
Dream Analysis
Entire Year 1984
4/22
Dream Analysis
Entire Year 1985
4/23
Dream Analysis
Entire Year 1986
4/24
Dream Analysis
Entire Year 1987
4/25
Dream Analysis
Entire Year 1988
4/26
Dream Analysis
Entire Year 1989
4/27
Dream Analysis
Entire Year 1990
4/28
Dream Analysis
Entire Year 1991
4/29
Dream Analysis
February-May 1992
4/30
Dream Analysis
June-December 1992
4/31
Dream Analysis
Entire Year 1993
4/32
Dream Analysis
January-April 1994
4/33
Dream Analysis
May-August 1994
4/34
Dream Analysis
September-December 1994
4/35
Dream Analysis
January-July1995
4/36
Dream Analysis
August-December 1995
4/37
Dream Analysis
Entire Year 1996
4/38
Dream Analysis
January-July 1997
4/39
Dream Analysis
August-December 1997
4/40
Dream Analysis
Entire Year1998
4/41
Dream Analysis
Entire Year 1999
4/42
Dream Analysis
Entire Year 2000
4/43
Dream Analysis
Entire Year 2001
Subseries
4: Business and
Legal
1950-1998
Box
5
Address Cards
Box/Folder
6/1
Artist's Equity Association
circa 1950s
Box/Folder
6/2
Blank Contracts, Notes
Undated
Box/Folder
6/3
Henry Art Gallery
1962-1978
Box/Folder
6/4
Museum of Northwest Art
1996-1998
Box/Folder
6/5
Otto Seligman Gallery
1961-1964
Box/Folder
6/6
Parks and Recreation Logo-Bellingham
1967
Box/Folder
6/7
Seattle Art Museum
1955-1979
Box/Folder
6/8
Solicitations, Sales Contracts, Receipts
1975-1994
Box/Folder
6/9
Whatcom Museum
1966-1998
Subseries
5: Projects
1972-2003
Exhibitions
“Picasso’s Eye: A Subjective
Symbolic Process”
Box/Folder
6/10
Artist's Statement
2000
6/11
Portfolio from Exhibit
October 2000
6/12 - 6/13
Artistic Development
circa 1990s, 2000
6/14
Exhibit Preparations, Contract, Notes
2000
Artist's
Retrospective
1972
Box/Folder
6/15
Description, Preparation
1972
6/16
Catalog Development
1972
6/17
KVOS interview with Elaine Horn (transcript)
1972
Community Arts
Involvement
Box/Folder
7/1
A.J. Hovde Scholarship
1988-2003
7/2
Al Swift High School Arts Competition
1985-1994
7/3
Committees, Juries
1970-1997
Subseries
6: Printed Material
circa 1940-1999
Box/Folder
7/4
Exhibition Announcements
1945-1954
7/5
Exhibition Announcements
1955-1959
7/6
Exhibition Announcements
1960-1964
7/7
Exhibition Announcements
1965-1969
7/8
Exhibition Announcements
1970-1974
7/9
Exhibition Announcements
1975-1979
7/10
Exhibition Announcements
1980-1990
7/11
Exhibition Announcements
circa 1990s
7/12
Clippings About the Artist
1945-1954
7/13
Clippings About the Artist
1955-1959
7/14
Clippings About the Artist
1960-1964
7/15
Clippings About the Artist
1965-1969
7/16
Clippings About the Artist
1970-1974
7/17
Clippings About the Artist
1975-1979
7/18
Clippings About the Artist
1980-1990
7/19
Clippings About the Artist
circa 1990s
8/1
Articles and Clippings on Other Artists
circa 1940s
8/2
Articles and Clippings on Other Artists
circa 1950s
8/3
Articles and Clippings on Other Artists
circa 1960s
8/4
Articles and Clippings on Other Artists
circa 1970s
8/5
Articles and Clippings on Other Artists
circa 1980s
8/6
Articles and Clippings on Other Artists
circa 1990s
8/7
Clippings of Paintings of Other Artists
circa 1940s-1980s
Subseries
7: Artwork by Jane Hamilton
Hovde
circa 1968-1979
Box/Folder
8/8
"Hovde Folio 10:10"
1968
8/9
Literary Journal Illustrations
1968-1979
8/10
Original Sketches
8/11
"People" (copies of sketches)
Undated
8/12
Printed Versions of Jane Hamilton Hovde's
Works
Various dates
8/13
Sketches (copies of)
Undated
Oversize
Folder 1
“Chuckanut Island” print of drawing
1978
Subseries
8: Photographs, Slides,
Scrapbooks
1921-2000
Box/Folder
9/1
Al Swift High School Arts Contest Jurors
1988-1994
9/2
Photos of Art Work (I)
Various dates
9/3
Photos of Art Work (II)
Various dates
9/4
Photos of Art Work (III)
Various dates
9/5
Exhibit: Bellingham Artists
1963
9/6
Exhibit: Picasso’s Eye (I)
2000
9/7
Exhibit, Picasso’s Eye (II)
2000
9/8
Friends of the Hovdes – Farrar and June
Burn
Undated
9/9
Jane Hamilton Hovde
1921-2000
9/10
Jane Hamilton Hovde at Work
circa 1940s-1970s
9/11
Italy
1956
9/12
Slides of Art Work
circa 1940s-2000
9/13
Slides by Subject: “Picasso’s Eye”; Jane Hamilton
Hovde, residence, studio; Dream Subjects; Ink of Whatcom and Skagit Landscapes;
Italy; Ink; Pencil
1956-2000
10/1
Scrapbook of Jane Hamilton Hovde & A.J. Hovde
1941-1942
Oversize
Folder 2
Photo of Jane Hamilton Hovde in studio
Undated
Subseries
9: Filmed
Interviews
1972-1978
Box/Folder
11/1
Color interview with Jane Hovde by Elaine Horn for
KVOS-TV; Black & white interview with Jane Hovde by Elaine Horn for KVOS-TV
(originals on 16 mm film, duplicate copy on VHS, duplicate copy on
DVD)
1972
11/2
"Folklore Symposium: the Legend of Jimmie Pickett,"
with Jane Hovde and Lynn Bettis, KVOS TV (original on U-matic video cassette,
duplicate copy on VHS, duplicate copy on DVD)
This collection is indexed under the following headings in the online
catalog. Researchers desiring materials about related topics, persons, or
places should search the catalog using these headings.
Personal Names :
Auden, W. H. -- (Wystan Hugh) -- 1907-1973.
Burn, June -- (1893-1979)
Callahan, Kenneth, -- (1905-)
(
creator)
Frankenstein, Alfred Victor, --(1906)
Hovde, A. J. -- (Annis J.) -- Archives.
(
creator)